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	<title>DC Theatre Scene&#187; Theatre Shelf</title>
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	<link>http://dctheatrescene.com</link>
	<description>Washington DC&#039;s Liveliest Theater Website</description>
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	<copyright>2009-2010 </copyright>
	<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
	<webMaster>lorraine@dctheatrescene.com (DC Theatre Scene)</webMaster>
	<ttl>1440</ttl>
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		<title>DC Theatre Scene</title>
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	<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
	<itunes:keywords>podcasts, DC theatre, radio plays, </itunes:keywords>
	<itunes:category text="Arts" />
	<itunes:category text="Arts">
		<itunes:category text="Performing Arts" />
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	<itunes:author>DC Theatre Scene</itunes:author>
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		<itunes:name>DC Theatre Scene</itunes:name>
		<itunes:email>lorraine@dctheatrescene.com</itunes:email>
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		<item>
		<title>Gordon MacRea and Howard Keel DVD&#8217;s</title>
		<link>http://dctheatrescene.com/2012/02/08/gordon-macrea-and-howard-keel-dvds/</link>
		<comments>http://dctheatrescene.com/2012/02/08/gordon-macrea-and-howard-keel-dvds/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 14:56:16 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32388</guid>
		<description><![CDATA[The pickings from the Bell Telephone Hour that Video Artists International delves into must be getting slim. It isn&#8217;t that the material on latest releases in VAI&#8217; Music&#8217;s series isn&#8217;t first rate. Indeed, there are some tasty morsels in these collections of musical segments from the ten year run of that television variety show which [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Show Tunes: The Songs, Shows and Careers of Broadway&#8217;s Major Composers &#8211; Fourth Edition</title>
		<link>http://dctheatrescene.com/2012/01/31/show-tunes-the-songs-shows-and-careers-of-broadways-major-composers-fourth-edition/</link>
		<comments>http://dctheatrescene.com/2012/01/31/show-tunes-the-songs-shows-and-careers-of-broadways-major-composers-fourth-edition/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 14:31:16 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32144</guid>
		<description><![CDATA[I may be excused for presuming that, if you have a theater shelf, it already sports a copy of Steven Suskin&#8217;s book. Equal parts reliable reference book and entertainingly written opinionated history, your shelf may have the first edition from 1985 when it instantly became indispensable as the book to check for quick information on [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/01/31/show-tunes-the-songs-shows-and-careers-of-broadways-major-composers-fourth-edition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Burnt Part Boys &#8211; Original Off-Broadway cast recording</title>
		<link>http://dctheatrescene.com/2012/01/24/the-burnt-part-boys-original-off-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2012/01/24/the-burnt-part-boys-original-off-broadway-cast-recording/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 21:07:47 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31951</guid>
		<description><![CDATA[Few scores establish their &#8220;voice&#8221; quite as rapidly as does the score for this poorly titled but highly intriguing one-act musical that had its Off-Broadway premiere in 2010. First, let&#8217;s get past the issue of the title. This is not a musical about child abuse by fire, as the title suggests to some. Nor does [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/01/24/the-burnt-part-boys-original-off-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Death Takes a Holiday</title>
		<link>http://dctheatrescene.com/2012/01/17/death-takes-a-holiday-2/</link>
		<comments>http://dctheatrescene.com/2012/01/17/death-takes-a-holiday-2/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 14:15:42 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31756</guid>
		<description><![CDATA[Do you look for ravishing romantic beauty in your musicals? If so, Maury Yeston is probably on your list of favorite composers. Think of &#8220;Only With You&#8221; (Nine), &#8220;We&#8217;ll Meet Tomorrow&#8221; (Titanic) or &#8220;Love Can&#8217;t Happen&#8221; (Grand Hotel). If you are a regular follower of this column and took my advice last February, think of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/01/17/death-takes-a-holiday-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Broadway Musical MVPs</title>
		<link>http://dctheatrescene.com/2012/01/11/broadway-musical-mvps/</link>
		<comments>http://dctheatrescene.com/2012/01/11/broadway-musical-mvps/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 14:27:38 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31628</guid>
