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	<title>DC Theatre Scene&#187; Joel Markowitz</title>
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	<link>http://dctheatrescene.com</link>
	<description>Washington DC&#039;s Liveliest Theater Website</description>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:subtitle>Washington DC&#039;s Liveliest Theater Website</itunes:subtitle>
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		<title>DC Theatre Scene&#187; Joel Markowitz</title>
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		<title>Edward Gero and Sasha Olinick on playing Salieri and Mozart in Amadeus</title>
		<link>http://dctheatrescene.com/2011/06/01/edward-gero-and-sasha-olinick-on-playing-salieri-and-mozart-in-amadeus/</link>
		<comments>http://dctheatrescene.com/2011/06/01/edward-gero-and-sasha-olinick-on-playing-salieri-and-mozart-in-amadeus/#comments</comments>
		<pubDate>Wed, 01 Jun 2011 14:04:57 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[round house]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25722</guid>
		<description><![CDATA[All I could ask myself after watching the glorious performances of Edward Gero and Sasha Olinick as the tortured Salieri and the fart-filled Amadeus was, “What took so long for someone to cast them in a production of Amadeus? Well, I seized the opportunity to ask them myself, and also asked them to talk about [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/01/edward-gero-and-sasha-olinick-on-playing-salieri-and-mozart-in-amadeus/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jenny Jules on playing Mama Nadi in Ruined</title>
		<link>http://dctheatrescene.com/2011/05/18/jenny-jules-on-playing-mama-nadi-in-ruined/</link>
		<comments>http://dctheatrescene.com/2011/05/18/jenny-jules-on-playing-mama-nadi-in-ruined/#comments</comments>
		<pubDate>Wed, 18 May 2011 11:15:26 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[arena stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25395</guid>
		<description><![CDATA[How do you describe Jenny Jules’ performance as Mama Nadi in Arena Stage’s emotionally powerful production of Lynn Nottage’s Ruined? These words immediately come to mind: fierce, compassionate, defiant, tough-as-nails, and passionate. DC area theatregoers are so fortunate that they have the opportunity to see this London actress in the role of Mama Nadi in [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/05/18/jenny-jules-on-playing-mama-nadi-in-ruined/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>This spring&#8217;s outstanding NYC musical performances</title>
		<link>http://dctheatrescene.com/2011/05/11/outstanding-new-york-performances/</link>
		<comments>http://dctheatrescene.com/2011/05/11/outstanding-new-york-performances/#comments</comments>
		<pubDate>Wed, 11 May 2011 16:34:06 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[New York City]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25269</guid>
		<description><![CDATA[A look at 7 New York spring musicals, and a Stephen Schwartz opera Before the Tony Awards are upon us, I wanted to talk about some of the musicals I saw in NYC this spring. There was a tsunami of book problems this year with many of the musicals. All you have to do is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/05/11/outstanding-new-york-performances/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Matthew Scott and Nancy Anderson sing for Company</title>
		<link>http://dctheatrescene.com/2011/05/09/matthew-scott-and-nancy-anderson-sing-sondheim-at-signature/</link>
		<comments>http://dctheatrescene.com/2011/05/09/matthew-scott-and-nancy-anderson-sing-sondheim-at-signature/#comments</comments>
		<pubDate>Mon, 09 May 2011 12:15:41 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[signature theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25191</guid>
		<description><![CDATA[They&#8217;ve come to Signature Theatre to sing side by side with two-time Helen Hayes Award-winner Sherri L. Edelen in the just opened Side by Side by Sondheim. They are  two of my favorite performers, so I asked Matthew Scott and Nancy Anderson to talk about the songs they will be performing, and to tell us about the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/05/09/matthew-scott-and-nancy-anderson-sing-sondheim-at-signature/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>11 shows and 1 movie I&#8217;m glad I saw</title>
		<link>http://dctheatrescene.com/2011/05/06/11-shows-and-1-movie-im-glad-i-saw/</link>
		<comments>http://dctheatrescene.com/2011/05/06/11-shows-and-1-movie-im-glad-i-saw/#comments</comments>
		<pubDate>Fri, 06 May 2011 13:28:53 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[arena stage]]></category>
		<category><![CDATA[no rules]]></category>
		<category><![CDATA[signature theatre]]></category>
		<category><![CDATA[synetic theatre]]></category>
		<category><![CDATA[theater j]]></category>
		<category><![CDATA[urbanarias]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25078</guid>
		<description><![CDATA[I had to slow down a bit after having heart surgery the end of February, so I carefully selected shows I thought I’d have a great time seeing and for the most part I chose wisely. The critics have spoken (and you can read their reviews here) but here’s my take. (l-r) Joshua Morgan as [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/05/06/11-shows-and-1-movie-im-glad-i-saw/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Wonderland’s El Gato: Jose Llana</title>
		<link>http://dctheatrescene.com/2011/04/29/wonderland%e2%80%99s-el-gato-jose-llana/</link>
		<comments>http://dctheatrescene.com/2011/04/29/wonderland%e2%80%99s-el-gato-jose-llana/#comments</comments>
		<pubDate>Fri, 29 Apr 2011 11:13:57 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24982</guid>
		<description><![CDATA[It wasn’t Alice or the White Rabbit or The Mad Hatter that made everyone go ‘gaga’ the night I saw the new musical Wonderland on Broadway- it was a tail-swinging, tail-playing Jose Llana wearing a ‘purrfectly’ outrageous kitty outfit &#8211; that drew the loudest laughter and applause from the appreciative audience. Jose Llana (Photo: Tim [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/29/wonderland%e2%80%99s-el-gato-jose-llana/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
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		<title>Sam Ludwig, Florrie Bagel and Parker Drown in Speech &amp; Debate</title>
		<link>http://dctheatrescene.com/2011/04/27/sam-ludwig-florrie-bagel-and-parker-drown-in-speech-debate/</link>
		<comments>http://dctheatrescene.com/2011/04/27/sam-ludwig-florrie-bagel-and-parker-drown-in-speech-debate/#comments</comments>
		<pubDate>Wed, 27 Apr 2011 12:20:34 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[rep stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24942</guid>
