- Jayne Blanchard published Baltimore Waltz's got crazy, randy rhythm at Rep Stage4 days ago · comment (0)
I don't want to miss a thing!
A roundup of some of this week’s theatrical news and notes from The Kennedy Center, Washington Stage Guild and Signature Theatre.
Gabrielle Fulton’s Uprising is receiving a rolling premiere, opening at MetroStage on September 17. 2015. She was the 2011-2012 National New Play Network Playwright-in-Residence at Atlanta’s Horizon Theatre Company. Her directorial debut, Ir/Reconcilable, was selected as an HBO® Short Film Competition Finalist at the 2014 American Black Film Festival. Fulton, who earned her B.A. at […]
This article is based, in part, on research done for DCTS’ presentation at the Smithsonian Museum on Aug 20, 2015.
You can see a play in this town for nothing or next to nothing. You can also pay over a hundred bucks. Mostly it depends on what you want to see, where you want to […]
Martyna Majok’s new play, Ironbound, opens September 9 at Round House Theatre. She was born in Bytom, Poland, and aged in Jersey and Chicago. Her plays include Mouse in a Jar, the friendship of her thighs, Petty Harbour, reWilding, and Woman at the Well. Her plays have been performed and developed at Steppenwolf Theatre Company, […]
Are you a Shakespeare fan who might not have the funds available to see a show at the Shakespeare Theatre Company, or maybe just haven’t had something to push you in the right direction?
Well, STC’s annual Free For All might be just right for you. The Washington tradition has the theatre offering free performances […]
Karen Zacarías’ new play Destiny of Desire opens September 11 at Arena Stage at the Mead Theater for American Theater. Her award-winning plays include The Book Club Play, Legacy of Light, Mariela in the Desert, The Sins of Sor Juana, the adaptations of Just Like Us and How the Garcia Girls Lost Their Accent plus many more. She collaborated on the libretto for Sleepy […]
One comfort in losing my mother at the age of 66 is that she comes to me in my dreams. Many nights, we get nocturnal do-overs as she stands before me healthy, warm and whole—the mother I remember, the mother as familiar to me as breathing.
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