		<description><![CDATA[Filichia has done it again What is a reviewer to do when a book shows up for review that has a pull quote from him praising the author to high heaven? Is it a conflict of interest to praise the new volume as well? When Peter Filichia&#8217;s newest book hit my desk I was presented [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/01/11/broadway-musical-mvps/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The King and I recordings</title>
		<link>http://dctheatrescene.com/2012/01/03/the-king-and-i-recordings/</link>
		<comments>http://dctheatrescene.com/2012/01/03/the-king-and-i-recordings/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 15:43:31 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31493</guid>
		<description><![CDATA[Rodgers and Hammerstein&#8217;s &#8220;The King and Who&#8221;? Or perhaps the question should be &#8220;The Who and Who?&#8221; Surely The King and I is just about the most glorious score ever written for, how shall we say this, a leading lady of limited vocal range. It is also one of the best scores ever written for a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/01/03/the-king-and-i-recordings/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Musicals by French composers</title>
		<link>http://dctheatrescene.com/2011/12/28/musicals-b-french-composers/</link>
		<comments>http://dctheatrescene.com/2011/12/28/musicals-b-french-composers/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 16:47:07 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31421</guid>
		<description><![CDATA[OK &#8211; its the week after Christmas. Maybe some kind soul gave you every item that you didn&#8217;t already have from our Holiday Gift Guide – plus perhaps a gift certificate or cash. What to do? You might devote some attention to the world of musical theater beyond Broadway and its national touring spawn. There [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/12/28/musicals-b-french-composers/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Follies &#8211; new Broadway Cast Recording</title>
		<link>http://dctheatrescene.com/2011/12/20/follies-new-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/12/20/follies-new-broadway-cast-recording/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 14:13:13 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31334</guid>
		<description><![CDATA[Oh, my! What am I to do now? The 2011 Broadway Revival Cast recording of Follies has just come out on PS Classics and now my &#8220;desert island&#8221; list of recordings I&#8217;d want with me if I was shipwrecked has two – count &#8216;em, two – two-disc sets of the same score. Since the entire concept [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/12/20/follies-new-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Look, I Made a Hat</title>
		<link>http://dctheatrescene.com/2011/12/13/look-i-made-a-hat/</link>
		<comments>http://dctheatrescene.com/2011/12/13/look-i-made-a-hat/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 13:55:31 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31189</guid>
		<description><![CDATA[Stephen Sondheim&#8217;s second volume of &#8220;Collected Lyrics with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany&#8221; titled &#8220;Look, I Made a Hat&#8221; has arrived just in time for either giving as a gift during the holiday season or sitting and reading during any time off a theatre lover has in a busy holiday month. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/12/13/look-i-made-a-hat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Elf</title>
		<link>http://dctheatrescene.com/2011/12/07/elf/</link>
		<comments>http://dctheatrescene.com/2011/12/07/elf/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 07:39:38 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31035</guid>
		<description><![CDATA[The successful holiday run that the musical version of the film &#8220;Elf&#8221; had at the Hirschfeld Theatre on Broadway for Christmas 2010 was expected by many to lead to a return for the Christmas season this year and, perhaps, for years ahead. The show didn&#8217;t come back this season, but the recording of the score [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/12/07/elf/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2011 Holiday Gift Guide</title>
		<link>http://dctheatrescene.com/2011/12/05/2011-holiday-gift-guide/</link>
		<comments>http://dctheatrescene.com/2011/12/05/2011-holiday-gift-guide/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 19:57:14 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30884</guid>
		<description><![CDATA[Brad Hathaway has checked his theatre shelves and found the perfect gifts for theatre lovers everwhere. Tell us &#8211; what&#8217;s on your gift list? CategoryDescription (sort by title)Click to Buy (Sort by price) CDs - Currently on BroadwayAnything Goes - The 2011 Tony Award winner for Best Revival of a Musical went to the shimmeringly [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/12/05/2011-holiday-gift-guide/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hirschfeld On Line</title>
