High Fidelity interviews: Andrew Baughman, Stephen Gregory Smith and Julie Herber

How do these guys and gals keep putting on these amazing productions of musicals that just didn’t do too well in NYC, and turn them into winners? I saw High Fidelity on Broadway, and loved the music and really disliked the book, and here at the teeny weeny DCAC, where Landless Theatre Company has transformed this High Fidelity into a fun, in-your-face high energy show, all of a sudden I loved the book! [Read more...]

That Face

Oh, those English boarding school girls—they are such scamps, hazing a hapless 13-year-old student (Angela Welchbrodt) in an S&M ritual that involves a torture hood, restraints and a too-liberal dose of Mummy’s Valium, and in their off-hours tramping around and boozing it up with their peers. [Read more...]

Bus Stop

This classic romantic comedy seems to have withstood the test of time.  Many remember Marilyn Monroe, as Cherie, in the 1956 film. The story still warms the audience like stepping inside from the cold of the Midwestern blizzard that provides the background for the play. [Read more...]

Arena Stage to return home with a 45-project 60th season

Arena Stage will inaugurate its $125 million renovated facility, The Mead Center for American Theater,  with a blizzard of productions in 2010-2011, kicking off its 60th season on Oct 23, 2010 with the first modern American musical, Oklahoma! , [Read more...]

High Fidelity

High Fidelity is an aggregate of great music (Tom Kitt, Next to Normal) with funny lyrics (Amanda Green) hung on a lame story (David Lindsay-Abaire, from the Nick Hornby novel) with unlikeable characters, and Landless plays the hell out of it. [Read more...]

The Atheist

The atheist Augustine Early (Eric Lucas), a poor boy from Kansas, discovered at an early age the liberating force of deciding that there is no God.  So he burns down his trailer in order to give himself and his mom better Section 8 housing. [Read more...]