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	<title>DC Theatre Scene&#187; Tim Treanor</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
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		<title>With 100 productions to its credit, Lumina is ready for more</title>
		<link>http://dctheatrescene.com/2012/05/25/with-100-productions-to-its-credit-lumina-is-ready-for-more/</link>
		<comments>http://dctheatrescene.com/2012/05/25/with-100-productions-to-its-credit-lumina-is-ready-for-more/#comments</comments>
		<pubDate>Fri, 25 May 2012 19:18:56 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[lumina]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35263</guid>
		<description><![CDATA[For those for whom Shakespeare is not enough, there is always Lumina. The Silver Spring-based not-just-for-kids troupe just finished celebrating its one hundredth production in fifteen years – a version of Midsummer Night’s Dream which manages to tie in Fritz Lang’s classic movie “Metropolis” and also the story of Dr. Faustus, all in slightly less [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Music Man</title>
		<link>http://dctheatrescene.com/2012/05/25/the-music-man-2/</link>
		<comments>http://dctheatrescene.com/2012/05/25/the-music-man-2/#comments</comments>
		<pubDate>Fri, 25 May 2012 17:50:48 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[arena stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35297</guid>
		<description><![CDATA[You can tell, in the occasional serendipitous gesture, the brilliant telling smile, why this oddball musical, this syncopated torrent of Americana, was chosen over West Side Story by the Tony Award voters of 1958. Sondheim, Laurents, Bernstein et al, showed their brilliance with West Side Story, which became an American classic, but Meredith Willson showed [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Imagination Stage announces a season of peaches, ogres and whos</title>
		<link>http://dctheatrescene.com/2012/05/25/imagination-stage-announces-a-season-of-peaches-ogres-and-whos/</link>
		<comments>http://dctheatrescene.com/2012/05/25/imagination-stage-announces-a-season-of-peaches-ogres-and-whos/#comments</comments>
		<pubDate>Fri, 25 May 2012 16:53:23 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[imagination stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35305</guid>
		<description><![CDATA[Bethesda’s Imagination Stage takes dead aim at the 4 to 12 set in a six-production season which will feature a world premiere of a Roald Dahl play, the company announced yesterday. Dahl’s new work, The Magic Finger, is the story of an eight-year-old girl with a justice-dealing magic finger which, when pointed with intention, rewards [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Xanadu</title>
		<link>http://dctheatrescene.com/2012/05/21/xanadu-2/</link>
		<comments>http://dctheatrescene.com/2012/05/21/xanadu-2/#comments</comments>
		<pubDate>Mon, 21 May 2012 14:05:36 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[signature theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35205</guid>
		<description><![CDATA[“It was a brave man,” Jonathan Swift once observed, “who first et an oyster.” Douglas Carter Beane is a brave man, and for much the same reason. He took Xanadu, a 1980’s flop-o movie musical – the one which ended the brief movie-star career of Australian songbird Olivia Newton-John—and audaciously turned it into a play. [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>The Bacchae</title>
		<link>http://dctheatrescene.com/2012/05/16/the-bacchae/</link>
		<comments>http://dctheatrescene.com/2012/05/16/the-bacchae/#comments</comments>
		<pubDate>Wed, 16 May 2012 12:21:14 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[WSC Avant Bard]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35071</guid>
		<description><![CDATA[What would a religion which celebrated lust, music, dancing, and the drinking of wine be like? Hah! Need I even ask! The party would last until we were asked to leave the Eurozone, I suppose. Still – it would be hard to go. Frank Britton and chorus (Photo: Kristina Sherk) We watch Euripides’ 2400-year-old The [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>Studio announces its 2012-2013 megaseason</title>
		<link>http://dctheatrescene.com/2012/05/14/studio-announces-its-2012-2013-megaseason/</link>
		<comments>http://dctheatrescene.com/2012/05/14/studio-announces-its-2012-2013-megaseason/#comments</comments>
		<pubDate>Mon, 14 May 2012 15:28:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35023</guid>
		<description><![CDATA[The return of Joy Zinoman directing a production of the Broadway hit 4,000 Miles will highlight a monster 12-production 2012-2013 season for Studio Theatre, the company announced this weekend. 4,000 Miles, Amy Herzog’s story of a rootless young man who crashes with his 91-year-old grandmother in Greenwich Village after a cross-country bike journey, will star [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>With its 20th season, Rep Stage time travels back to the 20th century</title>
		<link>http://dctheatrescene.com/2012/05/08/with-its-20th-season-rep-stage-time-travels-back-to-the-20th-century/</link>