		<link>http://dctheatrescene.com/2011/11/29/hirschfeld-on-line/</link>
		<comments>http://dctheatrescene.com/2011/11/29/hirschfeld-on-line/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 14:04:31 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30853</guid>
		<description><![CDATA[Set aside a month or two to absorb this book. It isn&#8217;t that it is extremely lengthy, its just 350 pages measuring 9&#8243; by 12&#8243;. But most pages should be viewed and contemplated as a separate experience. If you rush through you will miss a great deal as the magic of a Hirschfeld drawing is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/11/29/hirschfeld-on-line/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Melissa Errico: Legrand Affair</title>
		<link>http://dctheatrescene.com/2011/11/22/melissa-errico-legrand-affair/</link>
		<comments>http://dctheatrescene.com/2011/11/22/melissa-errico-legrand-affair/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 11:23:53 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30713</guid>
		<description><![CDATA[A Theatre Shelf reader, in a comment to the column on Kate Baldwin&#8217;s album of songs by Sheldon Harnick, said she really liked collections devoted to one composer or lyricist. I resolved to include more of them in future columns. This week I got the opportunity when Ghostlight Records released a delicious collection of Michel [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/11/22/melissa-errico-legrand-affair/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Babes in Arms</title>
		<link>http://dctheatrescene.com/2011/11/15/babes-in-arms/</link>
		<comments>http://dctheatrescene.com/2011/11/15/babes-in-arms/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 20:25:11 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30598</guid>
		<description><![CDATA[Re-Release of the 1951 Studio Cast Recording I guess I was wrong &#8211; again. When I first discovered the 1989 recording of Rodgers and Hart&#8217;s Babes in Arms under Evans Haile with the New Jersey Symphony Orchestra on New World Records (NW386-2 &#8211; ASIN B0000030ES), I was so enraptured by the wit and energy of the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/11/15/babes-in-arms/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>John Raitt and Alfred Drake on the Bell Telephone Hour</title>
		<link>http://dctheatrescene.com/2011/11/08/john-raitt-and-alfred-drake-on-the-bell-telephone-hour/</link>
		<comments>http://dctheatrescene.com/2011/11/08/john-raitt-and-alfred-drake-on-the-bell-telephone-hour/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 16:30:53 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30379</guid>
		<description><![CDATA[Alfred Drake and John Raitt must have been the two most important Broadway leading men of the 1940s. There were others of note. There were the Ray Bolgers and the Danny Kayes and the Gene Kelleys. They had hits of note: Lady In The Dark for Kaye, Where&#8217;s Charley? for Bolger, Pal Joey for Kelly. There was even [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/11/08/john-raitt-and-alfred-drake-on-the-bell-telephone-hour/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bing Thom Works</title>
		<link>http://dctheatrescene.com/2011/11/01/bing-thom-works/</link>
		<comments>http://dctheatrescene.com/2011/11/01/bing-thom-works/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 17:56:45 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30190</guid>
		<description><![CDATA[From the Mid-Atlantic States to the Pacific Northwest, theatergoers can enter into a world of drama even before the play begins if they attend their theater in structures designed by Vancouver architect Bing Thom. His work is always atmospheric, and, at its best, it is exquisite. Architect Bing Thom at the Mead Center Now, with [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/11/01/bing-thom-works/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Footloose &#8211; Original Broadway Cast Album</title>
		<link>http://dctheatrescene.com/2011/10/25/footloose-original-broadway-cast-album/</link>
		<comments>http://dctheatrescene.com/2011/10/25/footloose-original-broadway-cast-album/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 14:29:32 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29997</guid>
		<description><![CDATA[From movie to musical to movie &#8211; back and forth goes “Footloose.” Right now, with the release of a new movie version showing on hundreds of screens across the country, attention is being paid to the changes made to bring a 1984 movie up to the expectations of a 2011 multiplex cinema audience. New director/screenwriter [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/25/footloose-original-broadway-cast-album/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>She Loves Him: Kate Baldwin Live at Feinsteins</title>
