The Green Bird

Fairy tales and philosophy should make for strange bedfellows, and, at least in theory, even stranger bedtime stories. But in Constellation Theatre Company’s wondrous production of the 18th-century Italian playwright Carlo Gozzi’s The Green Bird, the two cozy up with remarkable affinity. Like all good relationships, they also bring things out in each other that even their best friends never would have guessed were there. Constellation’s artistic director Allison Arkell Stockman adapted and directs, commedia dell’arte-style, with not simply a creative thirst that drinks in fantasy, but gives the play the power to make audiences drunk on it. [Read more...]

By the Way, Meet Vera Stark and A Minister’s Wife

Lynn Nottage’s Ruined won the Pulitzer Prize and a slew of other honors a couple of seasons ago [and just opened at Arena Stage]. Her Intimate Apparel was also acclaimed in its Roundabout production. But her bio is filled with other awards for other plays. She is prolific, she is gifted, and she seems to have no limits to her range. In this, her first play since Ruined, By the Way, Meet Vera Stark reveals a comic agility, and its current smashing production courtesy of Second Stage Theatre brings its own set of distinctive rewards.

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Everything Was Possible: The birth of the musical Follies

What a find! There are many books on the development of individual musicals but few, if any, provide half the pleasure of this chronicle of Follies from the preparation for rehearsals through to the opening night party. It was written by a man who, as a youth infatuated with the world of musical comedy, had the opportunity to be a “fly on the wall” as a “go-fer” who went for coffee, drove cast and crew to appointments, took notes for the co-director, escorted a star thrice his age and typed the changed script pages including the lyrics fresh from the pen of Stephen Sondheim. [Read more...]