		<description><![CDATA[I hear that Florrie Bagel, Parker Drown and Sam Ludwig are wowing audiences and critics with their powerful performances in Speech &#38; Debate at Rep Stage. This is a change of pace for these three sensational singers, giving them a unique opportunity to display their excellent acting skills in leading roles. Here they talk about [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/27/sam-ludwig-florrie-bagel-and-parker-drown-in-speech-debate/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jahi Kearse, from MetroStage to Broadway debut in Baby It’s You!</title>
		<link>http://dctheatrescene.com/2011/04/26/jahi-kearse-baby-it%e2%80%99s-you/</link>
		<comments>http://dctheatrescene.com/2011/04/26/jahi-kearse-baby-it%e2%80%99s-you/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 17:59:31 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24829</guid>
		<description><![CDATA[Jahi Kearse is a hoofer, a singer, a musician, a powerful actor, and a songwriter who critics and DC area theatregoers have enthusiastically embraced his performances in MetroStage’s Cool Papa’s Party, Round House Theatre’s Pippin, and The Studio Theatre’s Slam!, Top Dog/Underdog, Passing Strange, and Slam! Tomorrow, April 27th, Jahi will be making his Broadway [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/26/jahi-kearse-baby-it%e2%80%99s-you/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>They ‘pushed da button’: The Color Purple’s Dayna Jarae Dantzler and Taprena Augustine</title>
		<link>http://dctheatrescene.com/2011/04/20/they-%e2%80%98pushed-da-button%e2%80%99-the-color-purple%e2%80%99s-dayna-jarae-dantzler-and-taprena-augustine/</link>
		<comments>http://dctheatrescene.com/2011/04/20/they-%e2%80%98pushed-da-button%e2%80%99-the-color-purple%e2%80%99s-dayna-jarae-dantzler-and-taprena-augustine/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 19:41:19 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24793</guid>
		<description><![CDATA[I had seen The Color Purple the week it opened on Broadway in December 2005, with LaChanze and Elisabeth Withers-Mendes in the roles of Celie and Shug Avery and they were absolutely wonderful. In fact, both were nominated for the Tony that year and LaChanze won for her performance as Celie. I also saw The [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/20/they-%e2%80%98pushed-da-button%e2%80%99-the-color-purple%e2%80%99s-dayna-jarae-dantzler-and-taprena-augustine/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Margaret Colin at home in Arcadia and on the big and small screens</title>
		<link>http://dctheatrescene.com/2011/04/19/margaret-colin-at-home-in-arcadia-and-on-the-big-and-small-screens/</link>
		<comments>http://dctheatrescene.com/2011/04/19/margaret-colin-at-home-in-arcadia-and-on-the-big-and-small-screens/#comments</comments>
		<pubDate>Tue, 19 Apr 2011 15:37:07 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[New York City]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24401</guid>
		<description><![CDATA[Arcadia’s Margaret Colin on playing Lady Croom and her stage, film, and TV roles I’m a big fan of Margaret Colin’s work and it was so much fun schmoozing with her about her role as Lady Croom in the revival of Arcadia now playing on Broadway. What a blast it was talking about her soap [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/19/margaret-colin-at-home-in-arcadia-and-on-the-big-and-small-screens/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Rags &#8211; from auditions to opening night</title>
		<link>http://dctheatrescene.com/2011/04/13/rags-from-auditions-to-opening-night/</link>
		<comments>http://dctheatrescene.com/2011/04/13/rags-from-auditions-to-opening-night/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 13:09:55 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[theatre lab]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24442</guid>
		<description><![CDATA[It&#8217;s Rags time at Theatre Lab I never had a chance to see the 1986 Broadway production of the musical Rags because, with only 18 previews and 4 performances, it closed before I could use my tickets. Click to buy Five years later, a studio recording CD of the Broadway production was released (which featured [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/13/rags-from-auditions-to-opening-night/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The thrill of working on Elden Street Players’ musical Thrill Me: The Leopold &amp; Loeb Story</title>
		<link>http://dctheatrescene.com/2011/04/07/the-thrill-of-elden-street-players%e2%80%99-musical-thrill-me-the-leopold-loeb-story/</link>
		<comments>http://dctheatrescene.com/2011/04/07/the-thrill-of-elden-street-players%e2%80%99-musical-thrill-me-the-leopold-loeb-story/#comments</comments>
		<pubDate>Thu, 07 Apr 2011 13:54:37 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24178</guid>
		<description><![CDATA[It didn’t surprise me that Elden Street Players (ESP) would tackle Thrill Me: The Leopold &#38; Loeb Story by Stephen Dolginoff. On their Web site, Past President Rich Klare writes “Our brand of theatre is not for everyone, for which we make no apologies. We try to offer theatre that is challenging and thought provoking, as well as entertaining.&#8221; [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/07/the-thrill-of-elden-street-players%e2%80%99-musical-thrill-me-the-leopold-loeb-story/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Nick Adams and J. Elaine Marcos from Broadway’s Priscilla Queen of the Desert The Musical</title>
		<link>http://dctheatrescene.com/2011/04/05/nick-adams-elaine-marcos-priscilla-the-musical/</link>
		<comments>http://dctheatrescene.com/2011/04/05/nick-adams-elaine-marcos-priscilla-the-musical/#comments</comments>
		<pubDate>Tue, 05 Apr 2011 14:03:16 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[New York City]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24017</guid>
		<description><![CDATA[Nick Adams and J. Elaine Marcos talk to us about playing Adam/Felicia and Cynthia They both wear outrageous colorful and eye-popping costumes and dance and sing their hearts out in the entertaining Broadway production of Priscilla Queen of the Desert The Musical. What are the challenges of performing in a high-energy, quick-costume-changing, and visually stunning [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/05/nick-adams-elaine-marcos-priscilla-the-musical/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.nickadams.biz/Little_Bit_O_Good.mp3.mp3" length="4031489" type="audio/mpeg" />
		<itunes:subtitle>Nick Adams and J. Elaine Marcos talk to us about playing Adam/Felicia and Cynthia They both wear outrageous colorful and eye-popping costumes and dance and sing their hearts out in the entertaining Broadway production of Priscilla Queen of the Desert ...</itunes:subtitle>
		<itunes:summary>Nick Adams and J. Elaine Marcos talk to us about playing Adam/Felicia and Cynthia
They both wear outrageous colorful and eye-popping costumes and dance and sing their hearts out in the entertaining Broadway production of Priscilla Queen of the Desert The Musical. What are the challenges of performing in a high-energy, quick-costume-changing, and visually stunning musical? We schmooze about that and lots more!