		<comments>http://dctheatrescene.com/2012/05/08/with-its-20th-season-rep-stage-time-travels-back-to-the-20th-century/#comments</comments>
		<pubDate>Tue, 08 May 2012 14:18:37 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[rep stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34930</guid>
		<description><![CDATA[Howard County’s Rep Stage will celebrate its 20th year by exploring the 20th century, manipulating time through a four-play season which takes us from somber ghost story to high-octane farce. The company will open its season with The Tempermentals, a historical docudrama about the founding of the Mattachine Society in 1950, and the two men [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/05/08/with-its-20th-season-rep-stage-time-travels-back-to-the-20th-century/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Supremes give Hero zero</title>
		<link>http://dctheatrescene.com/2012/05/02/supremes-give-hero-zero/</link>
		<comments>http://dctheatrescene.com/2012/05/02/supremes-give-hero-zero/#comments</comments>
		<pubDate>Wed, 02 May 2012 12:51:38 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[shakespeare theatre company]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34795</guid>
		<description><![CDATA[Messina High Bench Knocks Out Alimony Award, but Returns Dowry; Declares Subpoena “Much Ado About Nothing” The Supreme Court of Messina rarely hears a domestic relations case, but when it does, anything can happen. In the matter of Count Claudio of Florence v. Lady Hero of Messina, 2011 DRB 65471, heard at the Shakespeare Theatre’s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shakespeare Theatre to receive the Regional Theatre Tony Award</title>
		<link>http://dctheatrescene.com/2012/05/01/shakespeare-theatre-to-receive-the-regional-theatre-award-at-the-tonys/</link>
		<comments>http://dctheatrescene.com/2012/05/01/shakespeare-theatre-to-receive-the-regional-theatre-award-at-the-tonys/#comments</comments>
		<pubDate>Tue, 01 May 2012 13:47:18 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34768</guid>
		<description><![CDATA[Washington’s Shakespeare Theatre Company, which celebrates its 25th anniversary this year, got some extra sparklers when The Tony Awards selected it to receive the 2012 Regional Theatre Award. It was the first such award for the Shakespeare Theatre Company and the second in the last four years for theaters in the Washington Region (Arlington’s Signature [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/05/01/shakespeare-theatre-to-receive-the-regional-theatre-award-at-the-tonys/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Big Meal</title>
		<link>http://dctheatrescene.com/2012/05/01/the-big-meal/</link>
		<comments>http://dctheatrescene.com/2012/05/01/the-big-meal/#comments</comments>
		<pubDate>Tue, 01 May 2012 12:30:04 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34698</guid>
		<description><![CDATA[The Big Meal is the big deal: the moments in life that really matter – birth, love, and death – chopped up into digestible bits and soaked in a vinegar-ish marinade for eighty minutes or so. It is also the big feel, in that its only subject is what we feel in our hearts as [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/05/01/the-big-meal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 39 Steps</title>
		<link>http://dctheatrescene.com/2012/04/30/the-39-steps-olney-theatre-center/</link>
		<comments>http://dctheatrescene.com/2012/04/30/the-39-steps-olney-theatre-center/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 14:50:17 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[olney]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34677</guid>
		<description><![CDATA[I am going to give you a summary of this astounding tour de farce, now playing at the Mulitz-Gudelsky Theatre Lab of the Olney Center for the Arts, and then recommend that you forget it immediately. Patrick Barlow’s plot for The 39 Steps, photocopied from the 1935 Alfred Hitchcock movie of the same name, which [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/30/the-39-steps-olney-theatre-center/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Everyman&#8217;s next season includes the opening of their new downtown theatre</title>
		<link>http://dctheatrescene.com/2012/04/26/everymans-next-season-includes-the-opening-of-their-new-downtown-theatre/</link>
		<comments>http://dctheatrescene.com/2012/04/26/everymans-next-season-includes-the-opening-of-their-new-downtown-theatre/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 14:38:55 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Everyman]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34592</guid>
		<description><![CDATA[Baltimore’s Everyman Theatre has announced a 2012-2013 season which will close down its 1727 North Charles Street venue with the memory of war, and then inaugurate its tenure at its new downtown Inner Harbor location on 315 West Fayette Street with a series of domestic dramas and comedies, full of strategy and explosiveness. The company [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Forum Theatre&#8217;s Ninth Season of fresh shows</title>
		<link>http://dctheatrescene.com/2012/04/20/forum-theatres-ninth-season-of-fresh-shows/</link>
