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	<title>DC Theatre Scene&#187; Capital Fringe</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
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		<title>DC Theatre Scene&#187; Capital Fringe</title>
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		<title>Out of the Shadow</title>
		<link>http://dctheatrescene.com/2011/07/23/out-of-the-shadow/</link>
		<comments>http://dctheatrescene.com/2011/07/23/out-of-the-shadow/#comments</comments>
		<pubDate>Sun, 24 Jul 2011 01:25:56 +0000</pubDate>
		<dc:creator>Jessica Pearson</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27684</guid>
		<description><![CDATA[Young Playwright’s Theater was founded in 1995 by playwright Karen Zacarías in order, through interactive in-school and after-school programs, to teach DC metro area students to “promote community dialogue and respect for young artists.” Saturday’s performance of the original student play, Out of the Shadow, was the culmination of YPT’s year-long Young Playwright’s Workshop.  The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Enoch Arden</title>
		<link>http://dctheatrescene.com/2011/07/23/enoch-arden/</link>
		<comments>http://dctheatrescene.com/2011/07/23/enoch-arden/#comments</comments>
		<pubDate>Sat, 23 Jul 2011 12:12:53 +0000</pubDate>
		<dc:creator>Sarah Ameigh</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27642</guid>
		<description><![CDATA[Imagine a man who leaves behind his wife and children in search of financial stability and a better future overseas. Imagine the man finds himself stranded abroad and returns, an unrecognizable shell of his former self. Imagine the man, now lost in a world he once ruled, without hope, or the life for which he [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>hookups</title>
		<link>http://dctheatrescene.com/2011/07/22/hookups/</link>
		<comments>http://dctheatrescene.com/2011/07/22/hookups/#comments</comments>
		<pubDate>Fri, 22 Jul 2011 16:08:29 +0000</pubDate>
		<dc:creator>Jenn Larsen</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27621</guid>
		<description><![CDATA[hookups is about as naked as it can get at Fringe. A quintet of engaging actors make use of an air mattress and the barest essentials to create a series of vignettes covering every imaginable hookup through history and literature, all with a wry wink and a twist. It&#8217;s both cute and crass, like that [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>iKilL</title>
		<link>http://dctheatrescene.com/2011/07/21/ikill/</link>
		<comments>http://dctheatrescene.com/2011/07/21/ikill/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 20:56:57 +0000</pubDate>
		<dc:creator>Ryan Taylor</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27614</guid>
		<description><![CDATA[iKilL is a exhibition of excellent choreography performed by a well-drilled ensemble. Auteur director Izumi Ashizawa has gathered a team of talented young actors. Together, they seek to portray the horrors and consequences of violence and war in a series of short vignettes performed in the style of Japanese physical theater. It’s all very sharp, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/21/ikill/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gypsy &amp; the Bully Door</title>
		<link>http://dctheatrescene.com/2011/07/21/gypsy-the-bully-door/</link>
		<comments>http://dctheatrescene.com/2011/07/21/gypsy-the-bully-door/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 20:23:35 +0000</pubDate>
		<dc:creator>Hunter Styles</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27610</guid>
		<description><![CDATA[They can take away your home, but they can’t take your spirit. Sara Josephine James knows this better than any of us &#8212; she’s responsible not only for her own spirit but for numerous others as well. In this magical little fable, set in modern-day DC, we follow young Sara (Araba Brown) as she laces [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>e-Geaux (beta)</title>
		<link>http://dctheatrescene.com/2011/07/21/e-geaux-beta/</link>
		<comments>http://dctheatrescene.com/2011/07/21/e-geaux-beta/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 12:15:35 +0000</pubDate>
		<dc:creator>Sarah Ameigh</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27587</guid>
		<description><![CDATA[Maybe it was the 10pm curtain or the Ting-Tings pre-show soundtrack. Maybe it was the average audience age (30 years, roughly, according the production) but an unmistakable buzz was building at e-Geaux (beta), an original, hilarious Gen Y jab-fest hitting the Facebook generation nail on the head. e-Geaux&#39; crack team of data improv analysts: Catherine [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/21/e-geaux-beta/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Shelter in Place</title>
		<link>http://dctheatrescene.com/2011/07/21/shelter-in-place/</link>
		<comments>http://dctheatrescene.com/2011/07/21/shelter-in-place/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 11:59:17 +0000</pubDate>
		<dc:creator>Amrita Mangus</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27583</guid>
		<description><![CDATA[Christmas Eve. Three co-workers. The office of Homeland Security. Thus unravels the story of Shelter in Place, a light-hearted one act where three unsuspecting office mates find themselves trapped in their building during a shelter in place lockdown, instantly transforming their casual banter into confrontation as the day progresses. The premise of Shelter in Place, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/21/shelter-in-place/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I See You</title>
