October 24, 2014
Sex with Strangers . Chris Klimek . City Paper
Absolutely [perhaps] . Doug Rule . MetroWeekly
Elmer Gantry . Chris Klimek . City Paper
Elmer Gantry . Charles Shubow . BroadwayWorld
DCDead . Riley Coghan . DCist
“I don’t always agree with my fellow critics, but I still value what they have to say – it balances against my own views. …we’re the start of the critical conversation around the theatre, not the end.” Mark Shenton . The Stage (UK)
Closes Nov 9
Rebecca Evans . DCTheatreScene Every fifteen minutes of Luigi Pirandello’s absurdist play brings a new comical gimmick
Doug Rule . MetroWeekly . might as well be called TMZ, since nearly everyone acts as employees do at that modern-day media tabloid
Riley Coghan . DCist pretty enough to look at and funny enough to be well worth your time. Definitely. Maybe
Pamela Roberts . BroadwayWorld Ashley Ivey as Lamberto Laudisi propels the play forward with great fun and flair.
Terry Ponick . DigiNews a farcical, fun, obsessional fusillade of half-truths, one-liners, faux profundities and outright lies
Chris Klimek . City Paper the lasting impression is of a joke with a long, convoluted setup and a slender, confusing punchline.
Roger Catlin . MDTheatreGuide this fun and fast-moving kaleidoscope of color and cunning fills the bill absolutely (and not just perhaps).
Jane Horwitz . Washington Post eye-catching but frustrating
Michael Poandl . DCMetroTheaterArts fast paced, colorful, and cheesy in the best way.
Closes Oct 26
Jennifer Perry . DCTheatreScene sacrifices depth for rapid-fire plot points and easy laughs.
Roger Catlin . MDTheatreGuide playwright Goldsmith isn’t quite sure what direction to take Danny Boy — a serious statement on little people in society or a gag-filled farce.
Leslie Weisman . DCMetroTheaterArts It’s not often that theatergoers have the rug of common assumptions pulled out from under them and enjoy both the trip and the landing.
Itai Yasur . BroadwayWorld a lively, hectic, and on-the-level comedy.
Closes November 1
Ryan Taylor . DCTheatreScene I had a hell of a lot of fun zombie-slaying my way through my old Fringe haunts. So much, in fact, that I’m already gathering a team for a return trip. Maybe I’ll even make it out alive this time.
Riley Coghan . DCist You really feel like Will Smith or some other action hero Chris Klimek . City Paper “The stairs up to Redrum”—one of Fort Fringe’s stifling second-story theaters—“are like the Exorcist stairs. We knew wouldn’t have to do any set-dressing.”
Jamie McGonnigal . BroadwayWorld for thrills and screams – make sure DC Dead moves to the top of your list.
DRIVING MISS DAISY
Closes Oct 26
Jeffrey Walker . DCTheatreScene [Nancy Robinette] … the gifted actress inhabits the role as if it were written for her.
Roger Catlin . MDTheatreGuide rolls start to finish like a well cared for Packard,
Nelson Pressley . Washington Post tools around smoothly, thanks to the confidently low-throttled, purring performances by Craig Wallace and Nancy Robinette.
Jennifer Perry . BroadwayWorld anything but a same-old kind of production of a familiar play.
Michael Poandl . DCMetroTheaterArts Authentic, heartfelt, and deeply entertaining…
Closes Nov. 9
Tim Treanor . DCTheatreScene The first Act is easy to take, if a little light; and the second Act packs a real wallop
Chris Klimek . City Paper Pollock’s slinky athleticism and his seductive way of down-tuning the last word of a line make it feel like Matthew McConaughey’s part.
Charles Shubow . BroadwayWorld just plain heavenly
Missy Frederick . Washingtonian Signature Theatre is doing everything it can to make Elmer Gantry sing; there just probably should be a little less singing.
Iain Armitage (video review) Miss Nova, to hear her sing, is like a wonderland for your ears.