		<link>http://dctheatrescene.com/2011/10/18/she-loves-him-kate-baldwin-live-at-feinsteins/</link>
		<comments>http://dctheatrescene.com/2011/10/18/she-loves-him-kate-baldwin-live-at-feinsteins/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 13:08:47 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29813</guid>
		<description><![CDATA[Recorded show music comes in many guises. One genre that can be thoroughly enjoyable when done right is the live recording of a club act of show songs. A fine new release that falls in the “done right” category is Kate Baldwin’s act recorded last March at Feinstein’s, the Broadway-themed nightclub on New York’s Park [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/18/she-loves-him-kate-baldwin-live-at-feinsteins/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>When the Dancing Stopped: The Real Story of the Morro Castle Disaster &#8230;</title>
		<link>http://dctheatrescene.com/2011/10/11/when-the-dancing-stopped-the-real-story-of-the-morro-castle-disaster/</link>
		<comments>http://dctheatrescene.com/2011/10/11/when-the-dancing-stopped-the-real-story-of-the-morro-castle-disaster/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 14:29:29 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29644</guid>
		<description><![CDATA[How a disaster at sea changed the Cole Porter musical Anything Goes There are times when a theatre buff comes across something he (or she) wants to share with others of like mind which doesn’t happen to be a theatrical book, cd or dvd. This is one of those times. Every show has a “back [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/11/when-the-dancing-stopped-the-real-story-of-the-morro-castle-disaster/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Million Dollar Quartet &#8211; Original Broadway Cast Recording</title>
		<link>http://dctheatrescene.com/2011/10/05/million-dollar-quartet-original-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/10/05/million-dollar-quartet-original-broadway-cast-recording/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 12:02:46 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29487</guid>
		<description><![CDATA[It’s about time! Finally, after the show has ended its Broadway run, we can buy the cast recording of  Million Dollar Quartet in a record store or online. Throughout the entire 489 performance run of the show on Broadway (April 11, 2010 to June 12, 2011) the only place you could pick up this disc was [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/05/million-dollar-quartet-original-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>A Minister&#8217;s Wife &#8211; Original Off-Broadway cast recording</title>
		<link>http://dctheatrescene.com/2011/09/27/a-ministers-wife-original-off-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/09/27/a-ministers-wife-original-off-broadway-cast-recording/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 16:46:38 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29273</guid>
		<description><![CDATA[Marc Kudisch, Bobby Steggert and Kate Fry featured Confession time: I don&#8217;t love all scores at first listen. (In fact, there are some I never warm up to, but that&#8217;s a different column.) &#8220;Easy to love&#8221; scores are usually of the series of songs variety, the best of which have glorious and/or entertaining songs of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/09/27/a-ministers-wife-original-off-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Sweet Bye and Bye</title>
		<link>http://dctheatrescene.com/2011/09/20/sweet-bye-and-bye/</link>
		<comments>http://dctheatrescene.com/2011/09/20/sweet-bye-and-bye/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 12:48:02 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29002</guid>
		<description><![CDATA[Will the well of wonders unearthed in Secaucus in 1986 ever run dry? Here, 25 years later, we have a brand new &#8220;World Premiere Recording&#8221; of the score of a 1946 musical! Who knows what gems remain to emerge? The story of the rescue of this score from ignominious oblivion is fascinating. And it is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/09/20/sweet-bye-and-bye/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Knickerbocker Holiday &#8211; Concert reading</title>
		<link>http://dctheatrescene.com/2011/09/13/knickerbocker-holiday-concert-reading/</link>
		<comments>http://dctheatrescene.com/2011/09/13/knickerbocker-holiday-concert-reading/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 15:33:47 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28724</guid>
		<description><![CDATA[Some musicals become identified with a single hit song from their scores. The downside of that is that such fame or notoriety can keep us from discovering the pleasures of the rest of the score. Certainly, that is the case with Kurt Weill and Maxwell Anderson&#8217;s 1936 Knickerbocker Holiday, a satire that had a beautiful [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/09/13/knickerbocker-holiday-concert-reading/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>August Wilson: Pittsburgh Places in His Life and Plays</title>
