Richard Seff Joins DCTS

SUPPORTING PLAYER BECOMES LEAD PLAYER FOR DC THEATRE SCENE

Dec 28 — Broadway quadruple-threat – actor, agent, author and librettist – Richard Seff will join the staff of DC Theatre Scene effective January 1, DCTS Editor Lorraine Treanor announced today. Seff, the author of the well-received Broadway autobiography, SUPPORTING PLAYER: My Life Upon the Wicked Stage, will write a column entitled “Broadway His Way”. [Read more...]

Brooks Returns to Tamburlaine

Fri, Dec 28 – Avery Brooks, whose recent injury halted production of the Shakespeare Theatre’s production of Tamburlaine, has recovered sufficiently to rejoin the cast and the play will resume production on Saturday, December 29.Brooks plays the title character in the Christopher Marlowe play, which inaugurated the company’s new Harman Hall space.Brooks’ injury, the nature of which the company did not specify, stopped production because his understudy had recently left the cast to attend to a family emergency. The new understudy, Bill Christ, had not been on board long enough to learn the immense part.

Tamburlaine will continue through January 6. You may obtain tickets to see Tamburlaine, (or Edward II, with which it is running in rep) by visiting http://www.shakespearetheatre.org/ or calling 202.547.1122.

2008 Wish List

My End of Year Schmooze

by Joel Markowitz 

So none of my readers can accuse me of being listless, here are my two end of the year lists:

1 – WOULDN’T THE 2008 THEATRE SEASON BE SHEER BLISS IF…

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Shlemiel the First

  • Shlemiel the First
  • Based on the story by Isaac Bashevis Singer
  • Conceived & adapted by Robert Brustein
  • Music by Hankus Netsky & Zalman Mlotek
  • Lyrics by Arnold Weinstein
  • Directed by Nick Olcott & Michael Russotto
  • Produced by Theater J
  • Reviewed by Gary McMillan

Shlemiel the First is a triple threat: a “ho hum” score, a ham-handed book treatment, and a single set apparently last seen on the Hee Haw soundstage. The directorial baton was passed from Nick Olcott to Michael Russotto during the rehearsal period, so some of the unevenness may stem from lack of continuity.

[Read more...]