		<comments>http://dctheatrescene.com/2012/04/20/forum-theatres-ninth-season-of-fresh-shows/#comments</comments>
		<pubDate>Fri, 20 Apr 2012 14:42:56 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[forum]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34339</guid>
		<description><![CDATA[Forum Theatre’s 2012-2013 season will consist of four plays so fresh that none of them were performed before 2010 and the world premiere which will open the season – Kara Lee Corthron’s Holly Down In Heaven – is only the second-newest piece. Natsu Onoda Power (Astro Boy and the god of comics) will close the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Wall Street Journal&#8217;s Teachout drops in on 1st Stage</title>
		<link>http://dctheatrescene.com/2012/04/17/wall-street-journals-teachout-drops-in-on-1st-stage/</link>
		<comments>http://dctheatrescene.com/2012/04/17/wall-street-journals-teachout-drops-in-on-1st-stage/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 14:58:14 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[1st stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34235</guid>
		<description><![CDATA[Occasionally the great theater critics from the major New York cultural organs – the Times, the New Yorker, the Wall Street Journal – will come to Washington to review important productions playing in our biggest venues: the Kennedy Center, Arena Stage, the Shakespeare Theatre. The Wall Street Journal’s Terry Teachout, in town to see Strange [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/17/wall-street-journals-teachout-drops-in-on-1st-stage/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adventure Theatre merges with Musical Theater Center</title>
		<link>http://dctheatrescene.com/2012/04/17/adventure-theatre-merges-with-musical-theater-center/</link>
		<comments>http://dctheatrescene.com/2012/04/17/adventure-theatre-merges-with-musical-theater-center/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 12:24:52 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[adventure]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34218</guid>
		<description><![CDATA[Adventure Theatre, the Glen Echo-based children’s theater company is getting used to big announcements. It has been nominated for 13 Helen Hayes Awards this year; has developed such new projects as the Harry Connick Jr. musical The Happy Elf and the upcoming children’s version of the musical Big. Last night, Adventure Theatre announced that they have merged [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/17/adventure-theatre-merges-with-musical-theater-center/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shakespeare Theatre holds Twitterfest for April 19 Strange Interlude</title>
		<link>http://dctheatrescene.com/2012/04/17/shakespeare-theatre-holds-twitterfest-for-april-19-strange-interlude/</link>
		<comments>http://dctheatrescene.com/2012/04/17/shakespeare-theatre-holds-twitterfest-for-april-19-strange-interlude/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 11:15:36 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[shakespeare theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34209</guid>
		<description><![CDATA[The April 19 production of the Shakespeare Theatre’s Strange Interlude at Harman Hall will begin with the usual injunctions: turn off your cell phone, your Blackberry, your I-phone, your beeper, your camera, your thermonuclear devices. Then, at the first intermission, you will get a Strange Invitation: turn on your Smart Phone or I-Pad, and tweet [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/17/shakespeare-theatre-holds-twitterfest-for-april-19-strange-interlude/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review of John &amp; Beatrice</title>
		<link>http://dctheatrescene.com/2012/04/16/review-of-john-beatrice/</link>
		<comments>http://dctheatrescene.com/2012/04/16/review-of-john-beatrice/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 15:35:53 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[hub]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34165</guid>
		<description><![CDATA[We call it love, but deep down inside we know it’s something darker and more complicated. We love our pets, we love our comfortable lives, and we may love our children, but with our life partners we have a fluid, uneasy distribution of power. It is like the relationship the United States used to share [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/16/review-of-john-beatrice/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What Exorcism tells us about Eugene O&#8217;Neill</title>
		<link>http://dctheatrescene.com/2012/04/13/what-exorcism-tells-us-about-eugene-oneill/</link>
		<comments>http://dctheatrescene.com/2012/04/13/what-exorcism-tells-us-about-eugene-oneill/#comments</comments>
		<pubDate>Fri, 13 Apr 2012 16:00:25 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34067</guid>
		<description><![CDATA[- Eugene O&#8217;Neill&#8217;s first play, produced only once before in 1920, before it disappeared for nearly a hundred years, had its second staging at Arena last month. Was that a good idea? - Portrait of O&#39;Neill by Alice Boughton (Source: Wikipedia) It is 1912. In a filthy room in the bowels of New York City, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/13/what-exorcism-tells-us-about-eugene-oneill/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Theater J&#8217;s upcoming season includes two plays by DC playwrights</title>
