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	<title>DC Theatre Scene &#187; Features</title>
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	<link>http://dctheatrescene.com</link>
	<description>Washington DC&#039;s Liveliest Theater Website</description>
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		<copyright>2009-2010 </copyright>
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		<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
		<webMaster>lorraine@dctheatrescene.com (DC Theatre Scene)</webMaster>
		<category>posts</category>
		<ttl>1440</ttl>
		<itunes:keywords>podcasts, DC theatre, radio plays, </itunes:keywords>
		<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
		<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:category text="Arts"/>
<itunes:category text="Arts">
	<itunes:category text="Performing Arts"/>
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		<itunes:owner>
			<itunes:name>DC Theatre Scene</itunes:name>
			<itunes:email>lorraine@dctheatrescene.com</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>no</itunes:explicit>
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			<title>DC Theatre Scene</title>
			<link>http://dctheatrescene.com</link>
			<width>144</width>
			<height>144</height>
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		<item>
		<title>Andy Warhol: Good for the Jews?</title>
		<link>http://dctheatrescene.com/2010/03/11/andy-warhol-good-for-the-jews-2/</link>
		<comments>http://dctheatrescene.com/2010/03/11/andy-warhol-good-for-the-jews-2/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 13:50:05 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[theater j]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13629</guid>
		<description><![CDATA[Josh Kornbluth is the Joshua Bell of talk. His Andy Warhol: Good for the Jews? is an arpeggio which takes us, forcefully and gracefully, to the land of I and Thou, where we, and all, are loved.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/11/andy-warhol-good-for-the-jews-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marc Kudisch in Terrence McNally&#8217;s Golden Age</title>
		<link>http://dctheatrescene.com/2010/03/10/marc-kudisch-in-terrence-mcnallys-golden-age/</link>
		<comments>http://dctheatrescene.com/2010/03/10/marc-kudisch-in-terrence-mcnallys-golden-age/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 21:45:02 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Podcasts]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13618</guid>
		<description><![CDATA[Broadway's Marc Kudisch talks about his latest project, Golden Age, the new play by Terrence McNally the first of the Kennedy Center's 3 play Terrence McNally Nights at the Opera series.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/10/marc-kudisch-in-terrence-mcnallys-golden-age/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<enclosure url="http://dctheatrescene.com/podpress_trac/feed/13618/0/marckudishgoldenage.mp3" length="21053986" type="audio/mpeg"/>
<itunes:duration>21:56</itunes:duration>
		<itunes:subtitle>Terrence McNally's new play Golden Age, which just had its successful debut at Philadelphia Theatre Company, opens March 12th in the Kennedy Centerrsquo;s Family Theatre ...</itunes:subtitle>
		<itunes:summary>Terrence McNally's new play Golden Age, which just had its successful debut at Philadelphia Theatre Company, opens March 12th in the Kennedy Centerrsquo;s Family Theatre with new rewrites and a new director (Walter Bobbie, replacing Austin Pendleton, who is directing Bus Stop now at Olney Theatre Center).

[caption id="attachment_13620" align="alignleft" width="220" caption="(l-r) Marc Kudish and Jeffrey Carlson (Photo: Mark Garvin)"][/caption]

Actor Marc Kudisch takes us on the journey of this new play - from workshops to rewrites to the debut in Philadelphia,nbsp; to more rewrites with a new director, and finally to the Kennedy Center.

The play takes us to opening night, 1835,nbsp; for Vincenzo Bellini's new opera, I Puritani, at the Paris Opera, with the four greatest singers in Europe - Giovanni Battista Rubini,  the tenor, Giulia Grisi, the soprano, Luigi La Blache, the bass, and  Antonio Tamburini, the baritone (played by Marc).

We are in the wings with the performers as the opera is performed offstage. ldquo;I know itrsquo;s a piece that takes place in 1835, but it is not a period  piece!", Marc tells us. "It is such a contemporary play. The conversations are the same  conversations we as performers and composers have every day, and they are  so recognizable, I know the audiences are going to laugh  hysterically. Itrsquo;s the same stuff we ask today...nbsp; lsquo;What am I doing here?' 'Whatnbsp; the hell is my life about? ' 'I like it. Does that mean that they will like it?' 'Does it matter if they like it'? He (Bellini) is asking the ultimate question ndash; lsquo;What makes me happy? What makes anyone happy at the end of the day?rsquo; To me, this is Terrence's most personal play. All the cards are on the table."