Keith Loria . Theatermania Pollock shines in the title role of the Depression-era evangelist who has trouble balancing religion and sopranos.
Peter Marks . Washington Post a smooth and confident ride, especially when it’s cruising along on the Bible-thumping vocal power of a cast 20 strong.
Brian Bochicchio . MDTheatreGuide sprinkled with faith, ambition, and unbridled passion
Bessel and Brasswell . DCMetroTheaterArts the musical numbers are the highlight of the show
FETCH CLAY, MAKE MAN
Closes Nov. 2
Tim Treanor . DCTheatreScene Power has not simply written a history play (and believe me, Fetch Clay is as much a history play as Richard II.) He has brought history to life.
Susan Berlin . TalkinBroadway Orman brings dignity and self-possession—as well as a dark sense of humor—to his portrayal of Fetchit.
Peter Marks . Washington Post an interesting undercard to history.
Chris Klimek . City Paper a pair of extraordinary lead performances that meet the challenge of inhabiting two of the most famous men of the 20th century.
Sydney-Chanele Dawkins . DCMetroTheaterArts has race politics on its mind but at its heart this knockout of a story is about identity.
Roger Catlin . MDTheatreGuide an exhilarating night at the theater that, dare I say it, could also be considered a knock out.
Lorna Mulvaney . BroadwayWorld the over-ambitious script and unexciting scenic design fail to live up to their subject matter.
Closes Nov 16
Lynne Menefee . MDTheatreGuide Megan Anderson keeps you captivated for 75 minutes as the character rides a roller coaster of human emotion.
Gina Jun . DCMetroTheaterArts an absorbing, emotionally-brimming, one-woman drama
THE ISLAND OF DR. MOREAU
Closes Nov. 2
Jennifer Clements . DCTheatreScene theatre for the haunted house set—with heightened plot, characterization, and production values one would expect
Chuck Conconi . Washington Life this production never feels menacing even though it has its bloody moments.
Kate Wingfield . MetroWeekly the music and dance carry this production and they alone are more than enough to make this an exciting interpretation of H.G. Wells’ strange tale
Susan Berlin . BroadwayWorld a chilling story
Maya Oliver . MDTheatreGuide exhilarating to watch.
Chris Klimek . City Paper A sci-fi tale about an island of tragic monsters is ripe vessel for the choreographers and the design team to go nuts. They do.
Andrew White . BroadwayWorld Move over, Bela Lugosi: there’s a new smooth-talking villain in town, and he wants your flesh. Not to drink it mind you, he just wants to slice-and-dice it a bit.
David Siegel . DCMetroTheaterArts not yet an altogether satisfactory theatrical production. There is something missing; a deep emotional resonance to go along with the showmanship…
JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS
Closes Oct 26
John Dellaporta . DCTheatreScene a fine-voiced quartet of actor/singers, all rich in stage presence and wit … Sometimes we’ll laugh, sometimes we’ll cry, sometimes we’ll do both simultaneously.
Kim Moeller . DCMetroTheaterArts a show for music lovers.
Benjamin Tomchik . BroadwayWorld charming
Andrew White . MDTheatreGuide with Virginia Rice’s musical direction you will find yourself floating effortlessly from tune to tune.
LA VIDA BREVE
Closes Nov 1
Rosalind Lacy . DCTheatreScene a tragic opera about an impassioned gypsy girl who loves too much and not well.
Jessica Vaughan . DCMetroTheaterArts The singers are impressive, the music is fun
Closes November 9
Alan Katz . DCTheatreScene moments that reach for power and soul, but never quite get there.
John Harding . DCMetroTheaterArts dazzles with performers rather than spectacle
Mark Beachy . MDTheatreGuide this musical is electrifying and a must see!
Jack L.B. Gohn . TheBigPicture fiery, precise dancing, tuneful belting of catchy songs, great period costumes.
Steve Charing . BaltimoreOutLoud should not be missed.
