Sex and Education A Learning Experience in One Act

Pop quiz: What does it take to score? High school basketball star Joe Marks (Hunter Hoffman) says it’s about physical stamina, devotion to team, and impeccable strategy. For his world-weary English teacher Mrs. Edwards (Sarah Holt) it’s about intellectual rigor, patience, and inner curiosity. So when the dry-witted teacher picks up a raunchy note, soaking with hormones, that Joe’s tried to pass to his girlfriend Hannah (Carly Bates) in class, we’re set up for a sparring match between muscle and mind. [Read more...]

War and Therapy

Three scenes and thirty minutes, War and Therapy barely scratches the surface with its subject material. More of a spark to encourage discussion, the short play shows audiences the issues with therapy and war veterans, and it warns against the dangers of labeling “mental illnesses” in vets. Writer Paula J. Caplan is clearly an expert on her subject material, but the execution and performance could use work. Despite its theatrical pitfalls, the information is there, and hopefully the piece can serve as a jumping off point to educating the public about therapy and war vets. [Read more...]

Salem! The Musical

Annoyance Theatre may not be an East Coast tribe (they hail from Chicago) but, wouldn’t you know it, they’ve gone and made something I’ve seen many a local theater fail at creating: a historically accurate musical retelling of the founding of Salem, Massachusetts, penetrating in its commitment to research and fact. [Read more...]

The Grubrag’s Ballad

With a charming smile, Marc Spiegel captivates his audience with rhyming couplets and animated voices. The Grubrag’s Ballad is an epic poem, but it doesn’t read anything like Beowulf. Instead, Spiegel enchants his audience with tales of mythical creatures, carrying a musical-like rhythm throughout the piece. [Read more...]

The Grand Manner

Not many who are around today ever saw the legendary Katharine Cornell on stage, for she retired in 1961. At that time, her husband Guthrie McClintock passed away, and she would not work without him, as he’d directed everything she’d done on the New York stage.  I, however, did catch her act on several occasions, in a revival of Candide which featured Marlon Brando, and in something called That Lady, in which she wore an intriguing eye patch. I saw her, too, in an all-star revival of The Three Sisters, and in Shaw’s The Doctor’s Dilemna. I have vivid memories of that work, and I can still hear that mellifluous voice in my inner ear.  Cornell did not move so much as float across a  stage. [Read more...]

A Lovely Sunday for Creve Coeur

A Lovely Sunday for Creve Coeur is a tough play to produce, and for that reason most theaters leave it alone. Williams wrote it in 1979, four years before his death, and like many of his later pieces, it studies character across a limited event horizon. Notwithstanding the work’s challenges, Quotidian Theatre Company delivers an excellent production notable for the sparkling quality of the performances. [Read more...]

The Perfect Chocolate Milkshake

Playwrights frequently knock down the fourth wall between the stage and the audience, but in The Perfect Chocolate Milkshake, playwright Lee August Praley knocks down the first wall – the one between the playwright and the stage. Some guys can do this successfully – Pirandello, certainly, and probably Stoppard – but Praley, at least at this stage of his development, does not. [Read more...]

Favorite 2010 Fringe Musical Performances – Part Two

The second week of the Capital Fringe Festival brought ten musical performances that I enjoyed immensely. Many were by local artists who I have never seen or heard before. I am hoping that many of our directors and casting directors will audition these incredible actors/singers. I look forward to seeing them in future performances. [Read more...]

Running:AMOK

I’ve been trying to decide what to name it. Help me out, sweetie, what do you think? I’m considering something classic, like “Portrait of the Artist as a Bewildered Mother-To-Be.” Or, “How I Learned To Stop Worrying and Love the Embryo.” As it stands, the name “Running:AMOK” implies a sort of chaos and intensity that doesn’t ever surface in this calm, confident musical performance piece. [Read more...]