King of Cool - The Life and Music of Nat King Cole
Produced by MetroStage
Reviewed by Debbie Minter JacksonJimi Ray Malary’s return to MetroStage in Alexandria, in King of Cool: The Life and Music of Nat King Cole is a silky smooth treat. Having caught his rendition of “Duke” Ellington earlier this year, I was prepared for Malary’s velvety tones, impeccable elocution and master showmanship. In this show, however, I believe he has even outdone himself. His voice is so naturally suited to Nat Cole’s music that the songs seem tailor made for him. Close your eyes and you’ll hear a phrase or a passage or cascade of notes that sound more like Cole than Cole himself. There’s no mimicking or parroting happening here –Ray’s voice and delivery are just perfect for this material. Backed by the coolest cats in a jazz trio this side of the Blue Note—William Knowles on piano, Yusef Chisholm on bass, and David B. Cole on guitar— Malary’s performance is an evening of pure delight. At one point, I caught the guitarist watching Malary with enthusiastic enjoyment, then he closed his eyes and tilted his head bobbing in the groove before his cue to join the number. That wasn’t an act –the dudes just seriously enjoy their art, and it shows.
A particularly gifted singer, Jimi Ray works with phrasing like the old school performers—Billy Eckstein, Joe Williams, even good ‘ole blue-eyes Frank Sinatra took phrasing to a whole new level. It’s an art form that you don’t hear today in this digital era of McSongs, and easily identifiable in an evening filled with such artistry. “Oh, so That’s what a gorgeously turned phrase sounds like.” Malary also has a good time connecting to the audience with a twinkle in his eye and that radiant smile, exploring the heart of a song, and filling in the short background sketches between numbers. Admittedly, the sing-song cadence of the poetry wears thin in spots, but the insider tips are a treasure—such as how he became Nat “King” Cole from his given name Nathaniel Adams Coles, his transition from instrumentalist to vocalist, juicy tidbits about his wives, including Natalie’s mom, his mastery of both luck and style, and the context of history and social realities, including civil rights.
Along with his unique vocal gifts, Nat Cole had a smooth and effortless gracefulness that he was able to parlay into his own TV show, and movie appearances—such feats were unparalleled, especially for a black performer who was denied his share of front door entrances. Malary relates all of this and more with easygoing charm and appeal. And then and always, there is that voice, which is an absolute marvel of nature. The ballads such as ‘Mona Lisa’, and even ‘Paper Moon’, demonstrate an unparalleled command of the music. He ends the first act with a powerpacked delivery of ‘Don’t get Around Anymore,’ and adds even more punch in Act II with the old standards ‘Sunny Side of the Street,’ ‘Crazy Days of Summer,’ and of course, ‘Unforgettable.’ Jimi Ray Malary proves that not only can he glide through an octive’s range without a break, but he can also belt out a tune in perfect pitch and control. Having one or the other ability is a gift, to do both is, well, “Unforgettable.” Package all that talent with a personable, fun-filled style, along with being easy on the eye – catch him in that white tux in the second act, priceless — and you’ve got a winning combination and a surefire hit that is not to be missed. King of Cool: the Life and Music of Nat King Cole, is playing at Metro Stage, 1201 North Royal Street, Alexandria, VA, Thursdays and Fridays at 8, Saturdays at 5:30 and 8:30, and Sundays at 3 and 7. For ticket reservations call 703-548-9044 or http://www.metrostage.org/.
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on Wednesday, December 13th, 2006 at 2:53 pm and is filed under Our Reviews.
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