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	<title>DC Theatre Scene&#187; Leslie Weisman</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
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		<title>DC Theatre Scene&#187; Leslie Weisman</title>
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		<title>Bust</title>
		<link>http://dctheatrescene.com/2011/12/06/bust/</link>
		<comments>http://dctheatrescene.com/2011/12/06/bust/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 14:20:01 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

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		<description><![CDATA[When HBO and Comedy Central’s Lauren Weedman decided to take her comedic sensibilities to the jailhouse and teach a writing workshop, her good intentions were tinged with a sense of noblesse oblige, as Weedman herself would be the first to admit. But we all know where good intentions lead.  Rather than teach a writing course, Weedman winds [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Norman</title>
		<link>http://dctheatrescene.com/2011/10/08/norman/</link>
		<comments>http://dctheatrescene.com/2011/10/08/norman/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 15:11:36 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29574</guid>
		<description><![CDATA[It isn’t often that a production will justify a reviewer’s use of the delightful word “pixilated,” especially as a homonym.  That said, if ever there was a time, it is now.  In Michel Lemieux and Victor Pilon’s utterly transfixing and transporting 4D tribute to Scots-Canadian pioneer filmmaker Norman McLaren, here for a brief three-day engagement [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lungs</title>
		<link>http://dctheatrescene.com/2011/10/05/lungs/</link>
		<comments>http://dctheatrescene.com/2011/10/05/lungs/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 14:49:41 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29496</guid>
		<description><![CDATA[Feeling a bit overwhelmed by some of the magnificent productions on DC theater boards, their elegant sets and colorful costumes either enhancing or competing with the luscious language emanating from lushly made-up mouths of too many characters to count without a playbook?  If so, does Studio Theatre have a play for you. Ryan King and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Green Bird</title>
		<link>http://dctheatrescene.com/2011/05/10/the-green-bird/</link>
		<comments>http://dctheatrescene.com/2011/05/10/the-green-bird/#comments</comments>
		<pubDate>Tue, 10 May 2011 14:39:32 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[constellation]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25239</guid>
		<description><![CDATA[Fairy tales and philosophy should make for strange bedfellows, and, at least in theory, even stranger bedtime stories. But in Constellation Theatre Company’s wondrous production of the 18th-century Italian playwright Carlo Gozzi’s The Green Bird, the two cozy up with remarkable affinity. Like all good relationships, they also bring things out in each other that [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>Magnificent Waste</title>
		<link>http://dctheatrescene.com/2011/04/21/magnificent-waste/</link>
		<comments>http://dctheatrescene.com/2011/04/21/magnificent-waste/#comments</comments>
		<pubDate>Thu, 21 Apr 2011 09:25:42 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[factory 449]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24801</guid>
		<description><![CDATA[Abandon all hope, ye who enter here. While those ominous words may not hang above Flashpoint’s door, Dante would recognize this place. Cautiously making our way around the darkened room — the seats are roped off with black ribbon — accompanied by a jazzy score with otherworldly tones, we are both beckoned and repelled by [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Fragments</title>
		<link>http://dctheatrescene.com/2011/04/18/fragments/</link>
		<comments>http://dctheatrescene.com/2011/04/18/fragments/#comments</comments>
		<pubDate>Mon, 18 Apr 2011 15:20:19 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24678</guid>