Joel: What is Priscilla Queen of the Desert The Musical about?



Nick: It&#039;s about three friends looking for love, family, and acceptance.

J. Elaine: From Cynthia&#039;s point of view, well ...according to her, everything is about her.

But Cynthia is this mail-order-bride stuck in a the middle of nowhere and all she wants to do is be free from this boring life she has with her husband Bob. Priscilla (who is actually a bus and not a person) represents a chance for Cynthia to get out. Metaphorically, the bus represents a journey that we all go thru. It might not be about the destination, but how one gets from one place to another.

Why did you want to play the roles of Felicia and Cynthia?

Nick: It&#039;s a leading role in a new Broadway show. What musical theatre actor wouldn&#039;t want to? It&#039;s a role that really calls upon all the criteria of musical theatre.

J. Elaine: Cynthia captures everything that I (deep down) love to do. Be over the top, be shockingly silly, and sing with a Filipino accent.

How did you get the role of Cynthia?

J. Elaine: To be honest, most of my auditions been like Cynthia&#039;s number: unexpected, comedic with random but strong choices all the while singing a 16 bar cut of a musical song. I don&#039;t think it&#039;s a wonder Telsey (casting office) thought of me for this role because for a while, all I did was sing in an accent for many shows they cast me in. For instance, in The Wedding Singer, I played Imelda Marcos.

How did you prepare for your roles?

Nick: I worked on the material with some great acting teachers/directors and dialect coaches. I really tried to bring in something specific and personal. I am like Adam/Felicia, because he uses what he&#039;s got to get what he wants.

J. Elaine: I had already prepared my whole life for this role. It required me to literally impersonate my Mom and so no rehearsal was really necessary. Her mannerisms and speech patterns were burned in my brain!

You recently opened the show on Broadway. What are your favorite memories from Opening Night?

Nick: Feeling completely fearless the moment I stepped onstage. Looking out into the crowd while riding the silver shoe over the audience and catching my mother&#039;s face. Looking in Will Swenson&#039;s eyes when we were entering for the finale and bursting into tears. Taking my bow during the curtain call.

J. Elaine: Joan Rivers coming up to me and telling me she thought I was &quot;funny&quot;!!! I&#039;ll take that. I also loved putting on this gorgeous Reem Acra dress that was so gorgeous and fun to wear. It was nice to wear something other than the same old Gap sweats.

You both appeared in Toronto with the show before it moved to Broadway. What changes did they make in Toronto and for this production at The Palace in NYC, and how do you think these changes help the Broadway production?

Nick: We established a more appropriate opening number with better story telling. It&#039;s clear what the focus of the story is from the get go. We also tightened some dialogue and jokes.



