I feel it’s necessary to point this out, because after all, there are clowns. So one might expect some pie-throwing with a show title like that. Or some mathematical musings on the nature of pi. But, there are neither. [Read more...]
Patrick & Me
Historian Anthony Cohen asks the audience a similar question, “What do you do with a history degree?” In his one-man Fringe show, Patrick and Me, he attempts to answer the question. Lost and unsure of what he should do after college, Cohen went on a cross-country journey to not only uncover a hidden part of history, but to perhaps uncover his own identity in the process. [Read more...]
Ever So Humble
Master Class
But I think McNally’s play has been unfairly dismissed as a star vehicle without much power of its own and, in this, I disagree. It’s filled with humor and insight and it gives a good director (and in Stephen Wadsworth he’s got one) ample room to theatricalize what is basically a fine lecture on the workings of a diva mind. [Read more...]
Kiss Me, Kate – DVD
Oklahoma!
When choreographer Parker Esse joined the creative team of Arena Stage’s Oklahoma!, he was entering sacred territory: previous choreographers of the Rodgers & Hammerstein musical include Agnes de Mille (1943 production and 1955 film) and Susan Stroman (1998 London revival and 1999 film). What impressed me the most about seeing Esse’s version last Thursday was how he retains and updates trademarks of these acclaimed artists. I left the theater thinking about how Arena Stage has created a production that is classic and at the same time contemporary. [Read more...]