Marc is a huge fan of the work of Terrence McNally. ldquo;I believe he is the last in a line of playwrights like Lanford Wilson, Tennessee Williams, and even (David) Mamet in his own wayhellip; With Terrence, you know itrsquo;s Terrence... Therersquo;s a music. Therersquo;s a lyricism. Therersquo;s an esotericism to it. Therersquo;s a Terrence-ismrdquo;.

Why should DC theatergoers come to see Golden Age? ldquo;Because itrsquo;s a  new play by Terrence McNally!nbsp; And you should come see all three plays, Golden  Age, and his earlier The Lisbon Traviata, and Master Class, on which,  of course, Terrence is doing re-writes!rdquo;



For more information about the Kennedy Center production, and to  purchase tickets, click here.

Joel also got to talk with Marc about the status of the revival of The Unsinkable Molly Brown and his next show, Ricky Ian Gordonrsquo;s production of Sycamore Trees at Signature Theatre, beginning May 18th. We're saving that podcast for another day.

Related:

View the Golden Age study guide from the Philadelphia Theatre  Companyrsquo;s production of Golden Age here.

More podcasts with Marc Kudisch by Joel Markowitz:

in the Broadway production ofnbsp; 9 to 5
the Lincoln Center's The Glorious Ones
Signature Theatre's Witches of Eastwick</itunes:summary>
		<itunes:keywords>Features,,Our,Podcasts</itunes:keywords>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Mondo Andronicus</title>
		<link>http://dctheatrescene.com/2010/03/10/mondo-andronicus-2/</link>
		<comments>http://dctheatrescene.com/2010/03/10/mondo-andronicus-2/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 12:12:09 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[molotov]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13604</guid>
		<description><![CDATA[Heavy metal and horror clash with the immortal words of Shakespeare in Molotov Theatre Group’s disturbing, funny, and bleak Mondo Andronicus. ]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/10/mondo-andronicus-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Some Girl(s)</title>
		<link>http://dctheatrescene.com/2010/03/07/some-girls-2/</link>
		<comments>http://dctheatrescene.com/2010/03/07/some-girls-2/#comments</comments>
		<pubDate>Sun, 07 Mar 2010 16:48:18 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[no rules]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13565</guid>
		<description><![CDATA[Here’s how you can tell your play is working: when you’ve got an Amen Corner. And there was plenty of that in No Rules Theatre's first production: LaBute's Some Girl(s).]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/07/some-girls-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Musical Scene Stealers &#8211; Winter, 2010</title>
		<link>http://dctheatrescene.com/2010/03/04/musical-scene-stealers-winter-2010/</link>
		<comments>http://dctheatrescene.com/2010/03/04/musical-scene-stealers-winter-2010/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 17:04:24 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13416</guid>
		<description><![CDATA[Two young undertakers, two angels and their lover, a colorful instrumentalist and singer, a pie-baking assistant, a quarreling and vocally gifted couple, a distraught girlfriend who’s gone to pot, a couple who take a long time to reconcile, and a disfigured woman who finally finds inner peace and an unlikely soulmate &#8211; are my winter [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/04/musical-scene-stealers-winter-2010/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Mauritius</title>
		<link>http://dctheatrescene.com/2010/03/03/mauritius-2/</link>
		<comments>http://dctheatrescene.com/2010/03/03/mauritius-2/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 14:39:52 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[bay]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13408</guid>
		<description><![CDATA[In the world of Bay Theatre's Mauritius, promises are written on water, truth and lies are of equal value, and business is done with a slap to the face or a punch to the gut.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/03/mauritius-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Amazons and Their Men</title>
		<link>http://dctheatrescene.com/2010/03/03/amazons-and-their-men-2/</link>
		<comments>http://dctheatrescene.com/2010/03/03/amazons-and-their-men-2/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 13:32:30 +0000</pubDate>
		<dc:creator>Phil Calabro</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[forum]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13399</guid>
		<description><![CDATA[Lighting designer Andrew Griffin's use of shadows and sepia-toned lights give the space the feel of a William Wyler thriller, and along with the Sunset Blvd theatrics of its cast, make Dove and Goetschius' production quite a success.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/03/amazons-and-their-men-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lord Arthur Savile&#8217;s Crime</title>
		<link>http://dctheatrescene.com/2010/03/02/lord-arthur-saviles-crime-2/</link>
		<comments>http://dctheatrescene.com/2010/03/02/lord-arthur-saviles-crime-2/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 16:17:46 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[washington stage guild]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13356</guid>
		<description><![CDATA[After a two-year hiatus, the Washington Stage Guild has returned and mounts Lord Arthur’s Crime with a fun-filled swagger that would do Oscar Wilde proud.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/02/lord-arthur-saviles-crime-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Memphis, Yank!, and Ages of the Moon</title>
		<link>http://dctheatrescene.com/2010/03/01/memphis-yank-and-ages-of-the-moon/</link>
