Tim Treanor

About Tim Treanor

Tim Treanor is a senior writer for DC Theatre Scene. He is a 2011 Fellow of the National Critics Institute and has written over 600 reviews for DCTS. His novel, "Capital City," with Lee Hurwitz, is scheduled for publication by Astor + Blue in November of 2016. He lives in a log home in the woods of Southern Maryland with his dear bride, DCTS Editor Lorraine Treanor. For more Tim Treanor, go to timtreanorauthor.com.

Great Expectations at Everyman Theatre (review)

Imagine a small boy in the bleak world of 19th-century England. His parents are dead; he is in the custody of his older sister, a harridan who is prone to gusts of even more extreme anger and her husband, a blacksmith. Hard days and poverty envelop their waking hours like the cold English fog, and […]

Shakespeare Theatre Company to present Pinter, Beckett, a Musical and a whole lotta Shakespeare next season

First to announce a look at their 2017-2018 season is Shakespeare Theatre Company which will open with two minimalist one-act plays by Harold Pinter and bookend them with the grand musical Camelot. In between: a visit from the Druid Theatre Company of Ireland and plenty of Shakespeare. (STC has not released specific dates and one production remains to […]

Michael Kahn stepping down from Shakespeare Theatre Company in 2019

Michael Kahn, the Artistic Director, director and teacher whose work has dominated the theatrical landscape in Washington for thirty years and has had a national impact, will retire as Artistic Director of the Shakespeare Theatre Company in July of 2019, the company announced Monday night.

King Charles III at Shakespeare Theatre Company (review)

It is a bold writer who writes a history of the future. It is a bold writer who bathes his play in high Shakespearean language, replete with iambic pentameter and rhyming couplets. For doing both, can we say that Mike Bartlett is a man of brass?

The River at Spooky Action (review)

It looks like a love story — a Heathcliff-and-Catherine love story, where the passion is so profound and misshapen that it obliterates the boundaries of everyday reality. But it isn’t.

Holly Twyford leads a powerful cast in Who’s Afraid of Virginia Woolf at Ford’s Theatre (review)

Jean-Paul Sartre said that Hell is other people, but in Who’s Afraid of Virginia Woolf? we look to ourselves to find Hell, horrifying and intimate.

Mack, Beth at Keegan Theatre (review)

Yes, yes, I know; the family that slays together stays together. But why is it that of all the astonishing plays in Will Shakespeare’s oeuvre, it is this story of a homicidal Scottish King that gets reimagined the most frequently?

Les Liaisons Dangereuses at Center Stage (review)

Les Liaisons Dangereuses is like any play by Oscar Wilde, except when it isn’t. Wilde punctured the piety and pomposity of 19th-century England, to show us the underbelly of lust and greed. In the epistolary novel upon which Liaisons is based, Pierre Choderlos de Laclos punctured the freewheeling lust and libertinism of 18th-century France, to […]

At Washington Stage Guild, It’s a Wonderful Life: A Live Radio Play (review)

A play like this, where actors play fictional actors who play roles in an entirely different play, gives you a sort of double vision. You see not Joe Brack playing George Bailey, but Jake Laurents — a fictional character being played by Joe Brack — playing George Bailey. His interpretation of the character is not […]

Soft Revolution: Shafana and Aunt Sarrinah at Venus Theatre (review)

In Alana Valentine’s Soft Revolution, Meera Narasimhan as Aunt Sarrinah cooks a feast of Afghani foods for herself and her niece Shafana (Nayab Hussain). After the production you will find a dish waiting for you. It is delicious; Narasimhan has an excellent touch. Regrettably, Valentine’s play remains undercooked.

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