		<link>http://dctheatrescene.com/2011/07/21/i-see-you/</link>
		<comments>http://dctheatrescene.com/2011/07/21/i-see-you/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 11:22:42 +0000</pubDate>
		<dc:creator>Laurel Elliott</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27576</guid>
		<description><![CDATA[If I See You were an item of produce, it would have been grown in a home garden free of pesticides or chemicals, being watered and pruned daily by a gentle and caring caretaker. To say the show was down-to-earth is an understatement. The piece was as organic as the dinner that the players had [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/21/i-see-you/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>When ET Flew Over the Cuckoo’s Nest</title>
		<link>http://dctheatrescene.com/2011/07/20/when-et-flew-over-the-cuckoo%e2%80%99s-nest/</link>
		<comments>http://dctheatrescene.com/2011/07/20/when-et-flew-over-the-cuckoo%e2%80%99s-nest/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:28:31 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27562</guid>
		<description><![CDATA[If aliens came to visit Earth, would we be proud of our world? James Levy’s joyful sci-fi rock opera puts humanity under the microscope as we observe first contact between a fading rock star and a few very groovy extraterrestrials. The campy storyline revolves around the impending visit of a group of aliens known as [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/20/when-et-flew-over-the-cuckoo%e2%80%99s-nest/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Piece of Pi</title>
		<link>http://dctheatrescene.com/2011/07/20/a-piece-of-pi/</link>
		<comments>http://dctheatrescene.com/2011/07/20/a-piece-of-pi/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 12:08:19 +0000</pubDate>
		<dc:creator>Jenn Larsen</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27558</guid>
		<description><![CDATA[There is no pie in A Piece of Pi. I feel it&#8217;s necessary to point this out, because after all, there are clowns. So one might expect some pie-throwing with a show title like that. Or some mathematical musings on the nature of pi. But, there are neither.  Photo: Michelle Bates What you will find [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/20/a-piece-of-pi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Patrick &amp; Me</title>
		<link>http://dctheatrescene.com/2011/07/20/patrick-me/</link>
		<comments>http://dctheatrescene.com/2011/07/20/patrick-me/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 11:16:41 +0000</pubDate>
		<dc:creator>Patrick Pho</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27553</guid>
		<description><![CDATA[Avenue Q asked the question, &#8220;What Do You Do With A B.A. In English?&#8221; Historian Anthony Cohen asks the audience a similar question, &#8220;What do you do with a history degree?&#8221; In his one-man Fringe show, Patrick and Me, he attempts to answer the question. Lost and unsure of what he should do after college, Cohen went on [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/20/patrick-me/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Wild Play</title>
		<link>http://dctheatrescene.com/2011/07/19/a-wild-play/</link>
		<comments>http://dctheatrescene.com/2011/07/19/a-wild-play/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 11:31:29 +0000</pubDate>
		<dc:creator>Sarah Ameigh</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27507</guid>
		<description><![CDATA[If you’re looking for an evening of escapism and suspension of belief, A Wild Play is not the show for you. If you’re looking for an evening of contemplation and art that challenges you to do more than sit sponge-like in your Fringe chair, welcome. Welcome to the jungle.  A Wild Play opens in the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/19/a-wild-play/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Table 8</title>
		<link>http://dctheatrescene.com/2011/07/19/table-8/</link>
		<comments>http://dctheatrescene.com/2011/07/19/table-8/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 11:15:54 +0000</pubDate>
		<dc:creator>Tom Ramstack</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27503</guid>
		<description><![CDATA[Table 8 is the place no one would want to sit in the fictional restaurant dramatized in Haley Brown’s play at the Redrum theater at Fort Fringe. Through three scenes and accompanying music, the tragic drama, written and directed by Brown, shows the audience what happens when restaurant guests begin their chats at Table 8 [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/19/table-8/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Patience</title>
		<link>http://dctheatrescene.com/2011/07/18/patience/</link>
		<comments>http://dctheatrescene.com/2011/07/18/patience/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 11:29:53 +0000</pubDate>
		<dc:creator>Laurel Elliott</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27493</guid>
		<description><![CDATA[Those unfamiliar with the premise of Gilbert and Sullivan’s Patience can imagine a smaller scale “High School Musical” production that takes place in England during the Victorian age. Complete with a fickle gang of boy-crazy mean girls, young love, love triangles and comically impressive young men in uniform who spend all their time strutting to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/18/patience/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Who&#8217;s Your Baghdaddy or How I Started the Iraq War</title>