		<comments>http://dctheatrescene.com/2010/03/01/memphis-yank-and-ages-of-the-moon/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 20:24:01 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13316</guid>
		<description><![CDATA[As a charter member of the “It’s too loud!” and the “Where are the melodies?” clubs of musical theatre lovers, I kept delaying my visit to Memphis, thinking it wouldn’t do much for me except perhaps remind me of the Golden Age of good sound and gorgeous tunes, and how much I miss all that. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/01/memphis-yank-and-ages-of-the-moon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The House of Yes</title>
		<link>http://dctheatrescene.com/2010/03/01/the-house-of-yes-2/</link>
		<comments>http://dctheatrescene.com/2010/03/01/the-house-of-yes-2/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 18:58:33 +0000</pubDate>
		<dc:creator>McCall Noelle Doyle</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13308</guid>
		<description><![CDATA[Looking for a legal acid trip?  Come see The House of Yes, blowing through Frederick, MD for one more week.  Presented with no intermission, the 90 minute production clipped along with nary a pause, featuring pithy dialogue and a twisted plot.  The talented cast explored the strangely intimate ties that bind the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/01/the-house-of-yes-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The New Musical Adventures of Flat Stanley</title>
		<link>http://dctheatrescene.com/2010/03/01/the-new-musical-adventures-of-flat-stanley-2/</link>
		<comments>http://dctheatrescene.com/2010/03/01/the-new-musical-adventures-of-flat-stanley-2/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 17:50:36 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[adventure]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13249</guid>
		<description><![CDATA[Where can you see a grown man, flattened kite-like soar on a string, get stuffed in an envelope, and even mailed around the world? In the wonderful world of imagination, where Adventure Theatre has enough imagination to flatten dimensions before your eyes. The stellar cast of The New Musical Adventures of Flat Stanley has a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/01/the-new-musical-adventures-of-flat-stanley-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dear Sara Jane</title>
		<link>http://dctheatrescene.com/2010/02/28/dear-sara-jane-2/</link>
		<comments>http://dctheatrescene.com/2010/02/28/dear-sara-jane-2/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 02:06:42 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[hub]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13267</guid>
		<description><![CDATA[It is a measure of the Obama Administration’s successful wind-down of the war in Iraq that Dear Sara Jane, Victor Lodato’s complex meditation on the uses of violence now being given a careful and intelligent production by the Hub Theatre, seems more abstract than it did at the Contemporary American Theater Festival eight months ago, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/28/dear-sara-jane-2/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>High Fidelity interviews: Andrew Baughman, Stephen Gregory Smith and Julie Herber</title>
		<link>http://dctheatrescene.com/2010/02/25/high-fidelity-interviews-andrew-baughman-stephen-greg/</link>
		<comments>http://dctheatrescene.com/2010/02/25/high-fidelity-interviews-andrew-baughman-stephen-greg/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 03:32:16 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[landless]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13139</guid>
		<description><![CDATA[With High Fidelity, Landless has done it again - another amazing production of a musical that just didn’t do well in NYC, and turned it into a winner.  ]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/25/high-fidelity-interviews-andrew-baughman-stephen-greg/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>That Face</title>
		<link>http://dctheatrescene.com/2010/02/25/that-face-2/</link>
		<comments>http://dctheatrescene.com/2010/02/25/that-face-2/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 01:41:27 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13133</guid>
		<description><![CDATA[Studio Theatre's production of That Face isn’t pretty, but is instead a startling look into rich, ruined children forced to raise their monstrous parents from young playwright phenom Polly Stenham.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/25/that-face-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bus Stop</title>
		<link>http://dctheatrescene.com/2010/02/25/bus-stop-2/</link>
		<comments>http://dctheatrescene.com/2010/02/25/bus-stop-2/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 01:10:28 +0000</pubDate>
		<dc:creator>Ted Ying</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[olney]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13098</guid>
		<description><![CDATA[This classic romantic comedy seems to have withstood the test of time.  Many remember Marilyn Monroe, as Cherie, in the 1956 film. The story still warms the audience like stepping inside from the cold of the Midwestern blizzard that provides the background for the play.
During the storm, a bus has become stranded at a roadside [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/25/bus-stop-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>High Fidelity</title>
		<link>http://dctheatrescene.com/2010/02/25/high-fidelity/</link>
		<comments>http://dctheatrescene.com/2010/02/25/high-fidelity/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 15:52:12 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[landless]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13113</guid>
		<description><![CDATA[High Fidelity is an aggregate of great music and funny lyrics hung on a lame story with unlikeable characters, and Landless Theatre plays the hell out of it.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/25/high-fidelity/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Atheist</title>