		<description><![CDATA[Say the name Samuel Beckett, and most people think: Waiting for Godot, existentialism.  Theatre of the absurd, where absurd means meaningless.  As we watch Peter Brook and Marie Hélène Estienne’s spare but striking staging of five uneasy pieces by the late Irish playwright, the word also takes on its more everyday meaning.  And we realize [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Romeo and Juliet: Choose Your Own Ending</title>
		<link>http://dctheatrescene.com/2010/11/16/romeo-and-juliet-choose-your-own-ending-2/</link>
		<comments>http://dctheatrescene.com/2010/11/16/romeo-and-juliet-choose-your-own-ending-2/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 14:39:39 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[2010 Fringe]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20936</guid>
		<description><![CDATA[Fresh from winning both Best Overall Show and Audience Choice Best Comedy at this summer’s Pick of the Fringe Awards, Romeo and Juliet: Choose Your Own Ending is back with both a bang and a whimper, courtesy of two characters who in the original are relatively minor.  Here they come forcefully into their own, in [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>The War of the Worlds</title>
		<link>http://dctheatrescene.com/2010/11/02/the-war-of-the-worlds/</link>
		<comments>http://dctheatrescene.com/2010/11/02/the-war-of-the-worlds/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 14:09:13 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[scena]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20562</guid>
		<description><![CDATA[The “terrifying broadcast that panicked a nation!” the night before Halloween more than 70 years ago and sent thousands heading for the hills can now be not only heard, but seen.  Scena Theatre has taken the Orson Welles Mercury Theater’s (almost literally) groundbreaking “The War of the Worlds,” based on the eponymous 1898 book by [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Little Prince</title>
		<link>http://dctheatrescene.com/2010/10/20/the-little-prince-2/</link>
		<comments>http://dctheatrescene.com/2010/10/20/the-little-prince-2/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 10:33:15 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[ambassador]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20245</guid>
		<description><![CDATA[“It is only with the heart that one can see rightly; what is essential is invisible to the eye.”  These words, penned (in French) during the Second World War by writer and aviator Antoine de Saint-Exupéry, will immediately ring a bell with children of all ages and nationalities. Ian Pedersen as The Little Prince (Photo: [...]]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>The Comedy of Errors &#8230; at Colonus?</title>
		<link>http://dctheatrescene.com/2010/05/18/the-comedy-of-errors-at-colonus/</link>
		<comments>http://dctheatrescene.com/2010/05/18/the-comedy-of-errors-at-colonus/#comments</comments>
		<pubDate>Tue, 18 May 2010 13:55:23 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[lumina]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15916</guid>
		<description><![CDATA[If only your reviewer wrote as rapidly as Lumina’s astoundingly accomplished young performers declaim poetry, verse (and  reverse) and verbal pyrotechnics by, and in the manner of Sophocles and Shakespeare, this review would be a stream-of-consciousness critique chock-a-block with tropes, puns, literary devices and cultural double entendres.  Alas, her pen could barely keep pace with [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Seven Ages of Mime</title>
		<link>http://dctheatrescene.com/2010/04/22/the-seven-ages-of-mime-2/</link>
		<comments>http://dctheatrescene.com/2010/04/22/the-seven-ages-of-mime-2/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 11:26:09 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[happenstance]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=14961</guid>
		<description><![CDATA[Happenstance Theatre’s The Seven Ages of Mime plies the ancient art in an hour of poetic silence, laugh-out-loud slapstick and historical storytelling.