Any changes to your character, songs or costumes?

Nick: They allowed me to infuse the role with a youthful jovial quality. I have some new custom shoes, a new Barbie outfit, and we made a bigger ending on &quot;Like A Prayer&quot;.

J. Elaine: They did add Zebra print to my leggings and arm bands. In the movie, Cynthia comes in wearing a Zebra hat so I think they wanted that &quot;animal-like&quot; presence still to be apart of the costume. They didn&#039;t change much with my number. I just got notes to try some different things on different lines,</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>A chat with An Ideal Husband’s Lord Goring &#8211; Cameron Folmar</title>
		<link>http://dctheatrescene.com/2011/04/04/a-chat-with-an-ideal-husband%e2%80%99s-lord-goring-cameron-folmar/</link>
		<comments>http://dctheatrescene.com/2011/04/04/a-chat-with-an-ideal-husband%e2%80%99s-lord-goring-cameron-folmar/#comments</comments>
		<pubDate>Mon, 04 Apr 2011 16:23:18 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[shakespeare theatre company]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24010</guid>
		<description><![CDATA[The audience and I went ‘wilde’ watching Cameron Folmar’s performance of Lord Goring in Shakespeare Theatre Company’s The Ideal Husband. It wasn’t just the playwright’s clever words, it was Cameron’s wry delivery, charm, smile and style that may us laugh so loud and often. Cameron Folmar was born to play this role! Cameron Folmar as [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/04/a-chat-with-an-ideal-husband%e2%80%99s-lord-goring-cameron-folmar/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>UrbanArias opens with two Ricky Ian Gordon short operas</title>
		<link>http://dctheatrescene.com/2011/03/31/urbanarias-opens-with-two-ricky-ian-gordon-short-operas/</link>
		<comments>http://dctheatrescene.com/2011/03/31/urbanarias-opens-with-two-ricky-ian-gordon-short-operas/#comments</comments>
		<pubDate>Thu, 31 Mar 2011 11:24:34 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[urbanarias]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23942</guid>
		<description><![CDATA[UrbanArias, a new opera company dedicated to producing short, contemporary operas, presents its Inaugural Festival of Contemporary Opera from March 31 – April 10, 2011 at Artisphere’s Black Box Theater in Arlington, VA. Three operas will be presented: Glory Denied by Tom Cipullo and Ricky Ian Gordon&#8217;s Orpheus and Euridice, and Green Sneakers. Ricky Ian [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/31/urbanarias-opens-with-two-ricky-ian-gordon-short-operas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>London&#8217;s First Lady of Musical Theatre to appear in Follies</title>
		<link>http://dctheatrescene.com/2011/03/28/londons-first-lady-of-musical-theatre-to-appear-in-follies/</link>
		<comments>http://dctheatrescene.com/2011/03/28/londons-first-lady-of-musical-theatre-to-appear-in-follies/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 13:11:51 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23809</guid>
		<description><![CDATA[She’ll Be Here! Elaine Paige on playing Carlotta in Kennedy Center’s upcoming production of Follies I was so excited when it was announced that Elaine Paige would be playing the role of Carlotta in The Kennedy Center’s new production of Stephen Sondheim’s musical Follies that I jumped at the chance to interview her because I am [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/28/londons-first-lady-of-musical-theatre-to-appear-in-follies/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
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		<title>Ten young outstanding performers</title>
		<link>http://dctheatrescene.com/2011/03/16/ten-young-outstanding-performers/</link>
		<comments>http://dctheatrescene.com/2011/03/16/ten-young-outstanding-performers/#comments</comments>
		<pubDate>Wed, 16 Mar 2011 14:13:48 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23560</guid>
		<description><![CDATA[Attention all DC area casting directors – here are ten young actors, some of them great athletes, some great dramatic actors, some great singers, and some who are very funny, whose performances in recent local productions made audiences swoon with delight. Need a young actor for your show? Consider auditioning these ten talented future stars. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/16/ten-young-outstanding-performers/feed/</wfw:commentRss>
		<slash:comments>23</slash:comments>
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		<title>Joshua Morgan and Derek Kahn Thompson from The Chosen</title>
		<link>http://dctheatrescene.com/2011/03/11/joshua-morgan-and-derek-thompson-from-the-chosen/</link>
		<comments>http://dctheatrescene.com/2011/03/11/joshua-morgan-and-derek-thompson-from-the-chosen/#comments</comments>
		<pubDate>Fri, 11 Mar 2011 17:06:41 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[theater j]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23475</guid>
		<description><![CDATA[Joshua Morgan and Derek Kahn Thompson on playing Danny and Young Reuven in The Chosen I read Chaim Potok’s The Chosen when it was first published in 1967. I was raised in an Orthodox Jewish home in Buffalo, NY where me and most of my 5 brothers played hockey and baseball in the streets of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/11/joshua-morgan-and-derek-thompson-from-the-chosen/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Patrick Page, Spider-Man&#8217;s Green Goblin, talks with DCTS</title>
		<link>http://dctheatrescene.com/2011/03/10/patrick-page-spider-mans-green-goblin-talks-with-dcts/</link>
		<comments>http://dctheatrescene.com/2011/03/10/patrick-page-spider-mans-green-goblin-talks-with-dcts/#comments</comments>
		<pubDate>Thu, 10 Mar 2011 17:36:24 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[New York City]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23422</guid>
		<description><![CDATA[When he&#8217;s not busy playing the Green Goblin, out to destroy the world, in Spider-Man Turn Off the Dark, Patrick Page is very much in demand as a Shakespearean actor, a playwright, director, and acting teacher. The multi-talented Patrick Page, well known to DC audiences, tells us what it’s like being in a show that has become a national obsession, and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/10/patrick-page-spider-mans-green-goblin-talks-with-dcts/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Elden Street Players sweeps the WATCH Awards</title>