		<link>http://dctheatrescene.com/2012/04/09/theater-js-upcoming-season-includes-two-plays-by-dc-playwrights/</link>
		<comments>http://dctheatrescene.com/2012/04/09/theater-js-upcoming-season-includes-two-plays-by-dc-playwrights/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 13:34:45 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[theater j]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33953</guid>
		<description><![CDATA[Holdridge, Vreeke, Goldman and Serotsky scheduled to direct; Lawton play to have its world premiere Two acclaimed dramas from Israel will highlight Theater J’s 2012-2013 season. The company will stage Savyon Liebrecht’s Apples from the Desert from December 15, 2012 until January 6, 2013 and Boged: an Enemy of the People, co-authored by Return to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/09/theater-js-upcoming-season-includes-two-plays-by-dc-playwrights/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Strange Interlude</title>
		<link>http://dctheatrescene.com/2012/04/04/strange-interlude/</link>
		<comments>http://dctheatrescene.com/2012/04/04/strange-interlude/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 15:05:33 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[shakespeare theatre company]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33820</guid>
		<description><![CDATA[They lie who say that Ah, Wilderness! was Eugene O’Neill’s only comedy. Strange Interlude is funnier and more savagely incisive. Where Ah, Wilderness! was a sepia-tinted journey to O’Neill’s past, softened by the illusions that memory manufactures, Strange Interlude is twenty-three years in the bright light of the present tense, where characters live in the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/04/strange-interlude/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Steinberg new play awards presented at Humana Festival</title>
		<link>http://dctheatrescene.com/2012/04/02/steinberg-new-play-awards-presented-at-humana-festival/</link>
		<comments>http://dctheatrescene.com/2012/04/02/steinberg-new-play-awards-presented-at-humana-festival/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 15:14:19 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33734</guid>
		<description><![CDATA[On Saturday, March 31st, three playwrights received awards and checks totaling $40,000 at the 36th Humana Festival of New American Plays in Louisville, Kentucky. Pilgrims Musa and Sheri in the New World, Yussef El Guindi’s play about a man who comes to America from Egypt and falls in love with a life-buffeted American waitress has [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/04/02/steinberg-new-play-awards-presented-at-humana-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Mike Daisey returns to Woolly Mammoth to face fans and detractors</title>
		<link>http://dctheatrescene.com/2012/03/28/mike-daisey-returns-to-woolly-mammoth-to-face-fans-and-detractors/</link>
		<comments>http://dctheatrescene.com/2012/03/28/mike-daisey-returns-to-woolly-mammoth-to-face-fans-and-detractors/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 14:07:29 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33686</guid>
		<description><![CDATA[Monologist Mike Daisey, who has admitted that his play The Agony and Ecstasy of Steve Jobs contained significant inaccuracies, apologized to Woolly Mammoth audiences at the theater last night. “Some of the best work in my life has been done here,” Daisey observed. However, “I failed you. I didn’t stand up to the standards I made [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/28/mike-daisey-returns-to-woolly-mammoth-to-face-fans-and-detractors/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Kansas English professor wins Osborn playwriting award</title>
		<link>http://dctheatrescene.com/2012/03/28/kansas-english-professor-wins-osborn-playwrighting-award/</link>
		<comments>http://dctheatrescene.com/2012/03/28/kansas-english-professor-wins-osborn-playwrighting-award/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 13:41:38 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33681</guid>
		<description><![CDATA[Brothers of the Dust, a Darren Canady drama, set in 1958, about an African-American man who runs a hardscrabble farm in Arkansas, has won the M. Elizabeth Osborn Award as best new play by an emerging playwright, the American Theater Critics Association announced today. Darren M. Canady Brothers of the Dust, which premiered in May [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/28/kansas-english-professor-wins-osborn-playwrighting-award/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Source Festival reveals its 2012 programming</title>
		<link>http://dctheatrescene.com/2012/03/23/source-festival-reveals-its-2012-programming/</link>
		<comments>http://dctheatrescene.com/2012/03/23/source-festival-reveals-its-2012-programming/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 12:50:37 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[source festival]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33582</guid>