		<link>http://dctheatrescene.com/2011/07/18/whos-your-baghdaddy-or-how-i-started-the-iraq-war/</link>
		<comments>http://dctheatrescene.com/2011/07/18/whos-your-baghdaddy-or-how-i-started-the-iraq-war/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 11:03:48 +0000</pubDate>
		<dc:creator>Ross Preston</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27485</guid>
		<description><![CDATA[As a Fringe reviewer, it is always nice to read something in a program that acknowledges the challenges of creating the play in question. In the words of Charlie Fink, producer of Who&#8217;s Your Baghdaddy? Or How I Started The Iraq War, talking about the original screenplay written by JT Allen: &#8220;It immediately seemed to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/18/whos-your-baghdaddy-or-how-i-started-the-iraq-war/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Embodying Poe</title>
		<link>http://dctheatrescene.com/2011/07/18/embodying-poe/</link>
		<comments>http://dctheatrescene.com/2011/07/18/embodying-poe/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 10:10:58 +0000</pubDate>
		<dc:creator>Jessica Pearson</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27472</guid>
		<description><![CDATA[In the director’s notes, director/writer/performer Michael Oliver quotes Archibald MacLeish: “A poem should not mean/but be.” I would add, “Or be performed”. Embodying Poe falls somewhere between poetry reading and historical theater and manages to incorporate the more tedious parts of both art forms.  Michael Oliver performs selections of Edgar Allan Poe’s poetry with music [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/18/embodying-poe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Many Women of Troy</title>
		<link>http://dctheatrescene.com/2011/07/18/the-many-women-of-troy/</link>
		<comments>http://dctheatrescene.com/2011/07/18/the-many-women-of-troy/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 09:59:31 +0000</pubDate>
		<dc:creator>Ross Preston</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27467</guid>
		<description><![CDATA[What do the women do while the men are at war? It is this question, asked in the midst of an all-out musical and visual spectacle, that drives director Tracey Elaine Chessum&#8217;s production of The Many Women of Troy. And I mean &#8216;spectacle&#8217; in every sense of the word. After watching the first fifteen minutes, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/18/the-many-women-of-troy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>iToonsical</title>
		<link>http://dctheatrescene.com/2011/07/17/itoonsical/</link>
		<comments>http://dctheatrescene.com/2011/07/17/itoonsical/#comments</comments>
		<pubDate>Sun, 17 Jul 2011 20:22:28 +0000</pubDate>
		<dc:creator>Sabrina Daly</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27458</guid>
		<description><![CDATA[The imaginative team behind Fringe 2010&#8242;s hit iSchool Musical returns to Fringe with a hilarious new show, iToonsical.  Based on the idea of an animated movie musical (think Disney or &#8220;South Park&#8221;), the characters in the show they created when i was there was a completely improvised musical were all animals.  If you have never been [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/17/itoonsical/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hello, Hedgehogs! A Storytelling Show</title>
		<link>http://dctheatrescene.com/2011/07/17/hello-hedgehogs-a-storytelling-show/</link>
		<comments>http://dctheatrescene.com/2011/07/17/hello-hedgehogs-a-storytelling-show/#comments</comments>
		<pubDate>Sun, 17 Jul 2011 16:38:52 +0000</pubDate>
		<dc:creator>Kate Mattingly</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27454</guid>
		<description><![CDATA[I haven’t been to many Fringe shows that ended with everyone in the audience asking for a picture of the performers. Then again Hello, Hedgehogs! deviates from the norm in a bunch of ways. Its solo performer, Ellie Shinman, must not have heard the dictum “never share the stage with small children or live animals!” [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/17/hello-hedgehogs-a-storytelling-show/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The N Word?</title>
		<link>http://dctheatrescene.com/2011/07/16/the-n-word/</link>
		<comments>http://dctheatrescene.com/2011/07/16/the-n-word/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 15:35:11 +0000</pubDate>
		<dc:creator>Amrita Mangus</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27442</guid>
		<description><![CDATA[Should the N word ever be used? Does the meaning of the word change in different contexts?  Should the word be embraced or eliminated from our modern vocabulary? These questions frame Quinn Alston’s The N Word?, an exploration of the beliefs, opinions, myths and history behind to N word from the African American perspective both [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/16/the-n-word/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>F#@king Up Everything</title>
		<link>http://dctheatrescene.com/2011/07/16/fking-up-everything/</link>
		<comments>http://dctheatrescene.com/2011/07/16/fking-up-everything/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 12:33:11 +0000</pubDate>