		<link>http://dctheatrescene.com/2010/02/25/the-atheist-2/</link>
		<comments>http://dctheatrescene.com/2010/02/25/the-atheist-2/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 14:31:38 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12971</guid>
		<description><![CDATA[The atheist Augustine Early (Eric Lucas), a poor boy from Kansas, discovered at an early age the liberating force of deciding that there is no God.  So he burns down his trailer in order to give himself and his mom better Section 8 housing. As an adult, he blows in a heroic foreigner, who has [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/25/the-atheist-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Natalie Toro from the In the Heights tour</title>
		<link>http://dctheatrescene.com/2010/02/24/natalie-toro-from-the-in-the-heights-tour/</link>
		<comments>http://dctheatrescene.com/2010/02/24/natalie-toro-from-the-in-the-heights-tour/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 21:00:09 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13041</guid>
		<description><![CDATA[Natalie Toro who plays Camila in the national tour of In the Heights talks about touring with the show, her career and advice for young Latina performers.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/24/natalie-toro-from-the-in-the-heights-tour/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Peter and the Wolf</title>
		<link>http://dctheatrescene.com/2010/02/24/peter-and-the-wolf-2/</link>
		<comments>http://dctheatrescene.com/2010/02/24/peter-and-the-wolf-2/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 18:51:07 +0000</pubDate>
		<dc:creator>Miriam Chernick</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[imagination stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13001</guid>
		<description><![CDATA[Though significantly different from Prokofiev’s original symphony of Peter and the Wolf, Imagination Stage’s adaptation is a very entertaining show.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/24/peter-and-the-wolf-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gdirl from Gdansk</title>
		<link>http://dctheatrescene.com/2010/02/24/gdirl-from-gdansk-2/</link>
		<comments>http://dctheatrescene.com/2010/02/24/gdirl-from-gdansk-2/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 15:45:18 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12963</guid>
		<description><![CDATA[Gdirl from Gdansk, the latest play from Ireland's Liam Heylin being given its world premiere here by Keegan Theatre, is an appealing work whose gentle charms gradually enfold the audience.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/24/gdirl-from-gdansk-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Henry V</title>
		<link>http://dctheatrescene.com/2010/02/23/henry-v-2/</link>
		<comments>http://dctheatrescene.com/2010/02/23/henry-v-2/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 18:36:42 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[shakespeare]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12942</guid>
		<description><![CDATA[Henry V, in part, an account of Henry’s against-all-odds campaign against the French, culminating in his fantastic triumph at Agincourt. At bottom, it is a description of how a moral man exercises great power.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/23/henry-v-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sweeney Todd</title>
		<link>http://dctheatrescene.com/2010/02/22/sweeney-todd-3/</link>
		<comments>http://dctheatrescene.com/2010/02/22/sweeney-todd-3/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 14:19:44 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[signature]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12901</guid>
		<description><![CDATA[Signature's 20 anniversary production is a full-throated Sweeney Todd; a roaring in-the-raw production, demented, dangerous and fierce.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/22/sweeney-todd-3/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Glass Menagerie</title>
		<link>http://dctheatrescene.com/2010/02/22/the-glass-menagerie-3/</link>
		<comments>http://dctheatrescene.com/2010/02/22/the-glass-menagerie-3/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 12:02:16 +0000</pubDate>
		<dc:creator>McCall Noelle Doyle</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[rep stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12863</guid>
		<description><![CDATA[There’s magic in the casting and direction of this Rep Stage production of The Glass Menagerie, that is sure to please theatre newbies as well as diehard Tennessee Williams fans. ]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/22/the-glass-menagerie-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Let There Be Love</title>
		<link>http://dctheatrescene.com/2010/02/21/let-there-be-love/</link>
		<comments>http://dctheatrescene.com/2010/02/21/let-there-be-love/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 17:03:47 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[center stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12866</guid>
		<description><![CDATA[Center Stage lets the sun shine in with a vibrant and splendidly acted production of  Let There Be Love, a 2008 tragicomedy by British West Indian playwright Kwame Kwei-Armah about aging, immigration and social change.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/21/let-there-be-love/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Richard II</title>
		<link>http://dctheatrescene.com/2010/02/19/richard-ii-2/</link>
		<comments>http://dctheatrescene.com/2010/02/19/richard-ii-2/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 13:37:09 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[shakespeare]]></category>