		<link>http://dctheatrescene.com/2011/09/07/august-wilson-pittsburgh-places-in-his-life-and-plays/</link>
		<comments>http://dctheatrescene.com/2011/09/07/august-wilson-pittsburgh-places-in-his-life-and-plays/#comments</comments>
		<pubDate>Wed, 07 Sep 2011 13:07:36 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28606</guid>
		<description><![CDATA[I&#8217;ve been to the Hill District in Pittsburgh many times … but I&#8217;ve never visited Pittsburgh. I&#8217;ve been to Aunt Ester&#8217;s House at 1839 Wylie Avenue and I&#8217;ve witnessed Harmond Wilks&#8217; planning to tear it down. I&#8217;ve heard the phone ring on the wall of the jitney station three blocks to the east. I&#8217;ve spent [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/09/07/august-wilson-pittsburgh-places-in-his-life-and-plays/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>A Connecticut Yankee: 1955 Television Adaptation</title>
		<link>http://dctheatrescene.com/2011/08/30/a-connecticut-yankee-1955-television-adaptation/</link>
		<comments>http://dctheatrescene.com/2011/08/30/a-connecticut-yankee-1955-television-adaptation/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 16:31:16 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28428</guid>
		<description><![CDATA[The new release on DVD of a 1955 telecast of Rodgers and Hart&#8217;s A Connecticut Yankee is more of a curiosity than a must-have addition to your theatre shelf. There are highlights, of course – it is Rodgers and Hart after all! Any show that has &#8220;Thou Swell,&#8221; &#8220;My Heart Stood Still&#8221; and &#8220;To Keep My [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/30/a-connecticut-yankee-1955-television-adaptation/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Lend Me a Tenor &#8211; The Musical</title>
		<link>http://dctheatrescene.com/2011/08/23/lend-me-a-tenor-the-musical/</link>
		<comments>http://dctheatrescene.com/2011/08/23/lend-me-a-tenor-the-musical/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 14:11:55 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28327</guid>
		<description><![CDATA[The stars seemed to be in magical alignment when the opening of this new musical on the West End, London&#8217;s equivalent of Broadway, was announced. A big, bold, colorful musical based on Lend Me A Tenor, Ken Ludwig&#8217;s farce, was to open this June in the same theatre where the play, which was his first [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/23/lend-me-a-tenor-the-musical/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Something&#8217;s Coming, Something Good: West Side Story and the American Imagination</title>
		<link>http://dctheatrescene.com/2011/08/16/somethings-coming-something-good-west-side-story-and-the-american-imagination/</link>
		<comments>http://dctheatrescene.com/2011/08/16/somethings-coming-something-good-west-side-story-and-the-american-imagination/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 13:39:02 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28152</guid>
		<description><![CDATA[West Coast author Misha Berson got it right when she observed that West Side Story&#8217;s place in world-wide popular culture exceeds that of a mere musical. As she says: &#8220;In Japan and South Africa, Cairo and Kalamazoo, people who have no truck with any other Broadway musicals can sing a few bars of &#8216;The Jet Song&#8217; [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/16/somethings-coming-something-good-west-side-story-and-the-american-imagination/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Nervous Set &#8211; Original Broadway Cast Recording</title>
		<link>http://dctheatrescene.com/2011/08/09/the-nervous-set-original-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/08/09/the-nervous-set-original-broadway-cast-recording/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 16:20:45 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28017</guid>
		<description><![CDATA[DC Theatre Scene Editor Lorraine Treanor&#8217;s touching tribute to Fran Landesman, who died last month, provides the impetus for this week&#8217;s Theatre Shelf column. Landesman wrote lyrics for only one Broadway show, and that show ran only 23 performances, but the original Broadway cast recording which Goddard Lieberson produced for Columbia Records in 1959 provides [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/09/the-nervous-set-original-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://dctheatrescene.com/podpress_trac/feed/28017/0/nervoussetpromo.mp3" length="4603949" type="audio/mpeg" />
		<itunes:duration>0:04:48</itunes:duration>
		<itunes:subtitle>DC Theatre Scene Editor Lorraine Treanor&#8217;s touching tribute to Fran Landesman, who died last month, provides the impetus for this week&#8217;s Theatre Shelf column.
