Jerry Springer the Opera

Jerry Springer: The Opera
Music by Richard Thomas . Book and lyrics by Stewart Lee and Richard Thomas
Directed by Keith Alan Baker
Co-director/Choreography by Matthew Gardiner
Produced by Studio 2ndStage
 Reviewed by Gary McMillan

Jerry Springer, television personality: inane, profane, insane.  Studio Theatre’s Jerry Springer: The Opera: audacious, outrageous, stupendous.

Heidi Blickenstaff

From Meet John Doe, to Little Mermaid to [title of show]. 

Fringe Wrapup

Well, the shows are over, the Fort Fringe tents have come down, and we imagine the Fringe crew is off on a well-deserved break.  But not before they announced their Pick of the Fringe winners voted on by you, the audience.

Fringe Scene Stealers 3

By Joel Markowitz

South Asian American Dance

South Asian American Dance  
Reviewed by Danielle Martin

 Tehreema Mitha Dance Company combined classic South Asian dance with contemporary concepts innovating both form and the notion of borders

You Must Remember These

The Marriage of Bette and Boo, Bash’d, Damn Yankees and Broadway’s Rising Stars
by Richard Seff

 Two Chris Durang plays in a week! Mr. Durang is raking it in from these two early plays alone.   Proof that one’s children can be of help in one’s older age.

Thicker than Water

Thicker than Water  
Reviewed by Tim Treanor

 A Fringe Festival invites artists to take risks, and undertake radically innovative techniques to remake storytelling anew. In Thicker than Water, writer-actor Annie Houston uses the riskiest, most radical, and oldest storytelling technique of all: honesty.

Gasoline Hits $10 a Gallon

eXtreme eXchange: Gasoline Hits $10 a Gallon    
by Danielle Martin

eXtreme eXchange’s Fringe offering Gasoline Hits $10 a Gallon took over Woolly’s mainstage yesterday in partnership with the Fringe Training Factory.

Songs of My Life

Songs of My Life/Going Against the Flow 
Reviewed by Miranda Hall
In the green-purple darkness of the 9:30 Club, languages mingle coolly above casual pre-show music. A trim woman wearing a black dress with enviable twirl potential snakes knowingly through the crowd.

One for the Road

One For The Road  
Reviewed by Hunter Styles
Aristotle insisted that a tragedy should evoke “pity and fear.” At its best, drama may stir a sense of humanity in those who bear witness. Something’s been lost, then,

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