All posts by Rosalind Lacy:

Rosalind Lacy MacLennan, who hails from Los Angeles, has enjoyed writing for DCTheatreScene since 2006. A 20-year journalism veteran, with newspapers such as the Pittsburgh-Post Gazette, the Butler Eagle in Pennsylvania, the Suburban Newspapers of Northern New Jersey, Rosalind won a MD-DC press award for the Montgomery Journal in 1999. Since Rosalind’s heady days training and performing professionally in summer stock out of New York City, Rosalind has taught drama in high school, directed and acted in community theaters, and is the proud mother of three young adults. Still an avid theater nut, Rosalind is a former board member of www.Footlightsdc.org, and an aficianada of Spanish theater history.

Las Quiero a las Dos (I Want Them Both)

Ricardo Talesnik is the Neil Simon of Hispanic Theatre.  But look out, Talesnik’s humor can throw you off-guard. [Read more...]

Begotten: O’Neill and the Harbor of Masks

Fog rises and permeates the stage. From the dark, an ensemble of five actors emerge carrying lanterns. An atonal, drifting melody from an on-stage clarinet player, sounds of lapping water and fog horns lure us into an eerie, supernatural landscape. (Sound design by Roc Lee.)  [Read more...]

de mi corazon latino: From My Latin Heart

Jesus Daniel Hernandez’ sensational tenor voice has a clarion purity that could fill a cavernous auditorium  and scenic designer Osbel Susman-Pena reinforces that impression by giving him a setting at Source reminiscent of a Greek arena, with raked, semi-circular seating. [Read more...]

On the Waterfront

It’s a miracle this play exists. The Oscar-winning 1954 movie On the Waterfront,  written by Budd Schulberg and directed by Elia Kazan, has reached iconic status as a Mob violence flick about an ex-prizefighter turned labor leader. [Read more...]

Solo Petru (Petru: All by Himself)

Last May, when The 3 Rascals (A3Vidos) performed their rioplatense cafe concert for Teatro de la Luna, the moon was at its brightest in twenty years. Comedian Petru Valenski was an unforgettable member of that trio. He has returned, accompanied, again, by an astronomical event. Look up into the sky tonight and you’ll find Venus and Jupiter are two of the brightest objects in the night sky. As dazzling as that is, comedian Petru Valenski from Uruguay, alone in a spotlight onstage at the Gunston Arts Center, outshines them both in Solo Petru (Petru: All By Himself).  [Read more...]

I Cannot Live Without a Maid (No Puedo Vivir sin Mucama)

From a blackout on stage, we hear her voice: “I am the most important person in my boss-lady’s life.” A musical fanfare resounds from overhead. Ta-dah! Lights come up center stage.  And Perla Laske, a renowned actress from Argentina, seated on a throne as a Paraguayan wielding a broom like a scepter, introduces herself as “The mucama!” [Read more...]

Family Under Construction (Familia en Construccion)

Five madcap players from Spain fire up wholesome, exciting ‘theatre with a capital T,’ for this weekend’s addition to The Moon’s Embrace, Teatro de la Luna’s newest festival. The tight-knit troupe from the Factoria Teatro company deliver dialogue so rapid-fire, switch characters, scenes and props with such split-second ease, they take your breath away. [Read more...]

El Inmigrante (The Immigrant)

Why do they keep crossing the border? Slide projections of hate-graffiti flash by on a back wall screen: “We Are Against Immigrants,” “Get out, Nicaraguans,” “Illiterate Immigrant,” followed by by a newspaper headline, “Three Costa Ricans Held in Nicaragua.” Border crossings taking place between Nicaragua and Costa Rica, two Mesoamerican countries are unusual for us yet we don’t often hear about racial discrimination in Latino countries. [Read more...]

Ana en el Tropico (Anna in the Tropics)

Nilo Cruz’ exquisite verbal symphony about the transforming power of literature simmers with surprising moment-to-moment vitality, thanks to this new Spanish interpretation of the 2003 Pulitzer winner Anna in the Tropics and an inspired GALA ensemble. As directed by Jose Carrasquillo, this Washington D.C. premiere heightens Cruz’ celebrated poetic dialogue. [Read more...]

Blood Wedding

When the lights come up, Death, impersonated by an ominous, stone-faced Matthew Pauli, stands center stage, softly playing a ukulele. Death, who is biding his time, often grinning, even leering, stalks with a cane through just about every scene and takes delight in lovers’ quarrels and family friction.  [Read more...]