Landesman wrote lyrics for only one Broadway show, and that show ran only 23 p[...]</itunes:subtitle>
		<itunes:summary>DC Theatre Scene Editor Lorraine Treanor&#8217;s touching tribute to Fran Landesman, who died last month, provides the impetus for this week&#8217;s Theatre Shelf column.
Landesman wrote lyrics for only one Broadway show, and that show ran only 23 performances, but the original Broadway cast recording which Goddard Lieberson produced for Columbia Records in 1959 provides a means of recalling her brief moment in the bright lights of Broadway and a satisfying sampling of her lyrical touch.
Landesman wrote lyrics for The Nervous Set which sit nicely on the jazz-inflected melodies of long time collaborator Tommy Wolf. The show was about Beatniks — the hippies or rappers of their day. They reflected the voice of the Beat movement which, while never capturing a large number of adherents, developed a distinctive voice of its own on the cusp of popular culture of the day.
Her credentials as a card carrying member of the Beat generation earned her words the authenticity  that let the powers that be of the day accept them as authentic, even if they didn&#8217;t quite judge them to be of the high standard that some others writing for Broadway achieved.
That judgement was, however, both excessively parochial and overly harsh when you consider the actual art involved in her poetry.
It was as if the critics of the day felt that the way Broadway lyrics were structured was the way Broadway lyrics should be structured, and that any diversion was a digression.
Time has proven that innovation is the life blood of an art form, and that Landesman&#8217;s work should have been judged on how well she accomplished what she set out to do, not on how well she imitated Alan Jay Lerner, Larry Hart or Ira Gershwin.

Heard: &#8220;Man, We&#8217;re Beat&#8221; &#8211; Cast
&#8220;What&#8217;s to Lose/The Stars Have Blown My Way&#8221; &#8211; Tani Seitz and Richard Hayes
&#8220;How Do You Like Your Love?&#8221; &#8211; Del Close
&#8220;Party Song&#8221; (Reprise) &#8211; cast
&#8220;Ballad of the Sad Young Men&#8221; &#8211; Tani Seitz
On that basis, an evening spent listening to her lyrics for The Nervous Set should convince you that she had both a finger on the pulse of a significant subculture of her day and the talent to translate their often strange and witty language into true poetry. (The program in the theatre included a glossary of Beat terms, something that we could use today but which is, sadly, not provided in the current electronic release.)
At one point in its development, The Nervous Set had included one of the great jazz standards that flowed from Landesman&#8217;s pen, but it was cut before the Broadway opening and, thus, was not recorded on the show&#8217;s album. That was &#8220;Spring Can Really Hang You Up The Most,&#8221; a heart felt lament that was in touch with the Beat tongue. It was recorded by many of the great interpreters of American pop songs including a truly touching reading by Ella Fitzgerald. That recording is hard to find but you can download an MP3 from Amazon as ASIN B000W03KH8.
The latest singer to add her voice to the song&#8217;s list of interpreters is Karrin Allyson who included a tasteful rendering in her new album &#8216;Round Midnight on Concord Jazz Records. It is available as ASIN B004SC8WCY.
Another song that went on to earn the status of a standard did survive the pre-Broadway culling. &#8220;The Ballad of the Sad Young Men&#8221; put voice to the disillusionment that the Beat generation held dear. It is sung with a very appropriately flat reading (appropriate, that is, to the Beat setting of the story) by Tani Seitz. Never heard of Tani Seitz? She had a brief Broadway career in small roles in the 1950s and was a replacement Morgan Le Fey in Camelot.
The only cast member whose name is likely to ring a bell today is Larry Hagman, the son of Mary Martin who made more of a name for himself on the small screen as JR on the prime-time soap opera &#8220;Dallas&#8221; throughout the 1990s.