		<description><![CDATA[This year’s Source Festival will feature 24 new works, several by area playwrights under the direction of such well-known directors as Jennifer Nelson, Factor 449 Artistic Director Rick Hammerley, and Adding Machine co-librettist Jason Loewith, the Festival&#8217;s leadership announced yesterday. A new full-length play by veteran Washington playwright Norm Allen will head up this year’s festival. The Allen [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/23/source-festival-reveals-its-2012-programming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>QuestFest opens next week</title>
		<link>http://dctheatrescene.com/2012/03/23/questfest-opens-next-week/</link>
		<comments>http://dctheatrescene.com/2012/03/23/questfest-opens-next-week/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 12:29:40 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[QuestFest]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33577</guid>
		<description><![CDATA[Quest Visual Theatre, the Maryland-based company which specializes in bringing unusual forms of theatrical expression to families, will be presenting QuestFest 2012 to Washington-area audiences between March 27 and April 8. The productions will range from the stylings of a balloon artist to a production of Medea by a theater from Tehran which features the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/23/questfest-opens-next-week/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Woolly leadership defends Mike Daisey; schedules public forum March 27th</title>
		<link>http://dctheatrescene.com/2012/03/22/woolly-leadership-defends-mike-daisey-schedules-public-forum-march-27th/</link>
		<comments>http://dctheatrescene.com/2012/03/22/woolly-leadership-defends-mike-daisey-schedules-public-forum-march-27th/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 11:54:01 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[woolley mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33559</guid>
		<description><![CDATA[Woolly Mammoth Theatre Company, which staged a production of Mike Daisey’s monologue The Agony and Ecstasy of Steve Jobs last March and has rescheduled it for this summer, yesterday issued a statement defending the “essential truth of Mike’s storytelling” but apologizing “for including the line ‘a work of non-fiction’ in our playbill.” Woolly Mammoth Artistic [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/22/woolly-leadership-defends-mike-daisey-schedules-public-forum-march-27th/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>The 25th Annual Putnam County Spelling Bee</title>
		<link>http://dctheatrescene.com/2012/03/19/the-25th-annual-putnam-county-spelling-bee-3/</link>
		<comments>http://dctheatrescene.com/2012/03/19/the-25th-annual-putnam-county-spelling-bee-3/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 17:58:20 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[workhouse theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33447</guid>
		<description><![CDATA[Spelling is a mere convention which school systems use to bludgeon us into compliance. The spelling bee is a tribal rite, and unfair, at that, since American English is spelled differently than British English, which is spelled differently than Canadian or Australian English. Moreover, even within these subgroups there is dissensus; you may have noticed [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/19/the-25th-annual-putnam-county-spelling-bee-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>This American Life airs its repudiation of Mike Daisey broadcast</title>
		<link>http://dctheatrescene.com/2012/03/17/this-american-life-airs-its-repudiation-of-mike-daisey-broadcast/</link>
		<comments>http://dctheatrescene.com/2012/03/17/this-american-life-airs-its-repudiation-of-mike-daisey-broadcast/#comments</comments>
		<pubDate>Sat, 17 Mar 2012 20:04:48 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33413</guid>
		<description><![CDATA[At 1pm today, WAMU 88.5 aired the results of This American Life&#8217;s investigation after airing &#8216;Mike Daisey goes to the Apple factory&#8217; last January. Here&#8217;s what they uncovered. The public-radio show This American Life, which had devoted a broadcast in January to Mike Daisey’s exposé of working conditions in the People’s Republic of China devoted today’s [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/17/this-american-life-airs-its-repudiation-of-mike-daisey-broadcast/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Molotov has its way with Julius Caesar</title>
		<link>http://dctheatrescene.com/2012/03/17/molotov-has-its-way-with-julius-caesar/</link>
		<comments>http://dctheatrescene.com/2012/03/17/molotov-has-its-way-with-julius-caesar/#comments</comments>
		<pubDate>Sat, 17 Mar 2012 15:09:08 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[molotov]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33402</guid>
