Tim rates it:

In a Fringe Festival which includes the high-amp extravagance of a Titus X or a Diamond Dead (Continued…), or the high-tension excellence of a 4:48 Psychosis or the mind-boggling brilliance [Read more...]

Tim rates it:

Not Your Granny’s Revolution is seven short monologues by five graduates of a solo performance workshop, conducted by the formidable monologist Laura Zam. [Read more...]

Mo rates it:

Thank the gods- the gods of Rock,  that is – for Dizzy Miss Lizzy’s Roadside Revue’s vivacious show. With their amps cranked up to 11, the cast of The Oresteia, based on the Greek tragedy [Read more...]

Tim rates it:

What can you say about a four-member band that mostly died? How about that they rock? Or that they totally kick butt, man? Or how about is this not the best rock band in which three-quarters of the players are dead in all of human history? [Read more...]

Mo rates it:

“I’m too Indian to be American
I’m too American to be Indian
I still want a nation, please.”

So begins Neelam Patel’s poem, [Read more...]

Marcia rates it:

Susan Austin Roth has written a play that is so powerful it may take your breath away. From the opening scene where we see Andy Armand, superbly acted by Joe Peck, looking for his buddy’s name on ‘The Wall’, [Read more...]

Hunter rates it:

Am I going crazy? It’s a pretty common question, given how mysterious, and how fragile, our shared definition of sanity proves to be. The twentieth century has been the age of psychosis – or, at least, the fear of it. [Read more...]

Tzvi rates it:

“He is as big as… a refrigerator!”

So says Mr. Beaver about Aslan in the Adventure Theatre’s production of The Lion, the Witch and the Wardrobe, and so he is. [Read more...]

David rates it:

When I walk into a theater to see a show with a name as esoteric as Dorks on the Loose: Facey Facey Face Face, I assume that it’s going to be either remarkably charming and innovative, or remarkably obnoxious.

I do this, of course, because I am a presumptuous jackass. [Read more...]