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	<title>DC Theatre Scene&#187; Rosalind Lacy</title>
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	<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
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		<item>
		<title>Blood Wedding</title>
		<link>http://dctheatrescene.com/2012/02/06/blood-wedding-2/</link>
		<comments>http://dctheatrescene.com/2012/02/06/blood-wedding-2/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:23:14 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[constellation]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32309</guid>
		<description><![CDATA[When the lights come up, Death, impersonated by an ominous, stone-faced Matthew Pauli, stands center stage, softly playing a ukulele. Death, who is biding his time, often grinning, even leering, stalks with a cane through just about every scene and takes delight in lovers&#8217; quarrels and family friction.  It&#8217;s a directorial choice; a Shirley Serotsky [...]]]></description>
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		<title>Luisa Fernanda</title>
		<link>http://dctheatrescene.com/2011/11/18/luisa-fernanda-2/</link>
		<comments>http://dctheatrescene.com/2011/11/18/luisa-fernanda-2/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 15:34:28 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30668</guid>
		<description><![CDATA[Think of the present day Arab Spring. In 1868 Spain, public dissent was in the air. The revolutionary fervor, called La Gloriosa (Glorious Revolution) led to the overthrow of Queen Isabella II and outcries for a government that spoke for the people. Real life events inspired composer Federico Moreno-Torroba who collaborated with librettists Federico Romero [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Relatos Borrachos/Tales Told Under the Influence</title>
		<link>http://dctheatrescene.com/2011/11/11/relatos-borrachostales-told-under-the-influence/</link>
		<comments>http://dctheatrescene.com/2011/11/11/relatos-borrachostales-told-under-the-influence/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 16:45:05 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30487</guid>
		<description><![CDATA[“I’ve been dying for a drink,” says Young Woman (Daniela Alvarado). That’s scene one’s startling first line that unreels Venezuelan playwright Enrique Salas’ glib dialogue. When one drink becomes one drink too many, the results can be high hilarity (pun intended) or a desperate search for dignity and recovery. the cast (Photo: Teatro de la [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Coraje II / Courage II</title>
		<link>http://dctheatrescene.com/2011/11/04/coraje-ii-courage-ii/</link>
		<comments>http://dctheatrescene.com/2011/11/04/coraje-ii-courage-ii/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 13:17:50 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30281</guid>
		<description><![CDATA[We could all be going through airport security instead of being ushered onto a black box stage where we are about to become part of an art-making process. “Please come in. Leave your belongings on the seats. You can leave your keys, your purses. It’s a secure zone&#8230;. Put your cell phones on silent mode, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Medea Llama por Cobrar (Medea Calls Collect)</title>
		<link>http://dctheatrescene.com/2011/10/28/medea-llama-por-cobrar-medea-calls-collect/</link>
		<comments>http://dctheatrescene.com/2011/10/28/medea-llama-por-cobrar-medea-calls-collect/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 13:44:44 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30078</guid>
		<description><![CDATA[Ecuadorean Peky Andino sheds new light on the Greek myth of Medea as the child-killing mother who gets away with murder. The playwright/poet changes Medea into a sympathetic, blind saint from Ecuador and skillfully creates a hauntingly surreal, dramatic monologue about all emigrants who seek a better life by leaving their homeland. Maria Beatriz Vergara According [...]]]></description>
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		<title>Latinas</title>
		<link>http://dctheatrescene.com/2011/10/21/latinas/</link>
		<comments>http://dctheatrescene.com/2011/10/21/latinas/#comments</comments>
		<pubDate>Fri, 21 Oct 2011 17:02:10 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29908</guid>
		<description><![CDATA[Denise Duncan, a new voice from Costa Rica, knows the issues of immigration first-hand. Her play, Latinas, premiering in Teatro de la Luna’s International Festival of Hispanic Theater, is about the frustrations and anguish that immigrants in the Spanish-speaking world face when trying to get citizenship in a foreign country. Cast of Latinas. (Photo: Courtesy of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Love Potion #1</title>
		<link>http://dctheatrescene.com/2011/10/18/love-potion-1/</link>
		<comments>http://dctheatrescene.com/2011/10/18/love-potion-1/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 08:50:31 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[in series]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29794</guid>