		<description><![CDATA[Like many of you, I looked forward to the work that Molotov Theatre Group – Washington’s Grand Guignol theater – would be doing on Shakespeare’s Julius Caesar because of the exquisite sensitivity Molotov has exhibited in the past for subtle emotions and the complex social and political undercurrents which mark the work of the great [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/17/molotov-has-its-way-with-julius-caesar/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Actors&#8217; Center lottery auditions. Register by March 23</title>
		<link>http://dctheatrescene.com/2012/03/14/actors-center-lottery-audition/</link>
		<comments>http://dctheatrescene.com/2012/03/14/actors-center-lottery-audition/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 15:43:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[DC Backstage]]></category>
		<category><![CDATA[actors center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33340</guid>
		<description><![CDATA[The Actors&#8217; Center, a 30-year-old non-profit membership organization, today announced that it will stage auditions exclusively for Actor’s Center members on April 9 and 10, between 10 am and 4 pm. The Center states that approximately “40-50 casting directors from theatre and film audit the auditions.” The Center will arrange for 216 audition slots, and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/14/actors-center-lottery-audition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ford&#8217;s Theatre goes (mostly) with the familiar in 2012-2013</title>
		<link>http://dctheatrescene.com/2012/03/14/fords-theatre-goes-mostly-with-the-familiar-in-2012-2013/</link>
		<comments>http://dctheatrescene.com/2012/03/14/fords-theatre-goes-mostly-with-the-familiar-in-2012-2013/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 11:35:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Ford's Theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33337</guid>
		<description><![CDATA[Ford’s Theatre will focus on classic stories during its 2012-2013 season, the company announced last night, but will also feature Fly, a Lincoln Legacy Project production about the Tuskegee Airmen which has already played to acclaim in New Jersey and Massachusetts. Fly, which will run from September 21 to October 21 of this year, traces [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/14/fords-theatre-goes-mostly-with-the-familiar-in-2012-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Woolly&#8217;s 2012-2013 features three world premieres, Mike Daisey and men wearing PJs</title>
		<link>http://dctheatrescene.com/2012/03/13/woollys-2012-2013-features-three-world-premieres/</link>
		<comments>http://dctheatrescene.com/2012/03/13/woollys-2012-2013-features-three-world-premieres/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 11:14:26 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33305</guid>
		<description><![CDATA[Having nearly completed a season devoted to inquiries about the expiration of civilization, Woolly Mammoth Theatre Company has elected to invest its 2012-2013 season with new plays and the investigation of unfamiliar cultures: the newest play by Danai Gurira (Eclipse), an Aaron Posner play loosely based on Chekhov’s The Seagull, the maiden effort of a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/13/woollys-2012-2013-features-three-world-premieres/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Sixteen productions coming in for the Kennedy Center&#8217;s 2012-2013 season</title>
		<link>http://dctheatrescene.com/2012/03/07/sixteen-productions-coming-in-for-the-kennedy-centers-2012-2013-season/</link>
		<comments>http://dctheatrescene.com/2012/03/07/sixteen-productions-coming-in-for-the-kennedy-centers-2012-2013-season/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 19:54:01 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33179</guid>
		<description><![CDATA[The Kennedy Center today announced an ambitious sixteen-production schedule which will feature the return of Ireland’s Druid Theatre, a festival of new Nordic plays, and six touring productions including the breakout Broadway hits War Horse and The Book of Mormon. The season opens with three plays from famed Irish playwright Tom Murphy, all produced by [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/07/sixteen-productions-coming-in-for-the-kennedy-centers-2012-2013-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Washington National Opera to offer six productions in 2012-2013</title>
		<link>http://dctheatrescene.com/2012/03/07/washington-national-opera-to-offer-six-productions-in-2012-2013/</link>
		<comments>http://dctheatrescene.com/2012/03/07/washington-national-opera-to-offer-six-productions-in-2012-2013/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 19:03:03 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[kennedy center]]></category>
		<category><![CDATA[WNO]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33174</guid>
		<description><![CDATA[Donizetti. Mozart. Humperdinck. Puccini. Bellini. And Kern. The Washington National Opera’s 2012 – 2013 season will certainly give due reverence to the great composers of the eighteenth and nineteenth centuries. But next year’s slate of productions will include a more recent piece, too. The WNO’s Kennedy Center season will open on September 15th with a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/07/washington-national-opera-to-offer-six-productions-in-2012-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Twelve Angry Men</title>
