All posts by Andrew Lapin:

Andrew graduated from the University of Michigan with a degree in English -- always the telltale sign of a life steeped in the arts. An editorial fellow at Government Executive magazine, he also writes film criticism for NPR and a sports column for The A.V. Club. Though a native of metro Detroit, he now resides in Washington D.C. and continues to devote an unhealthy portion of his brain to esoteric film trivia.

Peter Pan: The Boy Who Hated Mothers

Peter Pan always did seem like a rather difficult creature, as far as immortals go. Anyone with such a steadfast refusal to mature or learn anything useful can’t be entirely pleasant to be around for that long – and remember that, unlike most eternal beings, Pan is this way because he chooses to be, because he rejects the real world, not because he’s been cursed or wished upon or any such thing. With that attitude, any wonder one of J.M. Barrie’s abandoned titles for his 1904 play was Peter Pan: The Boy Who Hated Mothers? [Read more...]

Next Fall

A faith compromised is an odd beast indeed. Take Luke, the young, beguiling object of affection in Round House Theatre’s new production of Geoffrey Nauffts’ Tony-nominated Next Fall, as performed by the exuberant Chris Dinolfo. Luke, a Tallahassee native and a struggling actor in New York, is both gay and a devout Christian. [Read more...]

Pina

One of the few concrete tidbits we learn about German dance choreographer Pina Bausch over the course of the new 3-D documentary “Pina” is that she was a woman of few words. As should rightfully be expected from someone whose preferred mode of expression is bodily motion, she was of the opinion that dance expresses much more about the human condition than words ever can. [Read more...]

Albert Nobbs

Glenn Close doesn’t play Albert Nobbs as a woman passing for a man – she plays the character as sexless. The straight-laced member of the waitstaff at Dublin’s Morrison Hotel keeps a tellingly low profile, lips sealed, spine arched, uttering few words, preferring the world to think of him –  because Nobbs identifies as male throughout most of the film, I will use the pronoun “he” in this reviewas little more than that funny young man in the background. [Read more...]

Time Stands Still

When Sarah, the ambitious, chain-smoking photojournalist at the heart of Time Stands Still, returns from assignment in Iraq, she’s broken and battered. Her face and neck are scarred; her leg’s in a cast. Eventually the cast comes off, but the scars don’t.   [Read more...]

War Horse

The London stage version won 2 Olivier Awards; it picked up 6 Tony Awards in New York.
But will you like the movie?

“War Horse” finds director Steven Spielberg melding together the two genres he’s most well known for: children’s fairy tale and epic, tragic war story. Under any other circumstances, a film about the improbable, family-friendly journey of one sad-eyed boy’s sad-eyed horse during the Great War would be a perfectly respectable by-the-numbers entry in the expansive catalogue of the 65-year old master. [Read more...]

A Dangerous Method

It’s one of history’s greatest ironies: The pioneering psychologists, those men and women who first stepped foot onto the vast expanses of our subconscious minds, were themselves not exactly the tightest screws. Although according to “A Dangerous Method,” they might very well have given some pretty damn good screws. [Read more...]

Spoiler Alert: Everybody Dies

Those who think of Chicago-based improv troupe The Second City as nothing but overpriced comedy workshops and “Saturday Night Live” auditions will be in for a strange awakening when they walk into Spoiler Alert: Everybody Dies. [Read more...]

West Side Story – 50th Anniversary Special Edition

“West Side Story” is the safe musical, the one grasped easily enough by young (but not too young) audiences that it’s become one of the de facto introductions to theater. Of course, it helps when your source material is Shakespeare, your music is Bernstein/Sondheim and your legacy is ten Oscars. Now that the mega-successful 1961 adaptation of the hit Broadway musical has turned 50 and seen fit to unleash a 3-disc Blu-Ray special edition, I wanted to revisit the film itself to see how much of its finger-snapping razzle dazzle still has the power to wow. [Read more...]

My Week with Marilyn

There’s one crucial component of film stars that separates them from theater actors: eternal preservation, the simple fact that a winking, luminous Marilyn Monroe in her white dress in 1954’s “The Seven Year Itch” would remain that way, sexy yet innocent, in 2011. [Read more...]