		<description><![CDATA[If you need relief from the news and the economy, here’s an aspirin on an elegant platter. Staged in the elegant mini-opera house of the GALA Tivoli Theatre, the In Series’ Love Potion #1 is a heady hit to ease all headaches. It’s pure escapism, a charming satire of the glorious, well-known comic opera, The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Quien lo probo, lo sabe/Those Who Taste It, Know</title>
		<link>http://dctheatrescene.com/2011/10/14/quien-lo-probo-lo-sabethose-who-taste-it-know/</link>
		<comments>http://dctheatrescene.com/2011/10/14/quien-lo-probo-lo-sabethose-who-taste-it-know/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 11:57:42 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29727</guid>
		<description><![CDATA[Love! How do you define it? An insane passion kept Lope de Vega (1562-1635) churning out plays, sometimes a play a day. Nothing could stop this 17th century genius, once called “a monster of Nature,” from writing so truthfully about what he observed. Photo courtesy of Teatro de la Luna Did de Vega live a [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Ay, Carmela!</title>
		<link>http://dctheatrescene.com/2011/09/22/ay-carmela-2/</link>
		<comments>http://dctheatrescene.com/2011/09/22/ay-carmela-2/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 13:24:51 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29057</guid>
		<description><![CDATA[From the get-go, it’s do or die. Mona Martínez, as Carmela, and Diego Mariani, as Paulino, are as skittish as if dancing in front of a firing squad. Thanks to these two breathtaking theatre artists, ìAy, Carmela!, based on a real life love story, is both funny and profoundly moving on a deeply human level. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Looking back on the Hispanic theatre season</title>
		<link>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/</link>
		<comments>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 11:20:57 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Audience Choice Awards 2011]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28173</guid>
		<description><![CDATA[The rap on the wrap-up of the 2010/2011 Hispanic Theatre season in Washington D.C. is that as far as audiences are concerned, GALA Hispanic Theatre and Teatro de la Luna must be doing something right. In spite of funding cuts, the two Spanish-speaking theater groups have enjoyed strong box office support, garnered positive to enviable [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pop!</title>
		<link>http://dctheatrescene.com/2011/07/21/pop/</link>
		<comments>http://dctheatrescene.com/2011/07/21/pop/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 15:51:33 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27595</guid>
		<description><![CDATA[Andy Warhol played the deadpan fool but was nobody’s fool. The pop artist is still making money after death. One of his self-portraits sold for $38.4 million in a bidding war at an auction in May, 2011. Now Warhol is alive at Studio Theatre in a glitzy, high-powered, wildly funny musical, with book and lyrics [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shrewing of the Tamed</title>
		<link>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/</link>
		<comments>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 13:20:16 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27355</guid>
		<description><![CDATA[The reversal in wording of Taming of the Shrew is not so much for a feminist message as for opening our minds. Get set for a bracing cocktail with a blast of Shakespeare’s bawdy at the Thrust Inn. Sexual innuendo intended. In Shrewing of the Tamed, Francesca Chilcote and Laurie J. Wolf, an associate professor [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Visit to a Small Planet</title>
		<link>http://dctheatrescene.com/2011/07/12/visit-to-a-small-planet/</link>
		<comments>http://dctheatrescene.com/2011/07/12/visit-to-a-small-planet/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 20:16:51 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27130</guid>
		<description><![CDATA[In Gore Vidal’s rarely mounted sci-fi, political satire, well-timed pyrotechnics have to run as smoothly as last week’s shuttle launch, and actors must have rapid-fire, elegant delivery. The American Century Theater skillfully rises to the challenge with an uplifting show that’s refreshing and fun, even in its darker moments. (l-r) John Tweel as General Tom [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Wind in the Willows</title>
		<link>http://dctheatrescene.com/2011/06/29/the-wind-in-the-willows/</link>
		<comments>http://dctheatrescene.com/2011/06/29/the-wind-in-the-willows/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 13:23:35 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[imagination stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26537</guid>
		<description><![CDATA[Roll the clock back to Britain’s glorious Gilded Age of 1908 when Kenneth Grahame dreamed up this rambling adventure for his little son about animals with human traits and the importance of friendship. After seven motorcars wrecks, three hospitalizations and a sentencing to 20-years in prison for speeding and car theft, wacky Mr. Toad, who [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Canto Al Peru Negro (Song for Black Peru)</title>