		<link>http://dctheatrescene.com/2011/03/07/elden-street-sweeps-watch-awards/</link>
		<comments>http://dctheatrescene.com/2011/03/07/elden-street-sweeps-watch-awards/#comments</comments>
		<pubDate>Mon, 07 Mar 2011 10:53:40 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23308</guid>
		<description><![CDATA[The winners of the 2010 Washington Area Theater Community Honors (The WATCH Awards) were announced on March 6, 2011 at a ceremony held at The Birchmere in Alexandria, VA. Although there were 6 ties – there was no doubt from the first opening of the envelopes that Elden Street Players’ intimate and powerful production of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/07/elden-street-sweeps-watch-awards/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>This year&#8217;s Helen Hayes Awards nominations &#8211; Joel&#8217;s one happy fella. Almost.</title>
		<link>http://dctheatrescene.com/2011/03/01/this-years-helen-hayes-awards-nominations/</link>
		<comments>http://dctheatrescene.com/2011/03/01/this-years-helen-hayes-awards-nominations/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 22:39:08 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[Helen Hayes Awards]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23119</guid>
		<description><![CDATA[Frankly, I was surprised last night as the 2011 Helen Hayes Awards nominations were read. While I was surprised be some of the choices, on the whole, this year&#8217;s group of Helen Hayes judges have done the best job of any I have seen in years. Congratulations all around from the standing room only crowd in [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/01/this-years-helen-hayes-awards-nominations/feed/</wfw:commentRss>
		<slash:comments>22</slash:comments>
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		<title>Erin Weaver from Comedy of Errors</title>
		<link>http://dctheatrescene.com/2011/02/28/erin-weaver-from-comedy-of-errors/</link>
		<comments>http://dctheatrescene.com/2011/02/28/erin-weaver-from-comedy-of-errors/#comments</comments>
		<pubDate>Mon, 28 Feb 2011 16:47:00 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23048</guid>
		<description><![CDATA[Erin Weaver on playing Luciana in the Folger’s The Comedy of Errors It didn’t surprise me when Erin Weaver was awarded The Helen Hayes Award for her performance as Thomasina Coverly in Folger’s Arcadia; I have been a fan of hers since I saw her face full of schmutz and swinging an oversized broom while [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/28/erin-weaver-from-comedy-of-errors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Dancer Ryan Watkinson tells us how to succeed on Broadway</title>
		<link>http://dctheatrescene.com/2011/02/25/local-actor-ryan-watkinson-tells-how-to-succeed-on-broadway/</link>
		<comments>http://dctheatrescene.com/2011/02/25/local-actor-ryan-watkinson-tells-how-to-succeed-on-broadway/#comments</comments>
		<pubDate>Fri, 25 Feb 2011 15:11:39 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[New York City]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22989</guid>
		<description><![CDATA[When a local talent makes it to the Big White Way &#8211; and is about to open in the new revival of How to Succeed in Business Without Really Trying starring Daniel Radcliffe (“Harry Potter” and Equus) &#8211; you can’t help but smile and applaud his efforts. I was introduced to the many talents of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/25/local-actor-ryan-watkinson-tells-how-to-succeed-on-broadway/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
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		<title>An interview with Director Mary Zimmerman</title>
		<link>http://dctheatrescene.com/2011/02/15/an-interview-with-director-mary-zimmerman/</link>
		<comments>http://dctheatrescene.com/2011/02/15/an-interview-with-director-mary-zimmerman/#comments</comments>
		<pubDate>Tue, 15 Feb 2011 18:40:56 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[arena stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22781</guid>
		<description><![CDATA[Director Mary Zimmerman on The Arabian Nights and Candide DC audiences were given two holiday gifts from Director Mary Zimmerman: her lavish and eye-popping productions of Candide for The Shakespeare Theatre Company and The Arabian Nights for Arena Stage. I became a fan of Mary’s after seeing her Tony Award-winning production of Metamorphoses at Circle [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/15/an-interview-with-director-mary-zimmerman/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Rob McClure on playing Mozart in Amadeus</title>
		<link>http://dctheatrescene.com/2011/02/11/rob-mcclure-on-playing-mozart-in-amadeus/</link>
		<comments>http://dctheatrescene.com/2011/02/11/rob-mcclure-on-playing-mozart-in-amadeus/#comments</comments>
		<pubDate>Fri, 11 Feb 2011 16:45:09 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Philadelphia]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[walnut street theater]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22716</guid>
		<description><![CDATA[Rob McClure is a performer who can do it all. He’s a puppeteer – spending many years pulling the strings in Avenue Q. He’s a hysterical physical comedian, leaping around while playing the flaming Carmen Ghia in The Producers and Charlie Chaplin in a new musical. Through March 6th, Rob is playing the manic genius &#8211; Wolfgang [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/11/rob-mcclure-on-playing-mozart-in-amadeus/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Landless Mash Up Fest, Part 2</title>
		<link>http://dctheatrescene.com/2011/02/09/landless-mash-up-fest-part-2/</link>
		<comments>http://dctheatrescene.com/2011/02/09/landless-mash-up-fest-part-2/#comments</comments>
		<pubDate>Wed, 09 Feb 2011 16:51:37 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[landless]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22579</guid>
		<description><![CDATA[If you’ve been to a Cherry Red or Hope Operas production, you know that Chris Griffin’s work can be a little ‘off the wall’, so he is in company with his hysterical and swingingly good Tarxxxanadu, which closed the evening of two shows with four mash ups from Landless Theatre Company. I was there on [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/09/landless-mash-up-fest-part-2/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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		<title>Stephen Cole and David Krane on the musical The Road to Qatar!</title>
