In what he says may be his last play, South African playwright Athol Fugard explores his characters’ fear, humiliation and desperation, as he has in such well-known anti-apartheid works as Blood Knot and MASTER HAROLD … and the Boys. But this time, a white woman, post apartheid, shares those emotions.
Fun Home is, yes, a musical about a lesbian cartoonist whose closeted father killed himself, but it is also about how we try to figure out the puzzle of our parents; about how we reassemble our childhood; about memory itself. It remains the inventive, entertaining, in places exhilarating, and almost inexpressibly heartbreaking show I saw […]
There is a musical number early in Something Rotten that thoroughly delivers what the show’s title, cast, creative team, and poster art have promised — Monty Python subversive silliness; Mel Brooks coarse, extravagant entertainment; Forbidden Broadway parody. A desperate Elizabethan playwright named Nick Bottom (Brian d’Arcy James) wants to triumph over his rival, Shakespeare (Christian […]
I had hoped that a major benefit of winning the Cold War would be no longer having to sit through a show like Doctor Zhivago, a musical adaptation of Pasternak’s novel that presents the Russian Revolution largely as the story of a good-looking couple’s long-simmering adulterous affair and the mean Communists who get in their […]
From the very first moments of Lincoln Center’s ravishing The King and I, it feels like a privilege just to be sitting in the audience. First the 29 musicians play Rodgers and Hammerstein’s lush overture in an orchestra pit that looks to be in the middle of the auditorium. Then suddenly a magnificent ship slides […]