Gingham Dog

Produced by – African Continuum Theater

By: Debbie Minter Jackson

The breakup of a marriage is always hard to watch. The nastier the better only works to sell tabloids sporting celebrities shot in unflattering, compromised positions accompanied by exposes and come-uppance storylines. There is no vicarious thrill while catching the death rattle of the sad couple in Lanford Wilson’s, Gingham Dog, the season opener at the African Continuum Theater, and therein lies the crux of the problem with the script. At least the tabloids are enticing, appealing in their own sick way, and stir up enough interest to secure a purchase and a surreptitious peek among the pages. The sad leavings of Wilson’s couple offer nothing of the kind, nor do the characters go kindly and gently onto the next stages of their lives. No, they are stuck in a thrashing battle of wills divvying up the pitiful remains of their three-year marriage, and we are hapless witnesses to the unpleasant results.

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MetroStage Succeeds Swimmingly

By Ronnie Ruff Podcast: Joel Markowitz

Girl In A Goldfish Bowl — MetroStage

Written with a pop sensibility that brings out the dimples during a smile, Girl In A Goldfish Bowl is the sugar in your tea, the cherry on your sundae. But lest you think that sweetness is its only attribute I beg you to think again. This play’s underpinnings are the day to day troubles of a broken family as remembered by a young girl. Sadness, loneliness, alcoholism, and falling out of love all play roles in this Canadian family that must discover the origin and plans of the mysterious stranger in their home and answer the real question…. is this man my dead goldfish?

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