		<guid isPermaLink="false">908846218</guid>
		<description><![CDATA[It is 1397, and Richard II (Michael Hayden) is about to undergo one of the greatest falls in the history of England, told here with exceptional lucidity by Shakespeare Theatre.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/19/richard-ii-2/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Talk Radio</title>
		<link>http://dctheatrescene.com/2010/02/16/talk-radio-2/</link>
		<comments>http://dctheatrescene.com/2010/02/16/talk-radio-2/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 20:57:31 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[stroyka]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12720</guid>
		<description><![CDATA[Roman Gusso gives a bravura, take-no-prisoners performance as the tormented talk show host Barry Champlain in Stroyka Theatre's Talk Radio.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/16/talk-radio-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>By the Bog of Cats</title>
		<link>http://dctheatrescene.com/2010/02/14/by-the-bog-of-cats-2/</link>
		<comments>http://dctheatrescene.com/2010/02/14/by-the-bog-of-cats-2/#comments</comments>
		<pubDate>Sun, 14 Feb 2010 21:24:39 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[1st stage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12672</guid>
		<description><![CDATA[1st Stage’s slam-bang production, brings us into Carr’s nightmarish universe at the speed of thought, and keeps us there relentlessly for two and a half hours.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/14/by-the-bog-of-cats-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Fugitives</title>
		<link>http://dctheatrescene.com/2010/02/13/the-fugitives-2/</link>
		<comments>http://dctheatrescene.com/2010/02/13/the-fugitives-2/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 19:23:51 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[la rinascita]]></category>
		<category><![CDATA[larinascita]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12655</guid>
		<description><![CDATA[This production of The Fugitives is something that might have resulted if David Lynch had taken a crack Aeschyles' story of Orestes and Electra.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/13/the-fugitives-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I Love You, You&#8217;re Perfect, Now Change</title>
		<link>http://dctheatrescene.com/2010/02/12/i-love-you-youre-perfect-now-change-3/</link>
		<comments>http://dctheatrescene.com/2010/02/12/i-love-you-youre-perfect-now-change-3/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 21:24:37 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[toby's]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12639</guid>
		<description><![CDATA[I Love You, You’re Perfect, Now Change cuts through the mountain of seasonal schlock and delivers a hilarious, bittersweet, and refreshingly honest look at love and relationships.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/12/i-love-you-youre-perfect-now-change-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beauty of the Father</title>
		<link>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/</link>
		<comments>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 17:46:27 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12558</guid>
		<description><![CDATA[Nilo Cruz writes with soul-searing beauty and director Abel Lopez draws together a perfect storm of a cast in GALA's Beauty of the Father.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>NEWSical The Musical&#8217;s Michael West</title>
		<link>http://dctheatrescene.com/2010/02/07/michael-west/</link>
		<comments>http://dctheatrescene.com/2010/02/07/michael-west/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 17:52:36 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Podcasts]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12515</guid>
		<description><![CDATA[Forbidden Broadway star Michael West, now in NEWSical the Musical, schmoozes with Joel Markowitz about the shows, and brings out his favorite impressions.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/07/michael-west/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		<enclosure url="http://dctheatrescene.com/podpress_trac/feed/12515/0/michaelwest.mp3" length="30933996" type="audio/mpeg"/>
<itunes:duration>32:13</itunes:duration>
		<itunes:subtitle>Joel sits down with funnyman Michael West in his dressing room at the 47th Street Theatre. Michael opens his trunk of many voices and ...</itunes:subtitle>
		<itunes:summary>Joel sits down with funnyman Michael West in his dressing room at the 47th Street Theatre. Michael opens his trunk of many voices and out comesnbsp; Bill Clinton (ldquo;a southern Elmer Fuddrdquo;), Al Gore (ldquo;a gay kindergarten teacherrdquo;), Liza Minnelli, Carol Channing, Sammy Davis, Jr., Robert Goulet, and Harvey Fierstein. With special guest: NEWSical director Mark Waldrop.