		<link>http://dctheatrescene.com/2011/06/14/canto-al-peru-negro-song-for-black-peru/</link>
		<comments>http://dctheatrescene.com/2011/06/14/canto-al-peru-negro-song-for-black-peru/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 15:13:35 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26091</guid>
		<description><![CDATA[Shake those hips and roll those shoulders loose. Viva Peru! Vicky Leyva, a.k.a. “The Mulatta Flower of Peru,&#8221; dances barefoot, sings folklore straight from an impassioned heart and lights up the stage with bravura alongside her singing and dancing daughters Vanessa Diaz and Susan Duston. Together they represent a revolution. Hardly a fiesta of fun [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/14/canto-al-peru-negro-song-for-black-peru/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>The Tennessee Continuum</title>
		<link>http://dctheatrescene.com/2011/05/26/the-tennessee-continuum/</link>
		<comments>http://dctheatrescene.com/2011/05/26/the-tennessee-continuum/#comments</comments>
		<pubDate>Thu, 26 May 2011 14:09:28 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[washington shakespeare]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25635</guid>
		<description><![CDATA[Playwright Tennessee Williams wrote the truth as he saw it. By having the courage to share his own troubled personal life, he revolutionized American theater.To celebrate the 100th birthday of this prolific genius, the Washington Shakespeare Company has chosen two of his rarely staged one-acts that span his lifetime, and called it their Tennessee Williams [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/05/26/the-tennessee-continuum/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>As If It Were Tonight (Como si fuera esta noche)</title>
		<link>http://dctheatrescene.com/2011/05/23/as-if-it-were-tonight-como-si-fuera-esta-noche/</link>
		<comments>http://dctheatrescene.com/2011/05/23/as-if-it-were-tonight-como-si-fuera-esta-noche/#comments</comments>
		<pubDate>Mon, 23 May 2011 17:03:25 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25529</guid>
		<description><![CDATA[Spanish playwright Gracia Morales transports us into a dream world so magically real, so filled with painful love, you have to remind yourself to breathe. A dressmaker and her daughter allegorically undress slowly until the raw truth of their lives is exposed. (l-r) Andrea Aranguren and Karen Morales-Chacana (Photo: Kary Cerda) For Teatro de la [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Apple Cart</title>
		<link>http://dctheatrescene.com/2011/05/05/the-apple-cart/</link>
		<comments>http://dctheatrescene.com/2011/05/05/the-apple-cart/#comments</comments>
		<pubDate>Thu, 05 May 2011 15:02:56 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[washington stage guild]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25108</guid>
		<description><![CDATA[Do we really need the British monarchy? As if on cue, The Washington Stage Guild’s The Apple Cart: A Political Extravaganza, one of George Bernard Shaw’s most challenging political satires, opened on the weekend of the wedding of William and Catherine, a prince and a commoner. The twinkly-eyed playwright would have loved the fortuitous timing. [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Numancia</title>
		<link>http://dctheatrescene.com/2011/04/21/numancia/</link>
		<comments>http://dctheatrescene.com/2011/04/21/numancia/#comments</comments>
		<pubDate>Thu, 21 Apr 2011 20:56:57 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24816</guid>
		<description><![CDATA[The Teatro de Parla Youth Company of Spain delivers a powerful blast from the past. On the backs of black t-shirts worn by three actors, white print spells out: GUERRA (war), ENFERMEDAD (disease), and HAMBRE (famine). The characters stand upstage on a platform littered with bodies. These villains represent the rewards of war. This is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/21/numancia/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Divorciadas, Evangelicas y Vegetarianas</title>
		<link>http://dctheatrescene.com/2011/04/14/divorciadas-evangelicas-y-vegetarianas/</link>
		<comments>http://dctheatrescene.com/2011/04/14/divorciadas-evangelicas-y-vegetarianas/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 12:21:38 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24559</guid>
		<description><![CDATA[Venezuelan playwright Gustavo Ott confronts us with close encounters of the domestic-violent kind. Divorcees, Evangelists and Vegetarians (Divorciadas, evangelicas y vegetarianas), an accessible play both tragic and hysterically funny, is about three needy women at the existential brink of self-destruction or complete madness. It exposes what women often hide from public view &#8211; the debilitating reality [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/14/divorciadas-evangelicas-y-vegetarianas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Saudade: Songs of Longing &amp; Celebration (Nostalgia y Cancion)</title>
