Composer Jason Robert Brown

October 31, 2008 by Joel Markowitz  
Filed under Theatre Schmooze

Composer Jason Robert Brown on his newest works:13, Trumpet of the Swan, his children’s book “Tickety-Tock”and on Open Circle’s unique production of Songs for a New World
By Joel Markowitz
Jason Robert Brown’s beautiful scores of The Last 5 Years and Parade has been produced by several DC theatre companies. Last year Jason’s incredible piano playing was [...]

Best Costume at Diamond Dead Wins $100

October 30, 2008 by lorraine treanor  
Filed under News and Views

Landless Theatre is throwing out a costume challenge to its audiences coming to see its show about the zombie rock band Diamond Dead on Halloween: best costume - and they are the judges of that - wins $100.  Diamond Dead is being reprised from its Capital Fringe debut for two 10:30 pm performances only: Fri [...]

Two Companies Capture Pre-Election Drama

October 29, 2008 by lorraine treanor  
Filed under News and Views

Beginning tonight, and extending over these last few days running up to the Nov 4 presidential election, XX (eXtreme eXchange) and Georgetown University -  are presenting their examinations, not of the candidates, but of the voters themselves.

Honey Brown Eyes

October 28, 2008 by Debbie Jackson  
Filed under Our Reviews

Honey Brown Eyes
written by Stefanie Zadravec
directed by Jessica Lefkow
produced by Theater J
reviewed by Debbie Minter Jackson
Ethnic cleansing.  Serbians and Croatians. Sarajevo.   There was a time, not long ago when these terms and names were as unfamiliar as ancient languages or distant planets.  It wasn’t long before everyday Americans got a crash course in world geography [...]

Naomi Jacobson Wins Lunt-Fontanne Fellowship

October 28, 2008 by lorraine treanor  
Filed under News and Views

Naomi Jacobson, the chameleon-like character actor whose work in such diverse pieces as A Bridge Too Far, Maria/Stuart, Dead Man’s Cell phone and State of the Union has won her widespread Washington critical acclaim, has been awarded a Lunt-Fontanne Fellowship by the Ten Chimneys Foundation, the Foundation announced yesterday.

Meet the Altar Boyz

October 27, 2008 by Joel Markowitz  
Filed under Our Podcasts

LET’S HEAR IT FOR THE BOYZ!
Joel Markowitz interviews the cast of Altar Boyz
Joel Markowitz had a heavenly time schmoozing with five talented young singers, actors and dancers who are burning up the Bethesda Theatre Stage, listening to confessions, and saving the souls of it’s wildly applauding audiences.

 
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As American As

October 27, 2008 by Janice Cane  
Filed under Our Reviews

As American As
by Ken Prestininzi
directed by Shirley Serotsky
produced by Journeymen Theater Ensemble
reviewed by Janice Cane
The premise of the dark comedy As American As is promising. What is the ultimate price of freedom and security? What does it mean to be patriotic in our post-9/11 world? How much would we sacrifice for our country? One family [...]

The Missiles of October

October 26, 2008 by Tim Treanor  
Filed under Our Reviews

The Missiles of October
adapted by Karey Faulkner from a teleplay by Stanley R. Greenberg
based in part on the book “Thirteen Days” by Robert F. Kennedy
directed by Karey Faulkner
produced by The Heritage Theatre Company
reviewed by Tim Treanor
Heritage, a relatively young company which, as its mission, produces plays about American history, presents us with an adaptation of [...]

The Hand

October 25, 2008 by Rosalind Lacy  
Filed under Our Reviews

The Hand (La Mano)
by playwright German Madrid
directed by Antonia Castillo
produced by Carro de Baco, Barcelona, Spain, and Teatro De La Luna
reviewed by Rosalind Lacy
The Hand (La Mano), by German Madrid, Spain’s gift to Teatro de la Luna’s Eleventh International Festival of Hispanic Theater is a mordantly witty puzzler, the kind of breathtaking one-act that’s [...]

Irma La Douce, A Body of Water, Romantic Poetry

October 24, 2008 by Richard Seff  
Filed under NY Theatre Buzz

Irma La Douce, A Body of Water, Romantic Poetry
by Richard Seff
Mel Miller has been bringing Musicals Tonite to New Yorkers since 1998. What are they?  They are a sort of watered down version of Encores!, which means only that they are staged concert readings produced on a tiny budget in a small theatre, with [...]

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