Joel has lost count of how many times he has seen Michael in Forbidden Broadway and When Pigs Fly. And now, before the 8 PM performance on Saturday, January 30th of NEWSical the Musical, Joel finally got his chance to schmooze with Michael, and discuss his career from growing up in Atlanta to re-working and updating his one-man show, Almost Live From The Betty Ford Clinic, to appearing now in NEWSical The Musical, the revue which skewers celebrities and politicians and "all the news that is fit to spoof." 

Early into the podcast, NEWSical director Mark Waldrop, slipped in to Michaelrsquo;s dressing room, and jumped into the conversation. Hersquo;s been working with NEWSical writer Rick Crom on Bonnie and Clyde (Hunter Foster wrote the book)hellip; "Itrsquo;s in gestationhellip; This is a very funny Bonnie and Clyde.rdquo;

Joel and Michael discussed the musical When Pigs Fly, which played during the height of the AIDS crisis, and his admiration for DC director/writer/producer Larry Kaye and his new musical The Tapioca Miracle (Michael was in the New York workshop).


As yoursquo;ll hear in this interview, no one does impressions like Michael West, and there's no show in town as freshly topical yet singable as NEWSical the Musical. ldquo;Itrsquo;s bipartisan, everyone gets laughed atrdquo;.

NEWSical the Musical is playing at The 47th Street Theatre, 304 West 47th Street, in New York City. For more information, and to purchase tickets, click here. 