    Mark Jaster and Sabrina Mandell

delivers in both senses of the word, taking playgoers on a wild and enchanting ride through the vast and venerable history of the original performance art.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sit Down, Stand Up! The Story of the Student Sit-ins</title>
		<link>http://dctheatrescene.com/2010/02/07/sit-down/</link>
		<comments>http://dctheatrescene.com/2010/02/07/sit-down/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 18:41:45 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12525</guid>
		<description><![CDATA[Sit Down, Stand Up! a play about the student lunch counter sit-ins in Greensboro, NC delivers a message in history and humanity gets plenty of enthusiastic audience participation.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/07/sit-down/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Solid Gold Cadillac</title>
		<link>http://dctheatrescene.com/2009/12/09/the-solid-gold-cadillac-2/</link>
		<comments>http://dctheatrescene.com/2009/12/09/the-solid-gold-cadillac-2/#comments</comments>
		<pubDate>Wed, 09 Dec 2009 17:37:58 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=11427</guid>
		<description><![CDATA[What do you get when you take a 1953 classic, update it with snazzy new seats, carpeting and accessories, but keep the chassis?   In Studio Theatre’s fitfully entertaining retrofit of Howard Teichmann and George S. Kaufman’s The Solid Gold Cadillac, what you get is a chance to spend a couple of entertaining hours in the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Moonlight</title>
		<link>http://dctheatrescene.com/2009/09/15/moonlight-2/</link>
		<comments>http://dctheatrescene.com/2009/09/15/moonlight-2/#comments</comments>
		<pubDate>Tue, 15 Sep 2009 14:46:12 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=9503</guid>
		<description><![CDATA[Harold Pinter’s rarely performed one-act play is classic Pinter: conflicted characters using dagger-sharp wit and caustic irony to compensate for deep-seated, unspoken doubts and fears. But Moonlight is more:  its depiction of an irascible and unloved patriarch (Ted van Griethuysen) whose last hours on Earth are tormented by the failure of his two sons to [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mother Courage and Her Children</title>
		<link>http://dctheatrescene.com/2009/06/04/mother-courage-and-her-children-2/</link>
		<comments>http://dctheatrescene.com/2009/06/04/mother-courage-and-her-children-2/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 09:10:26 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[scena]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6704</guid>
		<description><![CDATA[In Scena Theatre&#8217;s riveting production of the 1941 Brechtian classic, an almost palpable air of death and defeat hovers over the dun-colored, dirt-covered cement-floor set, making the occasional flashes of brilliant color a visual and psychological assault on the senses.  This is not only scenically effective, but forms a subtle counterpart to the German masterwork&#8217;s [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Closer Than Ever</title>
		<link>http://dctheatrescene.com/2009/05/12/closer-than-ever-2/</link>
		<comments>http://dctheatrescene.com/2009/05/12/closer-than-ever-2/#comments</comments>
		<pubDate>Tue, 12 May 2009 15:13:18 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[limelight]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6292</guid>
		<description><![CDATA[If you have a love for lyrics and verbal jousts and a passionate appreciation for the way they can, in the hands of a master, reveal things you think but never thought anyone knew you did, then run to Rockville before Closer Than Ever is not just farther than ever &#8211; but gone forever. Closer [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/05/12/closer-than-ever-2/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>Berliner Kabarett</title>
		<link>http://dctheatrescene.com/2009/04/07/berliner/</link>
		<comments>http://dctheatrescene.com/2009/04/07/berliner/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 19:26:19 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[in series]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5562</guid>
		<description><![CDATA[Place: Berlin, Germany; a small cabaret theatre.  Time: between the two World Wars.  The democratic Weimar Republic has been established in the wake of Germany&#8217;s humiliating defeat.  But the Allies&#8217; punitive reparations have left the economy in shambles, the people depressed, resentful, quick with a bitter quip, in desperate need of escape. For many, the [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Seafarer</title>
		<link>http://dctheatrescene.com/2009/01/21/the-seafarer/</link>