The Nervous Se[...]</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<title>Strike Up the Band</title>
		<link>http://dctheatrescene.com/2011/08/02/strike-up-the-band/</link>
		<comments>http://dctheatrescene.com/2011/08/02/strike-up-the-band/#comments</comments>
		<pubDate>Tue, 02 Aug 2011 17:46:04 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27841</guid>
		<description><![CDATA[Once again, PS Classics comes to the rescue of aficionados who have a few blank spaces in the Gershwin section of our theatre shelves. That&#8217;s &#8220;shelves&#8221; — the plural form of this column&#8217;s title. Multiple shelves would be required for any collection sizable enough to have reached the point where gaps in the Gershwin collection [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/02/strike-up-the-band/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Jerry Orbach: Prince of the City</title>
		<link>http://dctheatrescene.com/2011/07/26/jerry-orbach-prince-of-the-city/</link>
		<comments>http://dctheatrescene.com/2011/07/26/jerry-orbach-prince-of-the-city/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 14:33:04 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27759</guid>
		<description><![CDATA[I’m not sure if the book has one long title and a longer subtitle, or if it is a short title with two subtitles, but the cover reads “Jerry Orbach  &#8211;   Prince of the City &#8211;  His Way from The Fantastics to Law &#38; Order.” It&#8217;s a mouthful (or a page full) any way you [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/26/jerry-orbach-prince-of-the-city/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Kiss Me, Kate &#8211; DVD</title>
		<link>http://dctheatrescene.com/2011/07/19/kiss-me-kate-dvd/</link>
		<comments>http://dctheatrescene.com/2011/07/19/kiss-me-kate-dvd/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 17:04:09 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27527</guid>
		<description><![CDATA[Of all the television versions of Broadway shows that seem to be appearing on DVD these days, the one that more accurately reflects the experience of seeing the show as it was on stage as any I have seen is the 1958 Hallmark Hall of Fame production of Cole Porter&#8217;s masterpiece, Kiss Me, Kate. Click [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/19/kiss-me-kate-dvd/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Catch Me If You Can &#8211; Original Cast Recording</title>
		<link>http://dctheatrescene.com/2011/07/12/catch-me-if-you-can-original-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/07/12/catch-me-if-you-can-original-cast-recording/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 14:04:45 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27114</guid>
		<description><![CDATA[The original Broadway cast recording of Marc Shaiman and Scott Wittman&#8217;s sparkling score for Catch Me If You Can is a pip. The show, currently playing on Broadway at the Neil Simon Theatre to audiences that are about 90% full, is a bright, chipper and colorful romp with a touch of schmaltz thrown in from [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/12/catch-me-if-you-can-original-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Next to Normal &#8211; Original Cast Recording</title>
		<link>http://dctheatrescene.com/2011/07/05/next-to-normal-original-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/07/05/next-to-normal-original-cast-recording/#comments</comments>
		<pubDate>Tue, 05 Jul 2011 14:53:48 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26632</guid>
		<description><![CDATA[Musical theatre lovers now fall into two groups — those in Washington, Charlotte and Toronto, and all the rest. Those in the first group ought not listen to the original Broadway cast recording of the searingly emotional, surprisingly melodic rock musical Next to Normal. Instead, they should set aside an evening to go see the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/05/next-to-normal-original-cast-recording/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Trumpet of the Swan</title>
		<link>http://dctheatrescene.com/2011/06/29/the-trumpet-of-the-swan/</link>
		<comments>http://dctheatrescene.com/2011/06/29/the-trumpet-of-the-swan/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 11:25:03 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26545</guid>
		<description><![CDATA[One small side-section of a theatre shelf should have a couple of the all-too-few works for children&#8217;s ears that combine oral storytelling and orchestral music &#8211; Peter and the Wolf, Tuby the Tuba, The Trumpet of the Swan. The Trumpet of the Swan? Yes, the novel for children by E. B. White, the man who [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/29/the-trumpet-of-the-swan/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Wicked &#8211; Original Broadway Cast recording</title>
