Getting Personal – 2008 Helen Hayes Nominees

Thanks to the nominees who responded to this year’s spotlight feature, to the theater companies who helped us gather responses and photos and especially to Linda Levy Grossman and the Helen Hayes Awards for their support of our project. For the complete list of nominees, go to The Helen Hayes Awards.

For easier reading, we abbreviated the original questions. To read the actual questions, click here. For our salute to the Producers, click here.

Our featured nominees are:

Keith Alan Baker, Christopher Cazenove, Gabriela Fernandez-Coffey, Ed Dixon, Timothy Douglas, Jessica Dukes, Tina Fabrique, Phillip Fletcher, Harriett D. Foy, Matthew Gardiner, Edward Gero, (in Part 2) Karla Hamilton, Marva Hicks, Bill Irwin, Tim Jerome, Dan Kazemi, Irakli Kavsadze, Susan Kellerman, Motti Lerner, Erik Liberman, Eric Lucas & Kerry Lucas, Robert McClure, William Foster McDaniel, Monique L. Midgette, Donna Migliaccio, Lawrence B. Munsey, Matthew M. Nielson, Kate Eastwood Norris, Guy Paul, (in Part 3) Mary Beth Peil, Salma Qarnain, Reggie Ray, Lawrence Redmond, Kelli Sawyer, Serge Seiden, Sekou (tha Misfit), Shirley Serotsky, Howard Shalwitz, J. Fred Shiffman, Bobby Smith, Andrew Sonntag, Alexander Strain, Eddie Sugarman, Regina Marie Williams, Dana Yeaton, Christopher Youstra

[Read more...]

Getting Personal, Part 2

-   A continuation of our spotlight on the 2008 Helen Hayes nominees, which begins here.

Featured in this segment are: Karla Hamilton, Marva Hicks, Bill Irwin, Tim Jerome, Dan Kazemi, Irakli Kavsadze, Susan Kellerman, Motti Lerner, Erik Liberman, Eric Lucas & Kerry Lucas, Robert McClure, William Foster McDaniel, Monique L. Midgette, Donna Migliaccio, Lawrence B. Munsey, Matthew M. Nielson, Kate Eastwood Norris, Guy Paul

[Read more...]

Getting Personal, Part 3

  • More in our spotlight feature on the 2008 Helen Hayes nominees, which begins here.
  • Featured in this segment are: Mary Beth Peil, Salma Qarnain, Reggie Ray, Lawrence Redmond, Kelli Sawyer, Serge Seiden, Sekou (tha Misfit), Shirley Serotsky, Howard Shalwitz, J. Fred Shiffman, Bobby Smith, Andrew Sonntag, Alexander Strain, Eddie Sugarman, Regina Marie Williams, Dana Yeaton, Christopher Youstra

    [Read more...]

    Getting Personal, Part 4

    This is the final installment in our series Getting Personal.

    Salute to the Producers:

    Without producers, a play would be words on paper; actors, directors, and designers would have nowhere to work their art, and stages would be silent. Here’s to those producing companies who risk their resources and reputations for the love of a play.

    The work honored in this year’s Helen Hayes Awards is thanks to these companies:

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    [Read more...]

    39 Steps Moves to Broadway

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    The 39 Steps, The Fifth Column, The Slug Bearers of Kayrol Island, Ghosts

    by Richard Seff, NY Theatre Buzz columnist

    [Read more...]

    Curtain Call – the 2009 Helen Hayes Nominees, Part 2

    Welcome to Part 2 of our interviews with 2009 Helen Hayes nominees [Read more...]

    Curtain Call – 2009 Helen Hayes Nominees, Part 3

    Welcome to Section 3 of Curtain Call – the 2009 Helen Hayes Nominees featuring [Read more...]

    2009 Questionnaire to Helen Hayes Nominees

    Here are the original questions posed to our nominees. In our 2009  Helen Hayes nominee published  interviews,  some questions were abbreviated for readability.

    Outstanding Performance Nominations

    1.    Briefly describe your character for us.

    2.    How did you connect to the character?

    3.    What was the most surprising thing that happened during the run?

    4.    What was your favorite moment in the play?

    5.    Other than your own work, what were your favorite performances from the past year?

    6.     What are you working on now?

    Outstanding Direction Nominations

    1.    What attracted you to this project?

    2.    What was the most challenging scene to direct and why?

    3.    Which was your favorite moment in the show?

    4.    How did the final run of the show compare to what you had in mind at the start of rehearsals?

    5.    If you could work with anyone in the theatre, living or dead, who would it be and why?

    6.    What’s next?   (Next?)

    Outstanding Musical Direction Nominations

    1.    What attracted you to this project?

    2.    What was most challenging about working with this score?

    3.    What was the best thing you did for this production?

    4.    If you could work with anyone in the theatre, living or dead, who would it be and why?

    5.    Is there a particular work of art you would like to see turned into a musical and why?

    6.    What’s next?

    Outstanding Choreography

    1.    What attracted you to this project?

    2.    What was most challenging about working on this play?

    3.    Which was your favorite moment in the show?

    4.    When was the last time you performed as a dancer?

    5.    If you could choreograph for anyone in the theatre, living or dead, who would it be and why?

    6.    What would your dream dance assignment look like?

    7.    What’s next?

    Outstanding Lighting, Set, Sound, Costume Designers

    1.    What was most challenging about designing for this show?

    2.    What’s the best thing you did for this production?

    3.    What new technology in the last few years has contributed the most to your art?

    4.    What would be your dream project?

    5.    What’s next?

    Outstanding Playwrights, Librettists, Composers

    1.    What inspired you to create this piece?

    2.    From the time you began the writing, what has been the play’s biggest surprise?

    3.    When did you finish the play?

    4.    What has been your biggest challenge?

    5.    Did you see the DC production?

    6.    (If yes) which scene or moment did you most especially like?

    7.    Which other plays of yours will be produced in the coming year?

    Outstanding Production

    1.    What was there about this play that made you choose it?

    2.    How did you first learn of the play?

    3.    Of all the elements you juggled while mounting the production, which was most challenging?

    4.    What about this production makes you most proud?

    Outstanding Ensemble

    1.    When did you first realize there was something special about working with this cast?

    2.    What moment(s) in the play do you think best exemplify the ensemble’s work?