Lonely, I’m Not

The Second Stage Theatre has brought New York a charming light soufflé of a play to remind us that spring is here and that balmy spring weather is just around the corner. [Read more...]

Nice Work If You Can Get It

They might have called this show A LITTLE BITTA THIS, A LITTLE BITTA THAT. I don’t know the way in which it was formed, but there is a vague connection to Oh, Kay! a hit from 1926 when everybody was very young and George Gershwin a little bit in love with Kay Swift who was married to a man named Jimmy, so he used their names for his hero and heroine. The lyrics to Oh, Kay! came from his brother Ira and the book from the prolific Brit librettists Guy Bolton and P.G.Wodehouse. [Read more...]

Once

The New York Theatre Workshop in the East Village is known for its eclectic taste. Recently it housed the one – man play An Iliad by Dennis O’Hare.In the fall of 2010  I witnessed a very bizarre take on Lillian Hellman’s The Little Foxes there, and  recently a musical based on the low budget Irish film “Once” premiered there too. [Read more...]

Leap of Faith

This poor show was treated badly by most of the New York critics, and the Tony committee favored it with only one nomination — but that was for Best Musical! Now how can you be considered a contender for  ”best”when none of the creators of the show are mentioned?  [Read more...]

Ghost The Musical

In 1990, the screenplay of “Ghost” earned an Oscar for its author, Bruce Joel Rubin. The film was a crowd pleaser, and that made it instantly eligible for the “let’s make a musical of it” crowd.  So Mr. Rubin joined up with Dave Stewart, a British musician, producer, author and entrepreneur, and together they’ve come up with a product called Ghost The Musical.  [Read more...]

End of the Rainbow

We owe the Brits a great debt for gifting  us with the bombshell called Tracie Bennett.

The slim actress/singer, who would appear from her photo to be a contemporarily coiffed blonde, has immersed herself into the psyche and spirit of Judy Garland in the play called End of the Rainbow which exposes us, in grim detail, to the final weeks of Ms. Garland’s life, when she was encamped at the Ritz Hotel and playing a five week engagement at London’s Talk of the Town.   [Read more...]

One Man, Two Guvnors

Richard Bean, prolific British playwright, has landed with a bang with this, his first export to American shores. A great success for two seasons at the National Theatre in London, a transfer to the West End, where it is now booked through the summer with a second cast, which means we get the first cast here at the Music Box, where I imagine it will remain until one or all die of exhaustion from the goings on in their wild and very funny farce.  [Read more...]

The Columnist

I was certainly alive during the reign of Joseph Alsop as a syndicated political columnist, but the truth is he and his writings never attracted me, so I approached David Auburn’s play The Columnist with little background information and no particular interest.  [Read more...]

The Best Man

The interior of the Gerald Schoenfeld Theatre on Broadway is decorated to the nines with bunting, campaign photos; hoopla music is playing over the speakers; the management wants you to know  from the get go that you will be attending the July 1960 Presidential convention in Philadelphia, and will be having a look at all the shenanigans that precede it. [Read more...]

A Streetcar Named Desire

There’s been some controversy about the slowly growing trend of presenting plays with characters originally conceived as white being played by actors of color. The recent all black cast on Broadway of Cat on a Hot Tin Roof  comes to mind and reminds us that critic John Lahr with a blog comment last December called for “a moratorium on all those infernal all-black productions of Tennessee Williams plays unless we can have their equal in folly; all white productions of August Wilson.” Well, that set off a firestorm of protest, but Emily Mann who was directing this Streetcar refused to take the bait, and when asked for her opinion on the legitimacy of such a multicultural endeavor, her response was short and sweet: “Tennessee always wanted this to happen.”  [Read more...]