		<comments>http://dctheatrescene.com/2009/01/21/the-seafarer/#comments</comments>
		<pubDate>Wed, 21 Jan 2009 23:00:42 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3641</guid>
		<description><![CDATA[The Seafarer by Conor McPherson Directed by Paul Mullins Produced by The Studio Theatre Reviewed by Leslie Weisman Some plays set the stage not only literally but figuratively, preparing the audience for what will occur over the course of their action.  And then there are those whose sets are more deceptive: where a cozy walnut, [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Too Much Light Makes the Baby Go Blind</title>
		<link>http://dctheatrescene.com/2008/12/18/too-much-light-makes-the-baby-go-blind-2/</link>
		<comments>http://dctheatrescene.com/2008/12/18/too-much-light-makes-the-baby-go-blind-2/#comments</comments>
		<pubDate>Thu, 18 Dec 2008 13:10:53 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3286</guid>
		<description><![CDATA[Too Much Light Makes the Baby Go Blind Written, Directed, Produced and Performed by the Neo-Futurists: Sharon Greene, Jacquelyn Landgraf, John Pierson, Caitlin Stainken and Jay Torrence Created by Greg Allen Produced by Woolly Mammoth Theatre Company Reviewed by Leslie Weisman If you have a taste for the tawdry, the kinky, the sweet and the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>A Christmas Carol</title>
		<link>http://dctheatrescene.com/2008/12/18/a-christmas-carol-2/</link>
		<comments>http://dctheatrescene.com/2008/12/18/a-christmas-carol-2/#comments</comments>
		<pubDate>Thu, 18 Dec 2008 12:10:23 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[toby's]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3223</guid>
		<description><![CDATA[A Christmas Carol Book by Mike Ockrent and Lynn Ahrens Music by Allen Menken . Lyrics by Lynn Ahrens Directed by Daniel L. McDonald Produced by Toby&#8217;s Dinner Theatre of Baltimore Reviewed by Leslie Weisman Toby&#8217;s Dinner Theatre is a place where the show may be the main reason you&#8217;re there, but it&#8217;s usually not [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Blackbird</title>
		<link>http://dctheatrescene.com/2008/12/10/blackbird/</link>
		<comments>http://dctheatrescene.com/2008/12/10/blackbird/#comments</comments>
		<pubDate>Wed, 10 Dec 2008 20:38:26 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3064</guid>
		<description><![CDATA[Blackbird By David Harrower Directed by David Muse Produced by Studio Theatre Reviewed by Leslie Weisman There&#8217;s a new kid on the block, and he&#8217;s taken up residence with what promises to be one of the neighborhood&#8217;s most satisfyingly, yet disturbingly quirky families: the new Milton Series, housed in the bird&#8217;s nest of Studio&#8217;s intimate [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/10/blackbird/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Playing from the Heart</title>
		<link>http://dctheatrescene.com/2008/11/09/playing-from-the-heart/</link>
		<comments>http://dctheatrescene.com/2008/11/09/playing-from-the-heart/#comments</comments>
		<pubDate>Mon, 10 Nov 2008 03:50:59 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[imagination stage]]></category>
		<category><![CDATA[Kids Stages]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2632</guid>
		<description><![CDATA[Playing from the Heart By Charles Way Directed by Janet Stanford Produced by Imagination Stage Reviewed by Leslie Weisman What do you get when you take an almost bare-bones set, a heroine who can&#8217;t hear but who won&#8217;t hear of not making music, an orchestra of ideophones evoked by sticks, boards, panes and chimes and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>7(x1) Samurai</title>
		<link>http://dctheatrescene.com/2008/10/20/7x1-samurai/</link>
		<comments>http://dctheatrescene.com/2008/10/20/7x1-samurai/#comments</comments>
		<pubDate>Mon, 20 Oct 2008 12:03:09 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[city artistic parnerships]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2404</guid>
		<description><![CDATA[7(x1) Samurai: An epic tale &#8230; told by an idiot written and performed by David Gaines directed by David Gaines produced by City Artistic Partnerships reviewed by Leslie Weisman There&#8217;s been an astonishing crop of one-man shows here lately, from Rick Miller&#8217;s MacHomer at Warehouse, to Josh Kornbluth&#8217;s Citizen Josh at Arena Stage, to Scott [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trumbo: Red, White and Blacklisted</title>
		<link>http://dctheatrescene.com/2008/09/04/trumbo-red-white-and-blacklisted/</link>
		<comments>http://dctheatrescene.com/2008/09/04/trumbo-red-white-and-blacklisted/#comments</comments>
