As in previous Olney productions, the set design was visually stunning. The glamorous parlor nearly glows in various amber shades and hues; the entire set feels expansive. When the upstage double doors are periodically left open, there are hints of a hallway that opens to yet another huge parlor, reinforcing a sense of depth and serious bank. Scenic designer and lighting guru James Wolk and Dennis Parichy respectively, seem to have a symbiotic and joined at the hip approach to nestling the set in its own little cosmopolitan world with a huge building framed in the back shadows with windows aglow. Finally, the costume designer Liz Covey merits more than a passing mention tailoring suits, colorful vintage dresses and swirling skirts and hats to die for– a church lady could be tempted to snatch and run for one Robinette’s expansive brims.
Who knew that W. Somerset Maugham could be such a hoot? Best known as writer of heavy laden novels, Maugham also apparently authored some twenty-five plays, with four running simultaneously in London in 1904. The writing is acerbically funny and well paced whether during the cat and mouse sequences or confessions of mass disclosure. The Constant Wife is as relevant and entertaining today as during its original run, and Olney has added just the right touch to make this elegant jewel sparkle again.
The Constant Wife at Olney Theatre, 2001 Olney-Sandy Spring Road, Olney, MD, runs through March 11, Wed- Fri at 8, Saturday at 2 and 8, Sunday at 2 and 7:30. Ticket: $25 – $46. For further information visit their website or call: 301.924.3400
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