		<dc:creator>Larry Bangs</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27422</guid>
		<description><![CDATA[Not everything at the Fringe Festival is “hungry” – produced on a dime for the sheer joy of creating live theatre. F#@king Up Everything (let&#8217;s call it FUE), in spite of what the title conjures up, comes to us with a list of support personnel that fills one entire page in the program. These folks [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/16/fking-up-everything/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Every Night I Die</title>
		<link>http://dctheatrescene.com/2011/07/16/every-night-i-die/</link>
		<comments>http://dctheatrescene.com/2011/07/16/every-night-i-die/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 12:06:39 +0000</pubDate>
		<dc:creator>Breena Siegel</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27431</guid>
		<description><![CDATA[Every Night I Die is a tragic tale of love and loss. It deals in a delicate subject matter that leads to jaw-dropping dramatic moment. Playwright Amanda Andrei spins the story with just the right amount of twists and turns within an hour’s time. The actors have the challenge to fill that range from the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/16/every-night-i-die/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>I Love You, (We&#8217;re F*cked)</title>
		<link>http://dctheatrescene.com/2011/07/16/i-love-you-were-fcked/</link>
		<comments>http://dctheatrescene.com/2011/07/16/i-love-you-were-fcked/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 11:40:21 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27427</guid>
		<description><![CDATA[With a devilish smile and nose for storytelling, Kevin J. Thornton could be the life of any party. In his one man show, I Love You, (We&#8217;re F*cked), he brings the audience on an uproarious, bittersweet road trip through his personal tale of love, heartbreak, and endless struggle for personal growth. Thornton&#8217;s show is structured [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/16/i-love-you-were-fcked/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Alice, an evening with Alice Roosevelt Longworth</title>
		<link>http://dctheatrescene.com/2011/07/16/alice-an-evening-with-alice-roosevelt-longworth/</link>
		<comments>http://dctheatrescene.com/2011/07/16/alice-an-evening-with-alice-roosevelt-longworth/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 11:23:04 +0000</pubDate>
		<dc:creator>Laurel Elliott</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27420</guid>
		<description><![CDATA[Upon sitting down to an evening with Alice we, the reporters, are immediately offered refreshments and given a mini fashion show by the “Hostess of Washington” herself, played by veteran actress Joy Davidson. We are then ushered into an epic trip down memory lane with Alice triumphantly gushing details about many a public figure along the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/16/alice-an-evening-with-alice-roosevelt-longworth/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>But Love is My Middle Name!</title>
		<link>http://dctheatrescene.com/2011/07/15/but-love-is-my-middle-name/</link>
		<comments>http://dctheatrescene.com/2011/07/15/but-love-is-my-middle-name/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 20:14:18 +0000</pubDate>
		<dc:creator>Sarah Ameigh</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27410</guid>
		<description><![CDATA[When Emily Love Morrison, the talented voice and mind behind But Love Is My Middle Name!, steps on to the stage, she’s packing more than just an acoustic guitar and a venti Starbucks latte. She’s also escorting her history, her vision, and a vibrant brand of story-telling sung in a key all her own. But [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/but-love-is-my-middle-name/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>PUN: (n) a play on words</title>
		<link>http://dctheatrescene.com/2011/07/15/pun-n-a-play-on-words/</link>
		<comments>http://dctheatrescene.com/2011/07/15/pun-n-a-play-on-words/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 19:16:48 +0000</pubDate>
		<dc:creator>Josh Fixler</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27406</guid>
		<description><![CDATA[In the interest of full disclosure, let me start by saying that I come from a family of Punners. We think of word play as sword play and often fence just to keep our wits sharp. I remember vividly the day I learned to Pun.  My father would probably rank it among his top 5 [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/pun-n-a-play-on-words/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Cecily and Gwendolyn&#8217;s Fantastical Capital Balloon Ride</title>
		<link>http://dctheatrescene.com/2011/07/15/cecily-and-gwendolyn/</link>
		<comments>http://dctheatrescene.com/2011/07/15/cecily-and-gwendolyn/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 18:34:13 +0000</pubDate>
		<dc:creator>Jenn Larsen</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27398</guid>
		<description><![CDATA[True experimental theater breaks down the divide of expectations between performer and audience. Extroverts usually love this. Introverts, not so much. No surprise then that the long-form improvisation Cecily and Gwendolyn&#8217;s Fantastical Capital Balloon Ride positively delighted me. It&#8217;s like a sociological seminar on human nature, challenging you (ever so subtly) to actually be interested [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/cecily-and-gwendolyn/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Washed</title>
