It’s always a pleasure to welcome Helen Mirren back to the Broadway stage. Her new vehicle by Peter Morgan, who served her well once before as author of “The Queen,” a film in which by playing Elizabeth II for the first time, she won herself a well deserved Oscar for best performance. Now here she […]
Larry David’s ‘Fish’ gives new meaning to the word “promising.” There’s no question his play is full of laughs, but it is peopled by over a dozen completely one dimensional characters who remain where they began until minutes before the final curtain, by which time all or most have seen the light, and spread some joy.
At the conclusion of the Saturday matinee during the seven performance run of each Encores! presentation at New York’s City Center, there is always a talkback with members of the company, or artists connected to the original productions will speak to us. In the case of George and Ira Gershwin’s first collaboration to hit Broadway, […]
I hadn’t been to the Nederlander, the theatre that is the furthest south in the neighborhood called “Broadway”, since Rent opened there in 1996. That musical stayed put for 12 years and was followed by a two year run of Newsies. Marching down the aisle to my 4th row seat at Honeymoon in Vegas, I […]
Playwright Ayad Akhtar has Disgraced running on Broadway. It’s found its audience, which responds to the play’s sparkling and insightful dialogue dealing with the complicated relationships among a black woman, a Jewish American, a Muslim Pakistani and a white Protestant, sharply spoken during an elegant dinner party on New York’s upper east side. In a […]
One of the unexpected pleasures of covering New York theatre for our site is that I have the opportunity to view the wide spectrum of subjects, themes, current issues that playwrights use as source material. In the recent weeks they have dealt with Judeo-Christian-Islamic conflicts (Disgraced) , the search for truth in affairs of the […]
I have to credit Jack O’Brien, the director, and lead producer Tom Kirdahy for delivering what is unquestionably the hottest ticket in town as we hit the mid-season mark. I say that because every element in this production spells “Hit!”. Scott Pask’s set of the upstairs drawing room in a swank New York brownstone, and […]