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Getting Personal, Part 4

⊆ April 2nd, 2008 by lorraine treanor | ˜

This is the final installment in our series Getting Personal.

Salute to the Producers:

Without producers, a play would be words on paper; actors, directors, and designers would have nowhere to work their art, and stages would be silent. Here’s to those producing companies who risk their resources and reputations for the love of a play.

The work honored in this year’s Helen Hayes Awards is thanks to these companies:

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  • THE QUESTIONS
  • We abbreviated the questions shown in this year’s Getting Personal. Here are the abbreviated questions / followed by the actual questions asked of the nominees.
  •  ChoreographyWhy this show?  /  What attracted you to this project?Greatest challenge  /  What was most challenging about working on this play?Favorite moment  /  Which was your favorite moment in the show?

    If you could work with anyone in the theatre, living or dead, who would it be and why?

    Next  /  What’s next?

    Designers:  Lights, Costumes, Set, & Sound Design

    Why this play?  /  What attracted you to this project?

    Greatest challenge  /  What was most challenging about designing for this show?

    Your best contribution  /  What’s the best thing you did for this production?

    If you could work with anyone in the theatre, living or dead, who would it be and why?

    Next  /  What’s next?

  • DirectorsWhy this play?  / What attracted you to this project?Most difficult scene  /  What was the most difficult scene to direct and why?Surprise  /  What was the most surprising that that happened during the rehearsal process?

    Favorite moment  /  Which was your favorite moment in the show?

    If you could work with anyone in the theatre, living or dead, who would it be and why?

    Next  /  What’s next?

    Musical Direction

    Why this show?  /  What attracted you to this project?

    Greatest challenge  /  What was most challenging about working with this score?

    Your best contribution  /  What was the best thing you did for this production?

    If you could work with anyone in the theatre, living or dead, who would it be and why?

    Next  /  What’s next?

  • Outstanding Production & Outstanding Ensemble
  • What attracted you to this particular play? Why was this play a perfect fit for your company?Of all the elements you juggled while mounting the production, which was most challenging?What about this production makes you most proud?
  • Performers
  • The character  /  Describe your character for us
  • Connecting  /  How did you connect to the character?Surprise  /  What was the most surprising thing that happened during the run?Favorite moment  / What was your favorite moment in the play?Favorite performances  / Other than your own work, what were your favorite performances from the past year?Next  /   What’s next?

    Playwrights, Librettists, Composers

  • Surprise  /  From the time you began the writing, what has been the play’s biggest surprise?
  • What has been your biggest challenge?Favorite moment  /  Which was your favorite staged moment?Next  /  Which other plays of yours will be produced in the coming year?
  • This ends our series ‘Getting Personal: the 2008 Helen Hayes Nominees.
  • To read it from the beginning, click here.
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