		<link>http://dctheatrescene.com/2011/01/31/stephen-cole-and-david-krane-on-the-musical-the-road-to-qatar/</link>
		<comments>http://dctheatrescene.com/2011/01/31/stephen-cole-and-david-krane-on-the-musical-the-road-to-qatar/#comments</comments>
		<pubDate>Mon, 31 Jan 2011 11:47:22 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22268</guid>
		<description><![CDATA[Direct from its world premiere at Lyric Stage, Irving, Texas in October 2009, where it won the coveted Best New Play or Musical award from the Dallas-Fort Worth Drama Critics Forum, The Road to Qatar! began previews on January 25th at The York Theatre in NYC. Being a big fan of the Bob Hope/Bing Crosby [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/31/stephen-cole-and-david-krane-on-the-musical-the-road-to-qatar/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>Lumina&#8217;s musicalized Canterbury Tales &#8211; putting it all together</title>
		<link>http://dctheatrescene.com/2011/01/21/luminas-musicalized-canterbury-tales-putting-it-all-together/</link>
		<comments>http://dctheatrescene.com/2011/01/21/luminas-musicalized-canterbury-tales-putting-it-all-together/#comments</comments>
		<pubDate>Fri, 21 Jan 2011 16:17:31 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[lumina]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22209</guid>
		<description><![CDATA[I’ll be frank with you – I didn’t know much about Lumina Studio Theatre until I read a ‘rave’ for Lumina’s The Comedy of Errors … at Colonus?. by DCTS reviewer Leslie Weisman in which she called the production “a remarkably inventive and accomplished effort by the young company.” Since I write about local young [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/21/luminas-musicalized-canterbury-tales-putting-it-all-together/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Ed Dixon from Sunset Boulevard</title>
		<link>http://dctheatrescene.com/2011/01/19/ed-dixon-from-sunset-boulevard/</link>
		<comments>http://dctheatrescene.com/2011/01/19/ed-dixon-from-sunset-boulevard/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 16:10:44 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[signature]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22182</guid>
		<description><![CDATA[The Greatest Star of All: Ed Dixon on playing Max Von Mayerling in Sunset Boulevard. It’s rare when an actor gets a chance to reprise a role he loves, and that’s what happened to Ed Dixon when Eric Schaeffer asked him to play the mysterious Max Von Mayerling in Signature Theatre’s popular production of Andrew [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/19/ed-dixon-from-sunset-boulevard/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Interview with Oscar Andrew Hammerstein III</title>
		<link>http://dctheatrescene.com/2011/01/07/interview-with-oscar-andrew-hammerstein-iii/</link>
		<comments>http://dctheatrescene.com/2011/01/07/interview-with-oscar-andrew-hammerstein-iii/#comments</comments>
		<pubDate>Fri, 07 Jan 2011 17:47:41 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21927</guid>
		<description><![CDATA[This winter, DC fell in love again with three Rodgers and Hammerstein musicals, starting with the critically acclaimed and SOLD OUT production of Oklahoma! at Arena Stage, The National Tour of South Pacific which dropped anchor at The Kennedy Center’s Opera House, and Cinderella which is still entertaining young theatregoers and their families at Toby’s Dinner Theatre [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/07/interview-with-oscar-andrew-hammerstein-iii/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Chris Sizemore, Margo Seibert and Tracy Lynn Olivera on Candide</title>
		<link>http://dctheatrescene.com/2011/01/03/chris-sizemore-margo-seibert-and-tracy-lynn-olivera-on-candide/</link>
		<comments>http://dctheatrescene.com/2011/01/03/chris-sizemore-margo-seibert-and-tracy-lynn-olivera-on-candide/#comments</comments>
		<pubDate>Mon, 03 Jan 2011 21:13:14 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[shakespeare theatre company]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21874</guid>
		<description><![CDATA[Local actors Chris Sizemore, Margo Seibert and Tracy Lynn Olivera on being in the cast of Candide I was elated when I learned that three of my favorite actors in the DC area were appearing in Candide at The Shakespeare Theatre Company. As the musical enters its last week in DC, Chris Sizemore, Margo Seibert [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/03/chris-sizemore-margo-seibert-and-tracy-lynn-olivera-on-candide/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Oy Vey! Schmoozing with The Kinsey Sicks</title>
		<link>http://dctheatrescene.com/2010/12/29/oy-vey-schmoozing-with-the-kinsey-sicks/</link>
		<comments>http://dctheatrescene.com/2010/12/29/oy-vey-schmoozing-with-the-kinsey-sicks/#comments</comments>
		<pubDate>Wed, 29 Dec 2010 14:23:26 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[theater j]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21831</guid>
		<description><![CDATA[I thought I was interviewing the four outrageously loveable, funny and eccentric members of The Kinsey Sicks who are tearing up the mistletoe at Theater J. But, instead, eight showed up &#8211; since sometimes the KS actors/writers responded as their boy names and sometimes as their character&#8217;s girl names. Before we can move on – [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/29/oy-vey-schmoozing-with-the-kinsey-sicks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wrapping up the year with Musical Scene Stealers</title>
		<link>http://dctheatrescene.com/2010/12/21/musical-scene-stealers-december-2011/</link>
		<comments>http://dctheatrescene.com/2010/12/21/musical-scene-stealers-december-2011/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 17:04:53 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21604</guid>
		<description><![CDATA[I saw a lot of musicals the last three months so sitting down and going through programs and notes to select this talented new group of “Scene Stealers’ was so much fun, and also very challenging.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/21/musical-scene-stealers-december-2011/feed/</wfw:commentRss>
		<slash:comments>33</slash:comments>
		</item>
		<item>
		<title>An enchanted chat with South Pacific star David Pittsinger</title>
		<link>http://dctheatrescene.com/2010/12/14/an-enchanted-chat-with-south-pacific-star-david-pittsinger/</link>