		<link>http://dctheatrescene.com/2011/04/06/saudade-songs-of-longing-celebration-nostalgia-y-cancion/</link>
		<comments>http://dctheatrescene.com/2011/04/06/saudade-songs-of-longing-celebration-nostalgia-y-cancion/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 19:30:14 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[in series]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24128</guid>
		<description><![CDATA[After a resounding success in March with WAM2, In Series Artistic Director Carla Hubner takes another daring leap by bringing together the unexpected. Now back on home turf in the more intimate Source theatre space, In Series stages Saudade: Songs of Longing &#38; Celebration, a show for poetry lovers. It is an intimate jazz-Brazz revue that [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/06/saudade-songs-of-longing-celebration-nostalgia-y-cancion/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>The 3 Rascals</title>
		<link>http://dctheatrescene.com/2011/03/22/the-3-rascals/</link>
		<comments>http://dctheatrescene.com/2011/03/22/the-3-rascals/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 09:54:08 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23698</guid>
		<description><![CDATA[The full moon appeared the biggest and brightest in 20 years last weekend when The 3 Rascals (A3vidos) performed at Teatro de la Luna. The moon in its orbit arriving at its closest point to the earth took part in a happy coincidence. Laughter like a healing balm spilled throughout Teatro de la Luna’s black box [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/22/the-3-rascals/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>How to Avoid Falling in Love with the Wrong Man</title>
		<link>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/</link>
		<comments>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/#comments</comments>
		<pubDate>Fri, 11 Mar 2011 15:44:42 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23477</guid>
		<description><![CDATA[Cabaret artist Graciela Rodriguez from Uruguay has a lot to say about the battle of the sexes. Why do women fall in love with men who are jerks, fools, idiots, and dorks and make them suffer? Rodriguez is here to wise us up. This U.S. premiere of her solo show, Como Evitar Enamorarse del Hombre [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>WAM2! (Wolfgang Amadeus Mozart)</title>
		<link>http://dctheatrescene.com/2011/03/10/wam2-wolfang-amadeus-mozart/</link>
		<comments>http://dctheatrescene.com/2011/03/10/wam2-wolfang-amadeus-mozart/#comments</comments>
		<pubDate>Thu, 10 Mar 2011 13:47:23 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[in series]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23408</guid>
		<description><![CDATA[A Ballet and Opera Double-Thrill WAM2! (Wolfgang Amadeus Mozart) has found an apt locale for making art; not war. It’s upstairs in the Atlas Performing Arts Center, where downstairs the Intersections New America Arts Festival is now running at full tilt. Last January, director and chief choreographers David Palmer assisted by Septime Webre introduced their [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/10/wam2-wolfang-amadeus-mozart/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>Aliens, Immigrants and Other Evildoers</title>
		<link>http://dctheatrescene.com/2011/03/06/aliens-immigrants-and-other-evildoers/</link>
		<comments>http://dctheatrescene.com/2011/03/06/aliens-immigrants-and-other-evildoers/#comments</comments>
		<pubDate>Sun, 06 Mar 2011 18:03:56 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23288</guid>
		<description><![CDATA[A Bilingual Sci-Fi Latino Noir Performance You don’t have to be a Trekkie to understand the Latino sci-fi part. An adroit performer and lucid writer, Jose Torres-Tama bravely takes us to the dark side where most dare not go. Jose Torres-Tama in his solo performance What is applaudable about Torres-Tama’s compelling one-man-show is the way [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/06/aliens-immigrants-and-other-evildoers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Magic Paintbrush</title>
		<link>http://dctheatrescene.com/2011/03/01/the-magic-paintbrush/</link>
		<comments>http://dctheatrescene.com/2011/03/01/the-magic-paintbrush/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 17:46:38 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[synetic family]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23069</guid>
		<description><![CDATA[When a six-year-old in the lobby says, “This is going to be awesome,” I ask why. “I know the story.” Several other youngsters look up. They know it too. No, not from Disney World’s Magic Kingdom; they’ve heard it from their mothers who read or tell them stories. I’m impressed. If your childhood was inundated [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/01/the-magic-paintbrush/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>La Candida Erendira</title>
		<link>http://dctheatrescene.com/2011/02/11/la-candida-erendira/</link>
		<comments>http://dctheatrescene.com/2011/02/11/la-candida-erendira/#comments</comments>