		<link>http://dctheatrescene.com/2012/03/06/twelve-angry-men/</link>
		<comments>http://dctheatrescene.com/2012/03/06/twelve-angry-men/#comments</comments>
		<pubDate>Tue, 06 Mar 2012 15:51:53 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33126</guid>
		<description><![CDATA[It seems counterintuitive, given how grave a barrier “beyond a reasonable doubt” sounds, but nineteen out of twenty criminal jury trials end in conviction. Sometimes, of course, the facts are overwhelmingly persuasive but in many instances the jurors – that is to say, people like us – are guided by prejudice. I speak here not [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/06/twelve-angry-men/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Two young actors get ready to step into the ring of Sucker Punch</title>
		<link>http://dctheatrescene.com/2012/03/05/two-young-actors-get-ready-to-step-into-the-ring-of-sucker-punch/</link>
		<comments>http://dctheatrescene.com/2012/03/05/two-young-actors-get-ready-to-step-into-the-ring-of-sucker-punch/#comments</comments>
		<pubDate>Mon, 05 Mar 2012 17:26:02 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33074</guid>
		<description><![CDATA[What’s my name? What’s my name, sucker?  In Houston, forty-five years ago last month, Muhammad Ali was carving up hapless, helpless Ernie Terrell, a heavyweight pretender who had insisted on calling Ali “Cassius Clay,” a name Ali had rejected. Ali was correcting this error at a rate of about thirty jabs a minute, turning Terrell’s [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/05/two-young-actors-get-ready-to-step-into-the-ring-of-sucker-punch/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Steinberg Award finalists announced</title>
		<link>http://dctheatrescene.com/2012/03/01/steinberg-award-finalists-announced/</link>
		<comments>http://dctheatrescene.com/2012/03/01/steinberg-award-finalists-announced/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 14:52:49 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33027</guid>
		<description><![CDATA[The $25,000 Steinberg/ATCA New Play Award will go to a play which portrays a modern American family coping with death, illness, addiction, abandonment or the challenges of beginning anew in a new country, the  American Theatre Critics Association announced Wednesday. ATCA will announce the winner and give two $7500 citations to plays from among six finalists [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/01/steinberg-award-finalists-announced/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Guess the next Sondheim musical</title>
		<link>http://dctheatrescene.com/2012/03/01/guess-the-next-sondheim-musical/</link>
		<comments>http://dctheatrescene.com/2012/03/01/guess-the-next-sondheim-musical/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 12:38:26 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33018</guid>
		<description><![CDATA[The stunningly prolific musical theater genius Stephen Sondheim has something up his sleeve. But he’s not telling us what it is. Not exactly. Not just yet. Stephen Sondheim at Queens College, Dec, 2011 “&#8221;It&#8217;s an idea I&#8217;ve had for a long time and it springs indirectly from a moment in a play of David [Ives's],&#8221; [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/03/01/guess-the-next-sondheim-musical/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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		<item>
		<title>Civilization (all you can eat)</title>
		<link>http://dctheatrescene.com/2012/02/22/civilization-all-you-can-eat/</link>
		<comments>http://dctheatrescene.com/2012/02/22/civilization-all-you-can-eat/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 16:11:40 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[woolly mammoth]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32804</guid>
		<description><![CDATA[Let me get to the bottom line about Jason Grote’s Civilization (all you can eat), now playing at Woolly Mammoth. I like it a great deal, and I don’t know why. Civilization is one of those shows – Robert O’Hara’s Bootycandy was another – where several seemingly unrelated stories are shown as brief episodes, and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/02/22/civilization-all-you-can-eat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Language Archive</title>
		<link>http://dctheatrescene.com/2012/02/20/the-language-archive/</link>
		<comments>http://dctheatrescene.com/2012/02/20/the-language-archive/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 19:11:57 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[forum]]></category>

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		<description><![CDATA[Emma (Katie Atkinson), an assistant in a laboratory dedicated to the preservation of dying languages, is trying to learn Esperanto. She is having heavy weather of it. Finally she blurts out “I love George,” &#8211; George is her married boss at the lab. The instructor (Kerri Rambow) commands her – in Esperanto, of course – [...]]]></description>
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