Glory Days to open in Tokyo

glorydaystokyoGlory Days, the coming-of-age musical which got its start at Signature Theatre, is about to be rocked Japanese-style, when the show opens June 9th in Tokyo. [Read more...]

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Caught in their acts: Bernadette Peters, James Gardiner, James Zemarel and Shannon Wollman

Bernadette Peters: Still a Broadway Baby!

bpetersHow does she do it? On Sunday, April 19th at 4 pm, after an overture played by the National Philharmonic (conducted by Marvin Laird, who wrote Ruthless! The Musical) consisting of songs from Gypsy and Mack and Mabel, [Read more...]

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TicketPlace adds Sunday hours

For those of you who like to order tickets in person, and are looking for bargain tickets, TicketPlace, DC’s half price box office, is now open Sundays from noon to 4 pm. [Read more...]

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Rooms, Blithe Spirit and You Never Know

roomstopThe New World Stages, in one of its many hidden black box theatres underground on West 50th Street, is offering Paul Scott Goodman’s and Miriam Gordon’s ROOMS a rock romance, [Read more...]

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Ragtime

ragtime“We never know when our feelings will creep up on us and go boom and startle us,” says the character Mother to her friend Tateh in  Ragtime. [Read more...]

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Heroes

heroesPlayed correctly – as it surely is in MetroStage’s sweet and charming production – Gérald Sibleyras’ Heroes is something Noël Coward might have written, had Coward been free to be earthy [Read more...]

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A Swedish Tiger

swedishtiger1I do not know what this sixty-minute piece is about, but I’m pretty sure I know what it’s not about. It’s not about its ostensible subject, Sweden’s shameful collaboration with the Nazis in World War II. [Read more...]

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From U Street to the Cotton Club

ustreetFrom U Street to the Cotton Club at Source couldn’t be better geographically positioned, just two blocks from the legendary U Street, the Lincoln Theatre, and a number of historical and cultural landmarks of the corridor.  [Read more...]

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Native Son

nativeson1

It’s a sad commentary that some of the same basic societal ills depicted in this 1941 stage adaptation of Richard Wright’s “Native  Son” are as relevant today as they were then, which makes this eagerly awaited production more important than ever.  [Read more...]

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Ten Musical Scene Stealers

From a Swiss orphan and her new playmate, to a young Jewish boy on the verge of becoming a man, to a pitter-pattering Lord Chancellor, to a slow-competing, high-tenor singing barber, [Read more...]

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