		<pubDate>Fri, 11 Feb 2011 16:18:01 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22687</guid>
		<description><![CDATA[The Innocent Eréndira and her Heartless Grandmother (La Cándida Eréndira) Abandon all moral judgment and logic to enjoy this erotic fairy tale. A grandmother sells her young granddaughter for rape and sex trafficking. Welcome to the grotesque and mysterious world of Gabriel Garcia Marquez where evil becomes palatable through magical realism. As directed by Jorge Alí [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/11/la-candida-erendira/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Beyond the Horizon</title>
		<link>http://dctheatrescene.com/2011/01/19/beyond-the-horizon/</link>
		<comments>http://dctheatrescene.com/2011/01/19/beyond-the-horizon/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 14:24:12 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22172</guid>
		<description><![CDATA[Even the genius Eugene O’Neill, the only American playwright to be awarded the Nobel Prize for Literature, had a learning curve. And Director Kathleen Akerley, who has the courage to think outside the box and take humongous risks, tackles his great but flawed, three-act play. For this story about a love-triangle between two brothers who [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/19/beyond-the-horizon/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>A Christmas Carol: A Ghost Story of Christmas</title>
		<link>http://dctheatrescene.com/2010/12/21/a-christmas-carol-a-ghost-story-of-christmas/</link>
		<comments>http://dctheatrescene.com/2010/12/21/a-christmas-carol-a-ghost-story-of-christmas/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 08:49:03 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[olney]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21721</guid>
		<description><![CDATA[Paul Morella brings A Christmas Carol up front and personal in an inspired, deeply-felt, moving one-man marathon monologue. On opening night, this consummate actor brought a full-house audience to a standing ovation. That’s impressive. Paul Morella (Photo: Stan Barouh) Morella revives the Anglo-Celtic art of storytelling by shaving some of the hyperbole from the original [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/21/a-christmas-carol-a-ghost-story-of-christmas/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>Drops of Water</title>
		<link>http://dctheatrescene.com/2010/11/22/drops-of-water/</link>
		<comments>http://dctheatrescene.com/2010/11/22/drops-of-water/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 21:10:29 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21071</guid>
		<description><![CDATA[The children’s totally-into-it involvement is what makes this play so magical. By the end, Drops of Water is a splash hit without wasting a drop of water. Photo courtesy of Teatro de la Luna Last year, children and adults could relate wholeheartedly to playwright Jacqueline Briceno’s The Cat and the Seagull, (El Gato Y La [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/22/drops-of-water/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Happiest Day of Our lives</title>
		<link>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/</link>
		<comments>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/#comments</comments>
		<pubDate>Mon, 01 Nov 2010 11:37:54 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20556</guid>
		<description><![CDATA[Teatro de la Luna’s XIII International Hispanic Theater Festival continued on a roll with a richly profound, absurd black comedy from Spain about waiting. Three sisters, who are triplets, wait for the happiest day of their lives: a wedding and a first communion. Nobody comes. Nobody leaves. Nothing happens. Russian playwright Chekhov gave us Three [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>My Husband is a Cuckold</title>
		<link>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/</link>
		<comments>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/#comments</comments>
		<pubDate>Mon, 25 Oct 2010 09:57:20 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20372</guid>
		<description><![CDATA[Here’s breaking news. Women have just as many extra-marital affairs as men do.  Is this factual? It’s a play. It’s all fantasy by the stereotype-smashing, Venezuelan playwright Elizabeth Fuentes. Are Latina women unfaithful to their husbands? Yes. How shocking is that? It destroys the sacred myth of machismo, the Don Juan legend, and Latino Lovers.  [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Los Treinta revisited</title>
		<link>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/</link>
		<comments>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 09:04:08 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19698</guid>
		<description><![CDATA[Quique Aviles, poet and brilliant impersonator of true stories, is back. After two sold-out blockbusters at the GALA Tivoli Theatre, Aviles has returned to the 55-seat black box theater in the DCArts Center with the same show about Salvadoreans in Washington D.C. Quique Aviles (Photo courtesy of the production) For those who didn’t catch it [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>El Caballero de Olmedo</title>