		<link>http://dctheatrescene.com/2011/07/15/washed/</link>
		<comments>http://dctheatrescene.com/2011/07/15/washed/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 17:10:44 +0000</pubDate>
		<dc:creator>Ryan Taylor</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27388</guid>
		<description><![CDATA[Playwright Pam Mandigo’s Washed is concerned with Big Themes and Big Questions.  How does a society function without knowing God? Is redemption possible for even the most vile of criminals? What are the limits of forgiveness? She and director Alisha Huber, under the guise of The Great American Theater Company, are to be commended for [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/washed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Priscilla Dreams the Answer</title>
		<link>http://dctheatrescene.com/2011/07/15/priscilla-dreams-the-answer/</link>
		<comments>http://dctheatrescene.com/2011/07/15/priscilla-dreams-the-answer/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 16:49:47 +0000</pubDate>
		<dc:creator>Josh Fixler</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27383</guid>
		<description><![CDATA[Dreams are often beautiful and always surreal. They sweep you into their world without qualification or disruption.  They are immersive and expansive, but at the same time deeply personal. Priscilla Dreams the Answer is very much like a dream. For the short time that it lasts, it is stunning, and like any good dream, you [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/priscilla-dreams-the-answer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Crave</title>
		<link>http://dctheatrescene.com/2011/07/15/crave-2/</link>
		<comments>http://dctheatrescene.com/2011/07/15/crave-2/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 16:23:59 +0000</pubDate>
		<dc:creator>Jenn Larsen</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27379</guid>
		<description><![CDATA[Every heartbreaker eventually gets their heart broken. Cosmic justice, karma, the wheel of fortune &#8211; whatever you call it, the seesaw of relationships will always go from up to down and back again. But there&#8217;s a journey there, from paradise to hell and all the shades of grey in between. As Editors put it, &#8220;even [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/crave-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Shrewing of the Tamed</title>
		<link>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/</link>
		<comments>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 13:20:16 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27355</guid>
		<description><![CDATA[The reversal in wording of Taming of the Shrew is not so much for a feminist message as for opening our minds. Get set for a bracing cocktail with a blast of Shakespeare’s bawdy at the Thrust Inn. Sexual innuendo intended. In Shrewing of the Tamed, Francesca Chilcote and Laurie J. Wolf, an associate professor [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/shrewing-of-the-tamed/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Open Hearts</title>
		<link>http://dctheatrescene.com/2011/07/15/open-hearts/</link>
		<comments>http://dctheatrescene.com/2011/07/15/open-hearts/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 12:50:03 +0000</pubDate>
		<dc:creator>Larry Bangs</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27349</guid>
		<description><![CDATA[Miriam Kulick is a mensch. Now I probably should not be using that term for a woman because I think it’s supposed to just be used for men.  But here is the relevant definition as far as I’m concerned: “a person with the qualities one would hope for in a dear friend or trusted colleague.” [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/open-hearts/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>T-O-T-A-L-L-Y!</title>
		<link>http://dctheatrescene.com/2011/07/15/t-o-t-a-l-l-y/</link>
		<comments>http://dctheatrescene.com/2011/07/15/t-o-t-a-l-l-y/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 12:01:10 +0000</pubDate>
		<dc:creator>Steve Hallex</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27342</guid>
		<description><![CDATA[At 5:45, Kimleigh Smith walks onto the stage at a decaying storefront known as the Apothecary. She is a stranger to most of us.  When she takes her bow an hour later, the Los Angeles actor/ dancer has shared most of the major events in her adult life. The stage lights come on, and Ms. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/t-o-t-a-l-l-y/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Divas Just Wanna Have Fun!</title>
		<link>http://dctheatrescene.com/2011/07/15/divas-just-wanna-have-fun/</link>
		<comments>http://dctheatrescene.com/2011/07/15/divas-just-wanna-have-fun/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 11:48:14 +0000</pubDate>
		<dc:creator>Kate Shepherd</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[cap]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27337</guid>
		<description><![CDATA[From the moment the 7 Sopranos, in their red gowns, walk on stage singing , there is no doubt they are talented.  Their performances in Divas Just Wanna Have Fun! are impressive.  It looks like the divas are having fun every moment of the hour-long performance. Singing a mixture of arias and musical theater songs, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/15/divas-just-wanna-have-fun/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>An Hour with Ken Johnson</title>