</itunes:summary>
		<itunes:keywords>podcasts,,DC,theatre,,radio,plays,,</itunes:keywords>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Orestes, A Tragic Romp</title>
		<link>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/</link>
		<comments>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 18:37:14 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12476</guid>
		<description><![CDATA[Playwright Anne Washburn, channeling Euripides, and director Aaron Posner collaborate on some of the best storytelling in Washington, aided by stunning performances from Holly Twyford, Jay Sullivan and Chris Genebach.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Constellation</title>
		<link>http://dctheatrescene.com/2010/02/03/the-constellation-2/</link>
		<comments>http://dctheatrescene.com/2010/02/03/the-constellation-2/#comments</comments>
		<pubDate>Wed, 03 Feb 2010 21:59:35 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[active cultures]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12463</guid>
		<description><![CDATA[Gwydion Suilebhan's The Constellation is an unusual love story between two homeless people, and the love of a young man for the historic ship The U.S.S. Constellation.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/03/the-constellation-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Permanent Collection</title>
		<link>http://dctheatrescene.com/2010/02/03/permanent-collection-2/</link>
		<comments>http://dctheatrescene.com/2010/02/03/permanent-collection-2/#comments</comments>
		<pubDate>Wed, 03 Feb 2010 16:32:19 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[round house]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12451</guid>
		<description><![CDATA[Thomas Gibbons' Permanent Collection is an intelligent and provocative work that will leave the audience thinking long after they have left the theatre.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/03/permanent-collection-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Antony and Cleopatra</title>
		<link>http://dctheatrescene.com/2010/02/01/antony-and-cleopatra-3/</link>
		<comments>http://dctheatrescene.com/2010/02/01/antony-and-cleopatra-3/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 21:41:24 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[synetic]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12381</guid>
		<description><![CDATA[Synetic is widely known for its visual poetry and you wonder if they can top themselves after the bucolic bounce of their Midsummer Night’s Dream or the gothic tingle of their Dracula, for example. Yet, they do it again.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/01/antony-and-cleopatra-3/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Two triumphs: Time Stands Still and This</title>
		<link>http://dctheatrescene.com/2010/02/01/two-triumphs-time-stands-still-and-this/</link>
		<comments>http://dctheatrescene.com/2010/02/01/two-triumphs-time-stands-still-and-this/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 19:43:23 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[d'arcy james]]></category>
		<category><![CDATA[dizzy's club]]></category>
		<category><![CDATA[donald margolies]]></category>
		<category><![CDATA[laura linney]]></category>
		<category><![CDATA[melissa james gibson]]></category>
		<category><![CDATA[time stands still]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12375</guid>
		<description><![CDATA[Broadway vet Richard Seff declares Margolies' Time Stands Still "richly rewarding . a winner" and Gibson's This "a finely wrought play and production."]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/01/two-triumphs-time-stands-still-and-this/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Rivalry</title>
		<link>http://dctheatrescene.com/2010/01/30/the-rivalry-2/</link>
		<comments>http://dctheatrescene.com/2010/01/30/the-rivalry-2/#comments</comments>
		<pubDate>Sat, 30 Jan 2010 19:26:24 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[fords]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12352</guid>
		<description><![CDATA[This is a play in which two long-dead men argue, without resolution, about an issue which has been settled for years. Why is it that a hundred fifty years later, the Lincoln-Douglas debates can still grip our hearts, and move us to tears?]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/01/30/the-rivalry-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>suicide.chat.room</title>
		<link>http://dctheatrescene.com/2010/01/30/suicide-chat-room-2/</link>
		<comments>http://dctheatrescene.com/2010/01/30/suicide-chat-room-2/#comments</comments>
		<pubDate>Sat, 30 Jan 2010 18:22:15 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[taffety punk]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12342</guid>
		<description><![CDATA[This is a play about people who talk about killing themselves, cobbled together from text found at pro-suicide Internet addresses and underscored with superb choreography and fabulous music.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/01/30/suicide-chat-room-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mahalia, A Gospel Musical</title>
		<link>http://dctheatrescene.com/2010/01/28/mahalia-a-gospel-musical-2/</link>
		<comments>http://dctheatrescene.com/2010/01/28/mahalia-a-gospel-musical-2/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 21:51:30 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[metrostage]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12309</guid>
		<description><![CDATA[MetroStage's Mahalia, A Gospel Musical is a tribute to the late, great gospel warrior who captivated the nation and audiences around the world with her distinctive soulful voice and effervescent delivery.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/01/28/mahalia-a-gospel-musical-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Catching up with Brad Oscar</title>
		<link>http://dctheatrescene.com/2010/01/28/catching-up-with-brad-oscar/</link>
		<comments>http://dctheatrescene.com/2010/01/28/catching-up-with-brad-oscar/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 15:47:04 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[brad oscar]]></category>
		<category><![CDATA[DC theatre]]></category>
		<category><![CDATA[mel brooks]]></category>
		<category><![CDATA[theatre interviews]]></category>
		<category><![CDATA[young frankenstein]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12297</guid>
		<description><![CDATA[He's played Max Bialystock more often than Nathan Lane, now Brad Oscar talks to DCTS while on the road with another Mel Brooks' musical, Young Frankenstein.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/01/28/catching-up-with-brad-oscar/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
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