Reveals from the set of Woolly’s Detroit

In Lisa D’Amour’s Detroit, Woolly Mammoth faced overlapping challenges to bring the show together. The play calls for a set in which two houses face each other across a shared back yard: One household well-maintained, but perched precariously on the brink of ruin, and another that has already begun a descent into decay.

Dannie Gavigan and Tim Getman, guys' night barbeque. (Photo: Stan Barouh)

Dannie Gavigan and Tim Getman, guys’ night barbeque. (Photo: Stan Barouh)

In addition to two fully-realized fa├žades, complete with lawn furniture and a gas grill, the creative team at Woolly opted to erect a new audience section on what is normally their stage: So while the two houses face off throughout D’Amour’s funny, unsettling play, the audience look past the action on stage and see more of themselves staring back at them.

Set designer Tom Kamm has embraced the themes of neighbors and the current tensions of economic uncertainty, with endless details throughout the design that hint at chaos and destruction creeping in through every crack.

[nggallery id=18]
All gallery photos by Ryan Maxwell

Closes October 6, 2013
Woolly Mammoth Theatre

641 D St NW
Washington, DC
1 hour, 45 minutes, no intermission
Tickets: $25 – $87
Wednesdays thru Sundays

Jayne Blanchard reviews Detroit by Lisa D’Amour.



Anti-Spam Quiz:

Reprint Policy Our articles may not be reprinted in full but only as excerpts and those portions may only be used if a credit and link is provided to our website.
DC Theatre Scene is supported in part by the DC Commission on the Arts & Humanities and by the Humanities Council of Washington, DC.