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Archive for March, 2007

Family Secrets

Written and performed by Sherry Glaser    

Produced by Theater J                        

Reviewed by Debbie Minter Jackson

Framily Secrets

Sherry Glaser as Mort

Family Secrets at Theater J introduces us to the kooky Fisher family sharing poignant moments in their lives. In this one woman tour-de-force, Sherry Glaser takes on the walk, talk, accoutrement and mannerisms of the proverbial father Mort, clinically depressed mother Bev, hippie daughter Fern renamed Kahari, teenager from hell Sandra, and a liberated Grandma Rose. Glaser’s portrayals seem effortless as she embodies and inhabits the various characters with realism and love. Each has his/her own sense of presence and movement, and Glaser has them all down pat, as evidenced by their various approaches to sitting in the big salmon colored overstuffed armchair centerstage (set adapted for Theater J by Thomas Howley.) At rise, the father sits dressed in a three-piece pin-striped suit, including an old fashioned link chained pocket watch (vintage 1980’s), talking, actually, doing more listening on the telephone. From the character’s first moments, with his repeated monosyllabic responses, "Uh huh…uh huh" maybe eight times, in a style used throughout the entire montage, Glaser relays a sense of functioning in real time– no editing, no condensing to make anything more convenient, palatable, nothing is scrubbed. If Papa needs to pick something out of his nose, so be it. There’s nothing pretentious about any of the characters, and while that might make them exasperating, it also adds an endearing, real world quality to them. That’s probably what contributed to the play’s success as the longest running one-woman off-Broadway performance—the "that’s my neighbor or family member" instant recognition, or maybe even, "hey, that’s me." She’s that honest. (more…)

Wednesday, March 14th, 2007

Theatre Schmooze

Yankee Doodle Boy, Rapping Slaves and Feline Memories – Purr!

By Joel Markowitz

Jeffrey Shankle is a Yankee Doodle Dandy! This multi-talented pistol can tap dance, glide along the stage, perform cane tricks and sings with a beautiful, lyric tenor voice. He also is one helluva server. I learned that first hand at a matinee of George M on Sunday, March 10th.

When I first saw Jeffrey perform, he was one of the Newsboys in Signature Theatre’s production of Gypsy, and his stage presence and charm sparkled on the stage. His gorgeous voice and energetic dancing have filled Toby’s-The Dinner Theatre of Columbia’s small venue as Jimmy Smith in Thoroughly Modern Millie, Bill Calhoon in Kiss Me Kate, Fred Gailey in Here’s Love, and now as George M. Cohan in George M.

(more…)

Wednesday, March 14th, 2007

George M

George M

Jeffrey Shankle, star of Toby Dinner Theater’s George M! talks with Joel Markowitz about what it’s like to play Broadway’s greatest showman, George M. Cohan, then bring extra dessert to table 6.  The musical bio featuring the well-loved songs written by Mr. Cohan, continues at the Columbia dinner theatre through June 10th.

 Click here.

 
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Wednesday, March 14th, 2007

Doubt

By John Patrick Shanley
 
Produced by MTC Productions at the National Theatre
 
Reviewed by Tim Treanor

Doubt

(l to r) Lisa Joyce and Cherry Jones (Photo: Craig Schwartz)

 
Of all the great dramas our best contemporary playwrights have written, including Wit, Proof and Angels in America, Doubt is the one most likely to be remembered two generations from now in the way we now remember Streetcar and Death of a Salesman. Dense, penetrating and wise, it invites its audience to commit an act of moral honesty. Much like the protagonist, Sister Aloysius (Cherry Jones), Shanley relentlessly chases down difficult choices in this play, and in so doing, makes us face them too. (more…)

Wednesday, March 14th, 2007

Directing History

A talk with Director Timothy Douglas

By Debbie Minter Jackson

Production photos by Colin Hovde

On opening weekend for Insurrection: Holding History, DCTR reviewer Debbie Minter Jackson sat down with its director, Timothy Douglas.

Mr. Douglas, who has accepted directing assignments throughout the country, is perhaps best recognized as the director chosen by August Wilson to direct the world premiere of Mr. Wilson’s final play Radio Golf for Yale Repertory Theatre. Most recently he directed a workshop of a modern adaptation of Ibsen’s Rosmersholm for the National Theatret in Oslo and premiered its production off-Broadway. In Washington, he directed the 2000 world premiere of The Last Orbit of Billy Mars for Woolly Mammoth Theatre Company.

(more…)

Tuesday, March 13th, 2007

Bach at Leipzig

Bach at Leipzip

(l to r) Bruce Nelson, Karl Kippola, and Matt Dunphy (Photo: Stan Barouh)

‘Can they really play the organ?’ ‘How hot are those costumes?’ ‘How did Ms Campbell end up with an all-male cast?’ All that and more are revealed in this amusing interview taped when Joel Markowitz caught up with actors Bruce Nelson, Bill Largess and director Kasi Campbell, rehearsing for their upcoming production of Bach at Leipzig at Rep Stage.

Click here.

 
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Tuesday, March 13th, 2007

Holy Ghosts

By Romulus Linney

Produced by Spooky Action Theater and Arts Alive Theatre at Montgomery College

Reviewed by Tim Treanor

Holy Ghosts

Cast of Holy Ghosts (Photo: Micah Hutz)

Holy Ghosts, a play set amidst a congregation of Pentecostal snake-handlers, could have dripped with condescension, irony and crass humor – a sort of "Ernie Goes to Church." Instead, playwright Romulus Linney chose to write a moving and funny account of unsophisticated people in moral and emotional crisis, and Spooky Action Theater’s somewhat uneven but honest and authentic production does it justice.

(more…)

Monday, March 12th, 2007

37 Stones

or The Man Who Was a Quarry

By Mark Charney

Produced by Charter Theatre at Theatre on the Run

Reviewed by Tim Treanor

37 stones

Jane E. Petkovsky and Michael Skinner (Photo: Ray Gniewek)

The “stones” to which the title of this new Mark Charney play refers are kidney stones. These are crystalline structures which attach to the kidney walls of anyone unfortunate enough to be afflicted by them. Eventually, they pass through the genito-urinary system and out through the urethra. The pain is thought to be among the most excruciating experienced by men.

If so, 37 Stones is right up there with it. Every moment of this two-hour-and-fifteen-minute experience – some of it funny, some of it sharply observed, much of it well-performed – is an acid-bath swim in the noxious, toxic wastewater of a family so irredeemably depraved as to make the Manson family look like the Osmonds. And – this is the worst part – it’s a comedy.

(more…)

Sunday, March 11th, 2007

The Family Secrets of Sherry Glaser

Sherry Glaser

 

 

Sherry Glaser, whose one woman off-Broadway show Family Secrets has just opened at Theater J, sits down with Joel Markowitz to talk about creating this play about her family, why Miami was her tryout town, her life today, and her secret to changing the world.

Family Secrets at Theater J continues through April 15th. 

Click here.

 
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Saturday, March 10th, 2007

The Full Monty

Produced by Toby’s Dinner Theatre of Baltimore

Joel Markowitz gets down to the bare facts with the men of The Full Monty.

The Full Monty

 In a fast and funny after-show chat, Joel talks with the guys about  their characters, the auditions, and being naked. Featured are: Ray Hatch (Horse), Steve Antonsen (Jerry Lukowski), Daniel McDonald (Dave Bukatinsky), David James (Ethan Girard) and David Bosley-Reynolds (Harold Nichols).

  Click here.
 
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Thursday, March 8th, 2007