Eric Schaeffer’s Signature Story released

Artistic Director Eric Schaeffer and Sarah Valente will be signing copies of their new book “My Signature Story” Thursday, April 14th, from 7 – 9pm  in the Signature’s Mead Lobby overlooking the glittering shops of Shirlington Village, in which Signature Theatre is an important anchor.

“My Signature Story” tells the story of the origins of Arlington, VA-based Signature Theatre and the history of its first twenty years, which included being recognized with the 2009 Regional Theatre Tony Award.

Schaeffer, whose work has been seen not only at Signature Theatre, but The Kennedy Center (including the memorable Mame) and is now on Broadway (Million Dollar Quartet), shares anecdotes about the past twenty years at Signature, his thoughts on theater, his dreams for Signature’s future, and advice to those who want to create a life in theater.

The book is on sale at the Signature Shop and is available in both hardback ($23) and paperback ($16).  Ali’s Bar will be open and light snacks will be available.

Call the Signature Box Office at 703 820-9771 for further details.

Catch Me If You Can

I don’t know who first said “let’s make a musical out of the hit movie “Catch Me If You Can”. Let’s assume it was Margo Lion, the producer, Jack O’Brien, the director, or Marc Shaiman, the composer, but clearly it was also decided to bring together virtually the entire creative staff of their last musical together, Hairspray, which had been a huge success.  In retrospect, this was not such a good idea, because their efforts have delivered a slick, by-the-numbers musical that only gets off the  ground once or twice during a long evening, and then only because the leading players are delightful and they bring some sense of excitement to the very conventional material. [Read more...]

Anything Goes

The very wise Roundabout Theatre management, and the very gifted director/choreographer Kathleen Marshall decided to lift some Cole Porter gems from their sources and plop them down in the middle of this stunning revival of Porter’s Anything Goes at the Stephen Sondheim Theatre on Broadway. [Read more...]

Cain repeats as Steinberg winner with 9 Circles; Theater J play is runner-up

9 Circles, a play about a tortured young soldier’s climb through an Iraqi inferno, has won the $25,000 Harold and Mimi Steinberg Award as the best new play arising out of regional theater in 2010 for playwright Bill Cain. David Bar Katz’s The History of Invulnerability, which will be part of Theater J’s 2011-2012 season, was one of two announced runners-up. [Read more...]

Monologue Madness: and the winner is …

The play’s the thing… eventually. But the tumultuous process of getting cast — whether into a play, or out onto the street — consumes our actors’ daily energies more than anything. And given the dense strata of competition surrounding most casting events, actors everywhere come to perfect a unique performance style, similar to acting in plays but oh so different. [Read more...]

DC director/playwright Bob Bartlett on “MASTER HAROLD” … and the boys

Bob Bartlett is a big, friendly, generous guy who easily wraps his arms around every project and everyone.  As a friend, I’ve had a front row seat in his life for the last 10 years. I have watched actors readily sign on to be directed by him, and volunteers show up to sweep out a forest so that his show can go on. I have seen his own plays produced. We have shared so many ideas about theatre it’s probable that some his intellectual DNA is carried out on this site. Add to the list that Bob is fearless. A fall off a stage, which confined him to a wheelchair for a while, didn’t stop him from somehow climbing steep stone steps to catch a Rorschach show or from coming to my Fringe production. It was only a temporary redirection, and now his plays and his directorial ideas are wiser and more brilliant than ever.

After seeing his direction of Athol Fugard’s “MASTER HAROLD” … and the boys at Quotidian Theatre, I thought it was time you got to know him. [Read more...]

Looming government shutdown means loss for Liberty

The impending shutdown of the Federal Government would also close Ford Theatre’s performances of Liberty Smith, the Ford Theatre Society announced last night. The announcement reverses a previous decision to continue the show regardless of whether the government is authorized to spend money after midnight on Friday, April 8. [Read more...]

China: The Whole Enchilada

As paper-thin and disposable as a one-sentence fortune and about as filling as the cookie it came in, Mark Brown and Paul Mirkovitch’s musical pseudo-homage to China is getting a silly, sporadically successful production at DCAC in Adams Morgan, thanks to the eager and disheveled efforts of Landless Artistic Director Andrew Lloyd Baughman, his brother Matt Baughman, and relative newcomer Ben Demers. [Read more...]

The thrill of working on Elden Street Players’ musical Thrill Me: The Leopold & Loeb Story

It didn’t surprise me that Elden Street Players (ESP) would tackle Thrill Me: The Leopold & Loeb Story by Stephen Dolginoff. On their Web site, Past President Rich Klare writes “Our brand of theatre is not for everyone, for which we make no apologies. We try to offer theatre that is challenging and thought provoking, as well as entertaining.”

And that’s why I have been attending ESP’s productions for over two decades because they have produced plays and musicals that other local community theatres would not dare to touch (until ESP had done them) including  La Cage aux Folles, Love! Valour! Compassion!, True West, The Weir, The Invention of Love, Boston Marriage, and The Violet Hour. [Read more...]

Saudade: Songs of Longing & Celebration (Nostalgia y Cancion)

After a resounding success in March with WAM2, In Series Artistic Director Carla Hubner takes another daring leap by bringing together the unexpected. Now back on home turf in the more intimate Source theatre space, In Series stages Saudade: Songs of Longing & Celebration, a show for poetry lovers. It is an intimate jazz-Brazz revue that unites performed spoken poetry, a cabaret-style vocalist with an exciting trio of consummate musicians. [Read more...]