		<pubDate>Thu, 04 Sep 2008 15:59:33 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[rep stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1968</guid>
		<description><![CDATA[Trumbo: Red, White and Blacklisted By Christopher Trumbo Produced by Rep Stage Reviewed by Leslie Weisman The colorful title  &#8220;Trumbo: Red, White and Blacklisted&#8221; is a playful verbal lure that is true to the spirit of its subject.  With a forthrightness that pays tribute to the blacklisted writer&#8217;s award-winning screenplays (The Brave One and Roman [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>If You See Something Say Something</title>
		<link>http://dctheatrescene.com/2008/07/14/if-you-see-something-say-something/</link>
		<comments>http://dctheatrescene.com/2008/07/14/if-you-see-something-say-something/#comments</comments>
		<pubDate>Tue, 15 Jul 2008 00:22:36 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1686</guid>
		<description><![CDATA[If You See Something Say Something  by Leslie Weisman  Our story begins at the White Sands Missile Range, a secure military installation in New Mexico.  It&#8217;s quite large; &#8220;you could fit three Rhode Islands in it,&#8221; Mike Daisey tells the capacity audience.  He has carefully chosen the date of his visit: the first Saturday in [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/14/if-you-see-something-say-something/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The President&#8217;s New Clothes</title>
		<link>http://dctheatrescene.com/2008/07/13/the-presidents-new-clothes/</link>
		<comments>http://dctheatrescene.com/2008/07/13/the-presidents-new-clothes/#comments</comments>
		<pubDate>Sun, 13 Jul 2008 13:53:22 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1658</guid>
		<description><![CDATA[The President&#8217;s New Clothes  by Leslie Weisman  A timely political take on Hans Christian Andersen&#8217;s timeless tale of the clueless monarch, &#8220;The President&#8217;s New Clothes&#8221; has been updated for the fourth time since its inception at the height of the Watergate scandal. Playwright/director Deborah Langerman told the surprisingly small audience &#8211; whose numbers may speak to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The School for Scandal</title>
		<link>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</link>
		<comments>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/#comments</comments>
		<pubDate>Fri, 16 May 2008 11:54:54 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</guid>
		<description><![CDATA[The School for Scandal by Richard Brinsley Sheridan Directed by Richard Clifford Produced by Folger Theatre Reviewed by Leslie Weisman The Folger&#8217;s done it again: taken a classic from an earlier era and turned it into a contemporary cautionary tale of a situation so in-the-moment as to have been heralded, just four days into its [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Crumble (lay me down Justin Timberlake)</title>
		<link>http://dctheatrescene.com/2008/05/13/crumble-lay-me-down-justin-timberlake/</link>
		<comments>http://dctheatrescene.com/2008/05/13/crumble-lay-me-down-justin-timberlake/#comments</comments>
		<pubDate>Tue, 13 May 2008 13:26:45 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[catalyst]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/13/crumble-lay-me-down-justin-timberlake/</guid>
		<description><![CDATA[Crumble (lay me down Justin Timberlake) by Sheila Callaghan Directed by Shirley Serotsky Produced by Catalyst Theater Company Reviewed by Leslie Weisman This may be the shortest, sharpest &#8211; and the most seemingly effortlessly poetic &#8211; play you&#8217;ll see outside of the Capital Fringe Festival.  Like some of those memorable mini- quasi- master sketches, &#8220;Crumble,&#8221; [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/05/13/crumble-lay-me-down-justin-timberlake/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Man of La Mancha</title>
		<link>http://dctheatrescene.com/2008/04/22/man-of-la-mancha/</link>
		<comments>http://dctheatrescene.com/2008/04/22/man-of-la-mancha/#comments</comments>
		<pubDate>Tue, 22 Apr 2008 09:48:06 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[washington savoyards]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/04/22/man-of-la-mancha/</guid>
		<description><![CDATA[Man of La Mancha Play by Dale Wasserman Music by Mitch Leigh . Lyrics by: Joe Darien Directed by Colin Hovde Musical Direction by Shawn Burke-Storer Choreographed by Stefan Sittig Produced by Washington Savoyards Reviewed by Leslie Weisman You don&#8217;t often get the chance to see a small local company put on a Broadway blockbuster [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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