Godspell

By Ronnie Ruff

Live

Way back in 1970 John Michael Tebelak, Godspell’s writer, attended Easter Sunday church services and left feeling depressed. He was quoted at the time as “feeling the stone was being rolled to close the tomb instead of opening it.” On the way home, the police stopped him and searched for drugs because of his long hair. He thus received his inspiration for Godspell. Songwriter Stephen Schwartz’s music and lyrics for Godspell have withstood the test of time. He was the first composer-lyricist to have three successful Broadway shows running simultaneously: Godspell, Pippin, and The Magic Show. His newest show Wicked is a major success and undoubtedly has lead to renewed interest in Godspell.  Noble Heart’s interpretation of Godspell is theatre with a wonderful, enthusiastic feel that takes the production to another level. It is common knowledge that smaller theatre companies have small budgets. However, many of the smaller companies are fortunate to have performers that give their all to the production, thereby overcoming budgetary shortcomings. Such is the case with this production in the Southern Maryland town of Indian Head, where the talent within the cast makes this a must see production.

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Agnes Of God

by Walter Ruff

Agnes Of God

John Pielmeier’s Agnes of God is a sensitive disturbing and electrifying play being revived in a new production at The DC Arts Center by Omaemoda Productions over twenty years after its original Broadway run. A new born baby has been found dead, umbilical cord wrapped about its neck, in a trash can in the room of a young nun. The nun, a simple, childlike young woman, was found, lying unconscious suffering from massive blood loss, does not remember conceiving the baby or its birth and subsequent death. Prior to her trial for murder, the court has ordered that Agnes have a psychiatric evaluation to determine her fitness to stand trial. So sets the stage in Adams Morgan for a flawed but enjoyable production that is truly a sum of its parts. The play examines the character of three Catholic women, Dr. Livingston, Mother Miriam and Agnes and the emotional baggage they carry. Filled with disclosures revealing how really pained these women truly are we find neither Mother Miriam nor Dr. Livingstone are as impartial or unprejudiced as they lead you to believe. Both have agendas driven by their past and neither is willing to back down.

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The Intelligent Design of The Intelligent Design of Jenny Chow

by Noelle D. Wilson

Photo Studio Theatre Second Stage

Did you read the title? Gosh, I’m almost too clever for my own good. Speaking of cleverness (I do the very best segue ways, too), there really is something remarkably intelligent about The Intelligent Design of Jenny Chow. And while a person ought to expect a thoroughly synapse-popping experience during an evening of live theatre, it’s completely unexpected from a play about an agoraphobic in her mid-twenties who may or may not have built (and then lost) a robot. You heard me right, folks. This play features Chinese character Jennifer Marcus, a twenty-two year old robotics and engineering genius who is completely and totally petrified of leaving the house. She has only one friend, a pot-smoking pizza delivery boy named Todd, and the added emotional weight of having been adopted into an affluent American family, complete with all the affluent American family traits; busily working parents, a suffocating lack of communication, and an equally suffocating lack of compassion. And, like all the adopted daughters of affluent American families, Jennifer Marcus feels an overwhelming need to connect with her birth mother in China. But how will she do that while still remaining clean and germ-free in her bedroom? The result of that quandary is Jenny Chow, a robot with an intellectual capacity as well a top-notch propulsion system. Jenny Chow helps poor Jennifer Marcus to meet her mother, but the result is only upsetting to Jennifer. Soon after Jenny’s return, a fight with her adopted mother sends young Jennifer into a set of spastic fits second only to a very bad epileptic seizure, during which Jenny Chow is sent off into the wild blue yonder and, as far as we know, never seen again.

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