Do Not Disturb is big as Fringe shows go -an ambitious chamber opera in fact, with 11 singers, 5 instrumentalists, plus stage and music directors.
The In Series takes Beethoven’s only opera, the rarely performed Fidelio, and transforms it into a symbol of freedom, a magnificently moving, awe-inspiring vision of hope and redemption through married love. With this, its largest-ever production, it seems there’s nothing this plucky “pocket opera” company, and its company of fearless singers, cannot do.
Soprano Alyson Cambridge, who began her career here in Washington, DC and has gone on to perform on some of the major opera stages of the world including Washington National Opera. She is making her debut performance as Bess in Porgy and Bess at the Spoleto Festival USA and talks here about the role and the issues of […]
This year’s big fortieth anniversary event at Spoleto Festival USA was the long-anticipated new production of George Gershwin’s opera Porgy and Bess, as a celebration of the city that gave birth to the original story.
Last time I was here in 2013 I was swept into the flurry of opening celebrations, including the noontime grandstand with mayoral speeches and brass band and the late night garden party for sponsors, complete with celebrity gawking and southern finery sightings.
Have you ever sat beside a lake at night and listened to the sounds? Or stood on an urban street corner in inky blackness or more exactly in a snowstorm where the world becomes unfamiliar in the swirling blur and the sounds become mysterious slushes and whooshes?
Friday morning, images across TV screens and in The Washington Post flashed pictures of wildfires burning in the oil fields of Alberta, Canada. For those of us this past week who have lived and breathed Richard Wagner’s towering operatic epic, The Ring of the Nibelung by Washington National Opera (all 18 hours!) these billowing spumes […]
Projections follow music and carry us from clouds to forest canopy. But how quickly the woods change to a panorama of deforestation. Magnificent trunks become denuded logs and are carried by rail as poles to hold up electric wires. Next come belching industrial smokestacks. Director Francesca Zambello will not let us off from bearing witness […]
“Nun zäume dein Ross, reisige Maid!” (“Mount your horse, cavalry maiden!”) We’re in for a ride! Zambello’s big pre-show announcement on opening night of The Valkyrie was that Christine Goerke, who had just the afternoon before sung another Brünnhilde in Siegfried in Houston, an equally huge role, had flown in like the Valkyrie she is to […]
In the darkened Kennedy Center Opera House, the music begins so quietly one thinks maybe it is only imagined. But that E-flat major triad rolls on and grows. On an enormous screen, from a murky swirling darkness, slowly, light appears, forming a gaseous cloud.