Songs from End of the Rainbow and other Garland classics
This isn’t exactly a cast recording of a show’s score, but it may be of interest in the days before the Tony Awards are announced on June 10. [Read more...]
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Brad Hathaway, Theatre Shelf columnist - Brad covered theater throughout the Washington area for over a decade. He is best known locally for his work as the editor and reviewer for Potomac Stages from 2001 to 2010. Among the publications that have featured his writing are The Hill Rag, the Connection Newspapers of Northern Virginia, Show Music Magazine and The Sondheim Review. As a member of the American Theater Critics Association, he hosted their 2008 annual conference in Washington and currently serves on that association’s executive committee. Brad received a League of Washington Theatres’ Offstage Honors Award for contributions to the Washington DC theater community. He and his wife Teddie live on a houseboat in Sausalito CA.
Songs from End of the Rainbow and other Garland classics
This isn’t exactly a cast recording of a show’s score, but it may be of interest in the days before the Tony Awards are announced on June 10. [Read more...]
In defense of Broadway composer Frank Wildhorn
OK – Now you can be the judge. I think Frank Wildhorn and Don Black wrote a great score for Bonnie & Clyde. Some of the most influential critics don’t. Listen and make up your own mind. [Read more...]
The 25 Anniversary of what is now the longest running musical in Broadway history was celebrated last October with not just a concert, but a full staging of the entire show in London’s massive Royal Albert Hall with its seating of over 5,000. It was captured on audio and video discs, each or either of which may make you wish you had been there.
The People In The Picture was a klezmer-infused musical of the struggle of Jews in a Yiddish theater troupe to survive in Warsaw during the holocaust. It only ran for two and a half months – and that’s including the three weeks of previews before opening night. It closed without having had an original Broadway cast album recorded. [Read more...]
Fifty-eight seconds into “Prepare Ye”, it becomes clear that this is a new Godspell, one for the early 21st century rather than the mid-20th. The difference is dramatic when the band breaks loose with a thumping, driving, blast of energy which is way beyond what the original “rock musical” provided in the 1970s. [Read more...]
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