Mary Johnson . BaltimoreSun “Memphis” proves that no smash hit is too big for Toby’s to produce with pizazz.
Amanda Gunther . TheatreBloom it’s the dancing that turns heads.
NEXT TO NORMAL
Closes Nov. 16
Jayne Blanchard . DCTheatreScene affirms the manic magnificence of Kitt and Yorkey’s words and music in a visually stunning production
Tim Smith . Baltimore Sun
Anthony C. Hayes . Baltimore Post Examiner Less than lyrical rock musical meanders aimlessly at Centerstage
Charles Shubow . BroadwayWorld enjoyed it so much, I’m going to return to see it again!
Gina Jun . DCMetroTheaterArts Spectacularly daring, brilliantly unconventional and bittersweet,
Amanda Gunther . TheatreBloom The strongest performances were delivered surprisingly from the supporting characters
THE NIGHT FAIRY
Closes Oct 26
Jayne Blanchard . DCTheatreScene Ditch the Disney princesses and all that pink. Fairies, especially night fairies with their dark eyes and shimmering garb of midnight blue, are feistier and more fun.
Jane Horwitz . Washington Post Enchants but could use a bit more magic
Julia L. Exline . DCMetroTheaterArts If you ever believed in the magic of fairies, then this show will bring you back to that feeling of warm wonder
Lorna Mulvaney . BroadwayWorld not the gentlest of stories
SEX WITH STRANGERS
Closes Dec. 7
Jayne Blanchard . DCTheatreScene a booty call with brains.
Chris Klimek . City Paper It’s the sexiest show of the year, but you’ll love it for its mind.
Susan Berlin . TalkinBroadway serious yet funny and sexy play
Peter Marks . Washington Post a high-end bodice-ripper — albeit minus the purple prose.
Jennifer Perry . BroadwayWorld strong acting and the timely, provocative, and challenging script
David Siegel . DCMetroTheaterArts an easy crowd-pleaser on its polished comic surface, but, oh what a delicious depth it has!
Closes October 26
Debbie Jackson . DCTheatreScene Hovde works wonders with the actors portraying multiple characters sometimes at lightening speed…
Jane Horwitz . Washington Post Start with a big, old-fashioned attic, cluttered with trunks and tennis rackets and hat boxes.
Amanda Gunther . TheatreBloom The 63rd season kicks off with a jubilant squeak
Benjamin Reiser . BroadwayWorld hilarious physical comedy
Julia L. Exline . DCMetroTheaterArts The story of Stuart Little (an energetic performance by Chris Dinolfo) is an interesting one…
THE TAMING OF THE SHREW
Closes Nov 2
Tim Treanor . DCTheatreScene Pallas Theatre Collective, as it has in the past, shows great ambition in tackling this formidable Shakespearian comedy,
Robert Michael Oliver . DCMetroTheaterArts not only funny and feisty but the play’s ethical conundrum is negotiated and transformed.
Closes November 9
Alan Katz . DCTheatreScene a high-tempo musical that does Anton Chekhov proud.
Susan Berlin . Talkin’Broadway The women drink wine, reminisce, toss recriminations at each other, and try to bridge the gaps between them—but the show only really comes to life when the women sing.
Celia Wren . Washington Post From the moment in which these splendid performers make their entrance, buoyantly parading down the aisle as they sing a gospel number titled “In My Father’s House,” you’re always on tenterhooks waiting for another song.
Brian Bochicchio . MDTheatreGuide a powerhouse show that rocks the house
Michael Poandl . DCMetroTheaterArts foot-tapping, gut-busting and tear-jerking family drama
THE WOLFE TWINS
Closes Nov. 2
Jennifer Clements . DCTheatreScene No one in this play is without a secret, and twist by twist they come to light.
Ellen Burns . BroadwayWorld Despite being too long, The Wolfe Twins is provocative and entertaining, and shows a great deal of promise.
Sophia Howes . DCMetroTheaterArts Small, surprising moments are the pleasures of The Wolfe Twins