		<link>http://dctheatrescene.com/2011/06/21/wicked-original-broadway-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/06/21/wicked-original-broadway-cast-recording/#comments</comments>
		<pubDate>Tue, 21 Jun 2011 14:28:40 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26360</guid>
		<description><![CDATA[To listen first and watch later &#8211; or to watch first and listen later &#8211; that is the question. At least that is the question if you are in New York or in a city where the National tour of Wicked sets down (as it has for this summer at the Kennedy Center). Some musicals [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/21/wicked-original-broadway-cast-recording/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Horton Foote: America&#8217;s Storyteller</title>
		<link>http://dctheatrescene.com/2011/06/14/horton-foote-americas-storyteller/</link>
		<comments>http://dctheatrescene.com/2011/06/14/horton-foote-americas-storyteller/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 16:39:58 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26105</guid>
		<description><![CDATA[Devotees of Jack Sbarbori&#8217;s Quotidian Theatre won&#8217;t be the only ones fascinated by this new biography of the late Horton Foote, one of the two authors whose work inspired that company to specialize in the fascinating tiny details of the plain, day-to-day life of people who are remarkable in their unexceptionalness. (Quotidian, of course, refers [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/14/horton-foote-americas-storyteller/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Women on the Verge of a Nervous Breakdown</title>
		<link>http://dctheatrescene.com/2011/06/07/women-on-the-verge-of-a-nervous-breakdown/</link>
		<comments>http://dctheatrescene.com/2011/06/07/women-on-the-verge-of-a-nervous-breakdown/#comments</comments>
		<pubDate>Tue, 07 Jun 2011 14:59:21 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25914</guid>
		<description><![CDATA[This year&#8217;s best score from a failed musical is now on disc and worth much more than a listen. David Yazbeck&#8217;s score is mercifully separated from the show that obscured most of its strengths and is delivered by a sterling cast with clarity, energy, humor, pathos and beauty … all features that Yazbeck wrote into [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/07/women-on-the-verge-of-a-nervous-breakdown/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>My Signature Story</title>
		<link>http://dctheatrescene.com/2011/05/31/my-signature-story/</link>
		<comments>http://dctheatrescene.com/2011/05/31/my-signature-story/#comments</comments>
		<pubDate>Tue, 31 May 2011 21:55:17 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>
		<category><![CDATA[signature theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25709</guid>
		<description><![CDATA[DC Theatre Scene readers who have enjoyed shows at Signature Theatre in Shirlington will wish this slender volume was thicker. At 123 pages of large type, it only skims the surface of the story of Signature Theatre &#8212; but what is here is fascinating. Eric Schaeffer has put down in simple language the story of [...]]]></description>
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		<title>Follies recordings</title>
		<link>http://dctheatrescene.com/2011/05/24/follies-recordings/</link>
		<comments>http://dctheatrescene.com/2011/05/24/follies-recordings/#comments</comments>
		<pubDate>Tue, 24 May 2011 19:12:51 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25557</guid>
		<description><![CDATA[So. You&#8217;ve just seen the revival of Follies at the Kennedy Center and you say &#8220;I must have this score on my theatre shelf.&#8221; Or you are planning to see it and you say &#8220;I must get a recording to familiarize myself with the score before I see the show.&#8221; Which of the many recordings [...]]]></description>
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		<item>
		<title>Sister Act &#8211; the Original London Cast Recording</title>
		<link>http://dctheatrescene.com/2011/05/17/sister-act-the-original-london-cast-recording/</link>
		<comments>http://dctheatrescene.com/2011/05/17/sister-act-the-original-london-cast-recording/#comments</comments>
		<pubDate>Tue, 17 May 2011 14:43:13 +0000</pubDate>
		<dc:creator>Brad Hathaway</dc:creator>
				<category><![CDATA[Theatre Shelf]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25372</guid>
		<description><![CDATA[When the highly entertaining musical comedy Sister Act, which has been a big hit in London, got a Broadway gig at the big (1,761-seat) Broadway Theatre it got a lot more. It got a new director. It got a sprucing up of its script with a host of new jokes. It got a different co-star [...]]]></description>
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