Eurydice

eurydiceEurydice
By Sarah Ruhl
Directed by Derek Goldman
Produced by Roundhouse Theatre
Reviewed by Debbie Minter Jackson

Sarah Ruhl is a free and truly original thinker, and I give her props for thinking out of the usual browbeaten proverbial Greek drama box in envisioning the story.  The tale as told from the action-packed perspective of Orpheus usually extols his rousing journey to join his new bride trapped in the Underworld.  In Ruhl’s hands, the tide is turned and we see the world of lost love and yearning from the perspective of Eurydice. [Read more...]

Kick-Butt Women

kickbuttKick-Butt Women (Mujeres al Poder)
based on the play, Lady Godiva by Jean Canolle
Adapted and directed by Mario Marcel
Produced by Teatro De La Luna
Reviewed by Rosalind Lacy

Let’s hear it for acts of common sense and defiance that change history. The original Lady Godiva myth may not be based on an actual event. But let’s pretend, as the French playwright Jean Canolle did, that the myth really happened. [Read more...]

Following The Tapioca Miracle

tapioca2The Tapioca Miracle – Part Two
by Joel Markowitz

The musical – that most complex collaborative theatrical form – poses the biggest risks and rewards for its creators. If the creative mix is right, if the show gets constructive feedback and support in its early stages, if the writers make wise decisions in rewrites, and the show gets lucky enough to attract talent and investors, we might – just might – be able to see the birth of a brand new musical. [Read more...]

Financial Crisis Brings Offer of Help from Kennedy Center

mkaiser

Kennedy Center Offers Guidance to Struggling Arts Organizations

The Kennedy Center has agreed to make the services of its senior staff available to any tax-exempt American performing arts organization which needs specialized expertise to endure our current difficult economic times, the Center has announced. The Center will offer guidance in fundraising, budgeting, marketing, building a more effective Board of Trustees and other relevant areas to such organizations as they face both depressed endowments and diminished contributions. [Read more...]

A Delicate Balance

delicatebalanceA Delicate Balance
By Edward Albee
Directed by Pam MacKinnon
Produced by Arena Stage
Reviewed by Tim Treanor

What are we to make of this strange and beautiful story, as mysterious as a carnivorous plant in a hospital room? What can we say about the brightly-colored inhabitants of this hothouse world, who squawk like macaws against the pretensions which inhibit them? Only this: that Albee, abetted by Director Pam MacKinnon and Arena’s production, has forced us to stare at the truth again. We should be grateful. [Read more...]

Hell Meets Henry Interview

ditotopHell Meets Henry Halfway’s Pig Iron Theatre Company is not from Hell, but they are from Philadelphia…more specifically, they emerged from Swarthmore College, where they studied under Allen J. Kuharski, now the company’s dramaturg. Pig Iron’s been heavily influenced by the work of master clown Jacques Lecoq and the San Francisco Mime Troupe, but their approach is also relentlessly verbal and theatrical.

How does it work? DCTS Editor Lorraine Treanor asked Dito van Reigersberg, a Pig Iron co-founder, who plays the titular Henry in the show currently running at Woolly Mammoth. Here’s what he had to say: [Read more...]

Rethinking DC Theatre Scene

What more can we do for you? What can we do better?  We are in the midst of redesigning the site and considering new features.  We have a vision for where we are going – an interactive search for the Onstage Now section, more details on shows and venues, new features, etc.

But the people we most wish to satisfy are our visitors.So now is a good time to tell us what you like at DC Theatre Scene,  what you don’t like, and, best of all, what’s missing from the site that would make your theatregoing more valuable. Comment below, of course, or if you wish to email privately, do so at theshow@dctheatrescene.com.

Carole Shelley

shelleypodtop

An intimate conversation with Richard Seff

Brought to America by Neil Simon as his original Gwendolyn Pigeon in The Odd Couple in 1965, the London actress fell in love with American theatre, and Broadway audiences have happily returned the favor ever since.  [Read more...]

The Heavens Are Hung in Black

heavensarehungThe Heavens Are Hung in Black
Written by James Still
Directed by Stephen Rayne
Produced by Ford’s Theatre
Reviewed by Debbie Minter Jackson

I have been thinking fondly about this touching world premiere since I saw it, and I’ll likely see it again.  The scenes and images stay with you, in a drifting, dreamy sort of way.  The tribute depicts Lincoln the man behind the stiff, immortal chisel-jaw hero who has been immortalized, even more intensely now with his bicentennial celebration.  Bits of history are interspersed in the story, but the author James Still never loses sight of his intention, [Read more...]

The Accident

accidentThe Accident
By Hillel Mitelpunkt
Directed by Sinai Peter
Produced by Theater J
Reviewed by Tim Treanor

The Accident is a good counterpart to Synetic’s Dante, in that you can spend your time wondering about to which circle of Hell Adam (Michael Tolaydo) and his cohorts will be assigned, and whether you will be going with them.

Adam, his friend Lior (Paul Morella) and Lior’s wife Tami (Becky Peters) are self-involved liars, cheaters, and, if need be, killers. [Read more...]