		<link>http://dctheatrescene.com/2011/07/14/an-hour-with-ken-johnson/</link>
		<comments>http://dctheatrescene.com/2011/07/14/an-hour-with-ken-johnson/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 23:43:13 +0000</pubDate>
		<dc:creator>Josh Fixler</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27320</guid>
		<description><![CDATA[Ken Johnson wants to teach you the secrets to his success.  Unfortunately, he just isn’t that successful. This is the premise of Laura Zam’s play An Hour With Ken Johnson, which, just as unfortunately, is as unsuccessful as its main character. Laura Zam as Ken Johnson Zam plays the enthusiastic and over-the-top Southern-preacher-turned-salesman-turned-motivational-speaker who is determined to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/an-hour-with-ken-johnson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Foo Fah Show</title>
		<link>http://dctheatrescene.com/2011/07/14/the-foo-fah-show/</link>
		<comments>http://dctheatrescene.com/2011/07/14/the-foo-fah-show/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 21:29:03 +0000</pubDate>
		<dc:creator>Amrita Mangus</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27314</guid>
		<description><![CDATA[Grubargs, an Eh, and a Berganoff, oh my! Unveiling a sequence of fairy tales peppered with the whimsical vernacular of Dr. Seuss, The Foo Fah Show celebrated the bare bones of the theatrical experience, where grandeur technical elements are replaced by human foley noises, a large Post-it pad covered in Crayola marker, and ultimately, the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/the-foo-fah-show/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Sanyasi</title>
		<link>http://dctheatrescene.com/2011/07/14/sanyasi/</link>
		<comments>http://dctheatrescene.com/2011/07/14/sanyasi/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 17:23:57 +0000</pubDate>
		<dc:creator>Jenn Larsen</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27297</guid>
		<description><![CDATA[Can you ever truly detach from the world? From emotions, like heartache, greed, love? From the mundane, the pettiness of every day existence? Is this truly liberation, or is renunciation of the world a different kind of bondage? The Hindu tradition of the sanyasi could be described in the simplest terms as a man who [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/sanyasi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>At e-Geaux (beta), the message is Turn on your cell phone</title>
		<link>http://dctheatrescene.com/2011/07/14/at-e-geaux-beta-the-message-is-turn-on-your-cell-phone/</link>
		<comments>http://dctheatrescene.com/2011/07/14/at-e-geaux-beta-the-message-is-turn-on-your-cell-phone/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 16:57:24 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[UpClose]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27290</guid>
		<description><![CDATA[An interview with e-Geaux (beta)’ s Joseph Price and Amy Couchoud Believe it or not, groundbreaking technology is making its world premiere at Capital Fringe. And Steve Jobs is nowhere to be seen. When e-Geaux (beta) producer Joseph Price told us he and his team had developed a brand new audience interaction app, linked to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/at-e-geaux-beta-the-message-is-turn-on-your-cell-phone/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Live Broadcast</title>
		<link>http://dctheatrescene.com/2011/07/14/live-broadcast/</link>
		<comments>http://dctheatrescene.com/2011/07/14/live-broadcast/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 14:31:12 +0000</pubDate>
		<dc:creator>Larry Bangs</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27261</guid>
		<description><![CDATA[Last night, four very fine actors lit up the stage with some magnificent acting for two hours in John William Schiffbauer’s new play, Live Broadcast. I was riveted to my seat for every second of those two hours. (l-r) Marni Penning, John William Schiffbauer, Nick DePinto, Tonya Beckman Ross (Photo: Abois Photography) Even the best [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/live-broadcast/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Storehouse</title>
		<link>http://dctheatrescene.com/2011/07/14/the-storehouse/</link>
		<comments>http://dctheatrescene.com/2011/07/14/the-storehouse/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 12:09:01 +0000</pubDate>
		<dc:creator>Ben Cunis</dc:creator>
				<category><![CDATA[Capital Fringe Festival 2011]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[capital fringe 2011]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27263</guid>
		<description><![CDATA[At a time when US military presence around the globe falls under ever greater scrutiny, playwright Michael Silver begs the question “Can occupiers ever be truly accepted by the occupied?” Through the prism of a quiet Russian-occupied town in 1940&#8242;s-era Poland, Silver’s The Storehouse examines themes of national identity, forgiveness, and the utter futility of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/14/the-storehouse/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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