		<comments>http://dctheatrescene.com/2010/12/14/an-enchanted-chat-with-south-pacific-star-david-pittsinger/#comments</comments>
		<pubDate>Tue, 14 Dec 2010 13:48:40 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21484</guid>
		<description><![CDATA[I have interviewed dozens of performers for DC Theatre Scene, but my chat with David Pittsinger is one of my all-time favorites. DC audiences will be hearing one of the greatest baritones in the world when David sings the role of Emile de Becque in South Pacific at The Kennedy Center’s Opera House.  As I [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/14/an-enchanted-chat-with-south-pacific-star-david-pittsinger/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Oklahoma!&#8217;s showstoppers June Schreiner and Cody Williams</title>
		<link>http://dctheatrescene.com/2010/12/02/oklahomas-showstoppers-june-schreiner-and-cody-williams/</link>
		<comments>http://dctheatrescene.com/2010/12/02/oklahomas-showstoppers-june-schreiner-and-cody-williams/#comments</comments>
		<pubDate>Thu, 02 Dec 2010 14:27:50 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[arena stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21246</guid>
		<description><![CDATA[When I walked into the new Mead Center lobby during intermission on Oklahoma!&#8216;s opening night, I heard several critics and theatergoers asking the same question over and over: “Who are these two young actors?” They were referring to June Schreiner and Cody Williams who had just ‘stolen’ the first act with their rousing performances of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/02/oklahomas-showstoppers-june-schreiner-and-cody-williams/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Playwright and director Joe Calarco</title>
		<link>http://dctheatrescene.com/2010/11/29/dc-playwright-and-director-joe-calarco/</link>
		<comments>http://dctheatrescene.com/2010/11/29/dc-playwright-and-director-joe-calarco/#comments</comments>
		<pubDate>Mon, 29 Nov 2010 21:06:54 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[signature]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21177</guid>
		<description><![CDATA[Joe Calarco on his new play Walter Cronkite is Dead This year has been a very busy one for playwright/director Joe Calarco: he&#8217;s directed three plays - In Transit for Primary Stages, Burnt Part Boys for Playwrights Horizon,  both in New York, and The Memory Play for Barrington Stage Company in Massachusetts and picked up [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/29/dc-playwright-and-director-joe-calarco/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Schmoozing at this year&#8217;s ShowBiz Expo</title>
		<link>http://dctheatrescene.com/2010/11/19/schmoozing-at-this-years-showbiz-expo/</link>
		<comments>http://dctheatrescene.com/2010/11/19/schmoozing-at-this-years-showbiz-expo/#comments</comments>
		<pubDate>Fri, 19 Nov 2010 19:55:00 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21034</guid>
		<description><![CDATA[I wish I could have taken all the actors and producers in town with me to this year&#8217;s ShowBiz Expo at the New York  Hilton (at 54th Street and 6th Avenue). It’s a great place  to meet producers, editors, filmmakers, publicists, designers, talent managers, agents, and directors who are in ‘the business’, and attend their [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/19/schmoozing-at-this-years-showbiz-expo/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Harry Connick, Jr on his Happy Elf</title>
		<link>http://dctheatrescene.com/2010/11/16/harry-connick-jr-on-his-happy-elf/</link>
		<comments>http://dctheatrescene.com/2010/11/16/harry-connick-jr-on-his-happy-elf/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 19:41:02 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[adventure]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20951</guid>
		<description><![CDATA[There was plenty of excitement at Montgomery College on Saturday, November 13th when I arrived to interview  Harry Connick, Jr. before the press opening of The Happy Elf. Harry Connick Jr. was very grateful that Adventure Theatre and Montgomery College were co-producing this first full production of his new children&#8217;s musical. Plenty of Broadway talent [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/16/harry-connick-jr-on-his-happy-elf/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Lulu Fall on being a member of the Hair tribe</title>
		<link>http://dctheatrescene.com/2010/11/15/lulu-fall-on-being-a-member-of-the-hair-tribe/</link>
		<comments>http://dctheatrescene.com/2010/11/15/lulu-fall-on-being-a-member-of-the-hair-tribe/#comments</comments>
		<pubDate>Mon, 15 Nov 2010 23:42:45 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20925</guid>
		<description><![CDATA[Lulu’s Back in Town I was so thrilled to hear that DC’s own Lulu Fall was cast in the National Tour of Hair, now playing through this weekend in The Kennedy Center’s Opera House. Lulu’s got it all &#8211; she’s a great singer, dancer, and actress, has a bubbly personality and is stunningly gorgeous. I [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/15/lulu-fall-on-being-a-member-of-the-hair-tribe/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Esther Covington on playing Fanny Brice</title>
		<link>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/</link>
		<comments>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/#comments</comments>
		<pubDate>Fri, 12 Nov 2010 19:23:00 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20859</guid>
		<description><![CDATA[She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#8217;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audiences. I asked Esther Covington to talk about preparing for and performing the role [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.americancentury.org/podcasts/TACT_FANNYBRICE.mp3" length="18134845" type="audio/mpeg" />
			<itunes:keywords>american century</itunes:keywords>
	<itunes:subtitle>She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#039;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audienc...</itunes:subtitle>
		<itunes:summary>She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#039;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audiences. I asked Esther Covington to talk about preparing for and performing the role of the legendary comedienne in The American Century Theater’s production of One Night With Fanny Brice.



