Tim Treanor

About Tim Treanor

Tim Treanor Senior Writer, member, DCTS Board of Directors. Since 2005, Tim has written over 400 reviews and numerous news articles, features and interviews for DCTS. He has been a member of the American Theater Critics Association since 2009 and sits on its Executive and New Plays committees. He is also a fellow of the National Critics Institute, run by the O’Neill Theater Center. His interactive murder mystery,Murder in Elsinore, enjoyed a brief run in 2003. By day he is a trial lawyer for the Federal government. He lives with his dear bride, Lorraine, in a log house in the woods of Southern Maryland.

King Lear, the Globe at Folger Theatre

kinglear2

The Globe Theatre, launching its tour of America with a stint at the Folger, has created a King Lear for our times. I have seen noble Lears, pathological Lears, fragile Lears, arrogant Lears, and Lears who have combined all of these characteristics in one. But the Lear which Joseph Marcell and director Bill Buckhurst give […]

Belleville at Studio Theatre

belleville2

In her acclaimed plays 4000 Miles and After the Revolution Amy Herzog’s characters face moral dilemmas, particularly concerning the conflict between loyalty to the state and loyalty to family. In Belleville, Herzog’s characters face moron dilemmas, as in how to survive in the face of idiotic decisions. It is done with the same attention to […]

An appreciation of theatre critic Brad Hathaway on his retirement

brad hathaway2

It is 2004. As the lights dim in the auditorium, a tall, powerfully-built man of late middle years slips unobtrusively into a seat in a back row. He is a critic. The week previous, he had reviewed shows at Signature, Arena Stage, and the Shakespeare Theatre Company. Now he is watching a community theater perform […]

The Fall of the House of Usher

ushertop

Edgar Allan Poe’s tale has grown so large in the literary imagination that we forget that the original was a short story, less than 7200 words in length and more atmosphere than incident. It is less a story than an invitation to the reader to create a story, and the Pallas Theatre Collective has accepted […]

Pol Pot & Associates, LLP

(l-r) Kira Burri, Daniel Vita Siefring and Seamus Miller (Photo

Kathleen Akerley’s Something Past in Front of the Light remains, in my view, the finest original work by a Washington-area playwright not named Posner. She has written other excellent plays – dense, howlingly funny, and wise – as well. This is why – let’s say it without the bark on – Pol Pot & Associates […]

The Campsite Rule

(Photo: Brian S. Allard)

Alexandra Petri, who writes a humor column for the Washington Post, has here written a sex comedy. By this I mean she has written a play in which people say witty things while, um, having sex. Also, while in the coffee shop talking about having sex. And in each other’s place of residence, getting ready […]

The Fever

click for tickets

On days when I’m seeing a Fringe show, I generally put my button on when I get dressed in the morning and leave it on all day. It’s more convenient that way. Yesterday I was riding the Metro and a lady of a mighty age squeezed in next to me. She looked at my button. […]

Gidion’s Knot

gidiontop

Gidion’s Knot is a story of irredeemable grief. It is a story about the fragility of childhood, and whether it is the duty of parents to protect their children or to let them flower. It is a tale about artistic freedom, and whether it can have limits, and if so, what those limits are. In […]

The Capital City Showcase

Capital City host Christian Hunt. Click for tickets

Since the entertainers who make up The Capital City Showcase change from production to production, the only useful thing a review can do is address broad themes. The broad themes to The Capital City Showcase are this: DC’s got funny, and DC’s got music. My review is: yeah.

Cabaret XXX: Everybody F*cking Dies

XXXs Allyson Harkey, Karen Lange, Anderson Wells and Toni Rae Salmi. Click for tickets

I know what you’re thinking, brothers and sisters. “If everybody f*cking dies, why is he writing this f*cking review? They’re all dead!” I have a single-word answer for you, my friends: replacements.

Reprint Policy Our articles may not be reprinted in full but only as excerpts and those portions may only be used if a credit and link is provided to our website.
DC Theatre Scene is supported in part by the DC Commission on the Arts & Humanities and by the Humanities Council of Washington, DC.