Like its English cousin, An Irish Carol is a dramatic look at life on a day when it should be most celebrated and filled with peace, hope, and love. Unlike its cousin, there are no actual ghosts, but plenty of past, present, and potentially future sorrows turn-up. As they are wont to do when the […]
Dickens—that stuffy purveyor of eternally drab tales—gets a refreshing and quirky upgrade in The Second City’s Twist Your Dickens, the Kennedy Center’s merry holiday fare that will help you end this disturbing year with levity.
The magical, the magnificent, The Magi. This play, wrapped in a concert, is a wonderfully performed piece that showcases the best of theatre: Storytelling. Drama. Humor. Song, along with guitars, violin, and a kazoo.
Dark. Squirmy. Brutal. Galling. Backwards. Chilling. A slew of punchy, powerful words ran through my mind, much like the pithy (and punctuated) Tame. on Monday night, as I watched a man dominate a woman into a Christian-prescribed-submission.
Open Circle’s The Who’s Tommy shakes the establishment not with its hard-hitting guitar riffs but with its fearless use of American Sign Language (ASL), a move more rock ‘n’ roll than rock ‘n’ roll itself. The power and fervor sign language adds to the theatre-going experience will move you like the lighter-infused tribute concerts of […]
Debbie Allen’s Freeze Frame…Stop the Madness is a multi-media show about gun violence at the hands of cops/authority figures. Dance is its beating heart. Which is good. Because the dialogue isn’t always great, the music is sometimes flat, and the video footage often distracting. That said, Freeze Frame has a lot to offer a viewer, […]
A musical about a suburban mom and her teen daughter having a bad day doesn’t scream high-octane or joyful or laughable, but Freaky Friday is lively, agile, and full of fun, fun, fun.
Maryland Ensemble Theatre’s production of Bad Jews is drop-your-eyes, shake-your-head, rub-your-forehead funny. Because your family, though maybe not Jewish, is most probably just as messy.
The wide-eyed, baby-faced babe with a bod known as Betty Boop is an icon—a 1930s cartoon character based on singer and dancer Helen Kane (and influenced by other ladies of the day) who became a sex symbol in the same era that a couple of mice took to the screen. A tweak here, some changes there […]
The truest measure of a show is often how it leaves you feeling. Sometimes, a show has got its work cut out for itself—taking someone from an incredibly rotten mood to elation (or deep thought, depending on the material). It’s no easy feat. And, yet, that’s what Catch Me If You Can was up against […]