You Can’t Take It With You

You think your family’s crazy? Compared to the purposefully pixilated Sycamore-Vanderhof clan — the characters, and I mean characters, populating George S. Kaufman and Moss Hart’s exuberant comedy You Can’t Take It With You — your relatives probably err on the side of prosaic. You get to hang out with these eccentric lovelies for nearly three, fast-moving hours in Everyman Theatre’s rosy and ebullient staging of the 1936 chestnut. [Read more...]

Chesapeake Shakespeare expands to Baltimore’s Inner Harbor

On May 7th, the Baltimore theatre world received some good news:  the Chesapeake Shakespeare Company, currently located in Howard County, announced its purchase of the downtown Mercantile Safe Depost and Trust Building, a classically designed brownstone built in 1885. What was born as a bank, and transfomed as an afterhours spot for Baltimore party people, is now going to be a 250-300 seat theatre with three levels of seating. The theatre is scheduled to open in the fall of 2014.  [Read more...]

Nice Work If You Can Get It

They might have called this show A LITTLE BITTA THIS, A LITTLE BITTA THAT. I don’t know the way in which it was formed, but there is a vague connection to Oh, Kay! a hit from 1926 when everybody was very young and George Gershwin a little bit in love with Kay Swift who was married to a man named Jimmy, so he used their names for his hero and heroine. The lyrics to Oh, Kay! came from his brother Ira and the book from the prolific Brit librettists Guy Bolton and P.G.Wodehouse. [Read more...]

Leap of Faith

This poor show was treated badly by most of the New York critics, and the Tony committee favored it with only one nomination — but that was for Best Musical! Now how can you be considered a contender for  ”best”when none of the creators of the show are mentioned?  [Read more...]

Mary Poppins

True story: My mother took my sister and my seven year-old self to see “Mary Poppins” in 1964 at a downtown Baltimore movie palace—who knows, it could have been the Hippodrome. The gilded theater was filled with mothers in suits and white gloves toting their daughters in crinolined party dresses. [Read more...]

End of the Rainbow

We owe the Brits a great debt for gifting  us with the bombshell called Tracie Bennett.

The slim actress/singer, who would appear from her photo to be a contemporarily coiffed blonde, has immersed herself into the psyche and spirit of Judy Garland in the play called End of the Rainbow which exposes us, in grim detail, to the final weeks of Ms. Garland’s life, when she was encamped at the Ritz Hotel and playing a five week engagement at London’s Talk of the Town.   [Read more...]

Kaddish, based on a Nobel winning novel, makes its world premiere in a tiny Baltimore space

Director Barbara Lanciers was ready to premiere Kaddish, her version of Imre Kertesz’s novel “Kaddish for an Unborn Child” at the Baltimore Theatre Project. It’s a production she’s been waiting almost a decade to bring to the stage. And for herself and actor Jacob Goodman, it’s been a labor of love. There was only one thing missing: the Hungarian Nobel Prize Laureate hadn’t given her permission to stage his text. [Read more...]

One Man, Two Guvnors

Richard Bean, prolific British playwright, has landed with a bang with this, his first export to American shores. A great success for two seasons at the National Theatre in London, a transfer to the West End, where it is now booked through the summer with a second cast, which means we get the first cast here at the Music Box, where I imagine it will remain until one or all die of exhaustion from the goings on in their wild and very funny farce.  [Read more...]

The Columnist

I was certainly alive during the reign of Joseph Alsop as a syndicated political columnist, but the truth is he and his writings never attracted me, so I approached David Auburn’s play The Columnist with little background information and no particular interest.  [Read more...]

The Best Man

The interior of the Gerald Schoenfeld Theatre on Broadway is decorated to the nines with bunting, campaign photos; hoopla music is playing over the speakers; the management wants you to know  from the get go that you will be attending the July 1960 Presidential convention in Philadelphia, and will be having a look at all the shenanigans that precede it. [Read more...]