		<link>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/</link>
		<comments>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/#comments</comments>
		<pubDate>Tue, 21 Sep 2010 15:20:23 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19566</guid>
		<description><![CDATA[How can a hero be so blind to the palpable warnings encircling him; so deaf to his own instincts? Lope de Vega, the Spanish Shakespeare, shows us the answer through Alonso, the title character from one of his masterpieces, El Caballero de Olmedo (The Knight from Olmedo.) The knight believes he is invincible because of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Looking back on the Hispanic Theatre season</title>
		<link>http://dctheatrescene.com/2010/08/17/hispanic-theatre-season/</link>
		<comments>http://dctheatrescene.com/2010/08/17/hispanic-theatre-season/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 22:02:02 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Audience Choice Awards 2010]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Audience Choice Awards]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19023</guid>
		<description><![CDATA[Looking back at the excellence in the 2009-2010 Hispanic Theatre season is really looking forward to more to come. This summer, after working in a coffee community, a voluntary collective of &#8220;fincas&#8221; (small farms), and living with a family in El Salvador, I emerge ever more wide-eyed and aware of the great need for more [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/08/17/hispanic-theatre-season/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Los Treinta</title>
		<link>http://dctheatrescene.com/2010/08/03/los-treinta/</link>
		<comments>http://dctheatrescene.com/2010/08/03/los-treinta/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 12:06:09 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=18589</guid>
		<description><![CDATA[30 Years of the Salvadorean presence in DC Quique Aviles’ floor-blistering one-man show about the Salvadorean diaspora to Washington D.C. hits you like a fireball from a volcano. From the moment Aviles bounds from the aisles onto the stage and alternates English with Spanish, there is no language barrier. There’s a method to this exuberant [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/08/03/los-treinta/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>El Bola &#8211; Cuba&#8217;s King of Song</title>
		<link>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/</link>
		<comments>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 01:18:02 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=16737</guid>
		<description><![CDATA[A projection of El Bola’s round face with infectious smile greets you from a circular screen. Then Marcelino Valdes, in elegant white and black tux, steps through the Omega-shaped portal and impersonates Cuba’s King of Song by sing-speaking the riff: “All of us black folk drink coffee, you know!” from Ay, Mama Ines, (by Eliseo [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Heartstrings / Rifar el Corazon</title>
		<link>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/</link>
		<comments>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/#comments</comments>
		<pubDate>Mon, 10 May 2010 13:22:25 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15694</guid>
		<description><![CDATA[We’ve all been through hellish family reunions so we can relate to Dino Armas’ character-driven, black comedy about two sisters, one a mother, and her disabled daughter. In Teatro de la Luna’s 2004 International Festival of Hispanic Theatre, the Uraguayan Heartstrings won enough praise to inspire artistic director Mario Marcel to revive it in 2010. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>El Retablillo de don Cristobal</title>
		<link>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/</link>
		<comments>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/#comments</comments>
		<pubDate>Wed, 14 Apr 2010 11:01:36 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=14715</guid>
		<description><![CDATA[Top Pick &#8212; On a set littered with sandbags, rifles stand in wooden gun racks. Strains of catchy guitar music filter through muffled explosions of mortars. In the middle of the Spanish Civil War (1936-1939), Federico Garcia Lorca is dead but we’re about to see his playful side in a puppet show that is bawdy, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Lisbon Traviata</title>
		<link>http://dctheatrescene.com/2010/03/29/the-lisbon-traviata/</link>
		<comments>http://dctheatrescene.com/2010/03/29/the-lisbon-traviata/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 01:50:33 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=14301</guid>
		<description><![CDATA[Terrence McNally’s long monologues crescendo and diminuendo like arias with a breathtaking presto-tempo in The Lisbon Traviata, under the direction of Christopher Ashley at the Kennedy Center for a short run.]]></description>
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