Esther: The premise of the show is that Fanny Brice has returned from the dead (not like a zombie… although that would be kind of cool) for this one night to this particular stage to share with the audience the events from her life that shaped her earthly existence, complete with songs that she loved and performed when she was alive. The script doesn’t provide a reason why this particular phenomenon happens, which is one of the challenges of the script. Why is Fanny here on this stage on this night? I believe that Fanny has returned as a tribute to her children, grandchildren, etc. and to share one last night with the people who meant the most to her and never hurt her. Regardless of the reason, the show is two-acts of Fanny recounting actual events from her life.

Joel: Who was Fanny Brice?

Esther: Fanny Brice was the most famous and highest paid female comedian in America in the early Twentieth Century. Made famous by Barbara Streisand’s portrayal of her in the musical Funny Girl, Fanny Brice was the forerunner and inspiration for women like Carol Burnett, Lucille Ball, and Carol Channing. She performed in Burlesque, on Broadway (most notably the Ziegfeld Follies), in movies, and for more than 12 years on the radio as the character ‘Baby Snooks.’ In addition to her successful career as an actress, singer, and comedian, she was also well known for her 15-year tumultuous relationship with crook and con man Nick Arnstein. She was also a devoted and loving mother of two children. Fanny Brice died in 1951 at age 59 of a cerebral hemorrhage.

Joel: Why did you want to play Fanny Brice?

Esther: Honestly, the desire to play Fanny Brice was initially no different than my desire to play any character. I find that each role I play helps me further develop my skills as an actress so I’m always thrilled to be cast in any role.  As I learned about Fanny Brice, the excitement and apprehension grew exponentially. I mean, she was the funniest woman in America, which is a wonderful opportunity to improve my comedy chops and to be given a great deal of artistic license to just play and have fun with the role.  Yet there is also the huge challenge of playing a factual person, especially a fairly contemporary one, because there are many people who remember her, saw her perform, and knew her and I wanted to make sure I preserved the integrity of who she was, even without my personal knowledge of her.

Joel: How do you relate to Fanny?

Esther: I do find that I certainly relate to Fanny Brice, particularly when it comes to my own desires and insecurities. She was never considered beautiful, yet she has a very unique look and is a very pretty woman. I’ve heard similar things my whole life. She hated her nose (so much that she had rhinoplasty late in her career) and I’ve never been too fond of mine (no rhinoplasty for me though… yet). She had three siblings and was the second daughter, which is the same in my family. She adored her father and was always able to see only the good in him, despite some huge personal flaws, which I can definitely relate to in my own life. She was never afraid to take risks and was never too proud to take any role offered her. And she worked so stinkin’ hard her entire career. She never became complacent or assumed that fame would always be hers.  Up until the day she died, she was working.

I definitely echo her work ethic. She was a devoted friend, wife, and mother, almost to a fault. Her marriages didn’t last,</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
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