Joss Whedon, a man whose name is synonymous with some of the most feverishly obsessed-over fantasy and science-fiction franchises of the last 20 years, is also a hardcore Shakespeare fan. In-between helming cult TV shows like “Buffy the Vampire Slayer” and blockbuster epics like “The Avengers,” the writer-director frequently hosts actor friends at his house […]
Movies arriving from overseas are the bread and butter of Filmfest DC, the annual tour of cinematic works Washingtonians would otherwise have little chance to see. The French drama “In the House,” one of the 80-plus features screening over the next ten days, is a prime example of the way this festival tries to stretch […]
Normally the Academy Award nominations are an annual opportunity for film fans to gripe about how out-of-touch the Hollywood establishment is with quality filmmaking. But something strange happened on the way to the red carpet this year: The Academy of Motion Picture Arts & Sciences actually produced a decent and diverse crop of contenders. And […]
The modern jukebox musical is here to stay. Broadway purists can either fight this continued re-appropriation of fizzy, carbonated songs and their respective eras like some kind of theatre plague, or they can embrace the Jersey Boy Within as a necessary evil of a medium that thrives on pre-stamped mass appeal. And heck, there’s always […]
The Academy Awards are almost upon us once again, and this Sunday night, the entire film industry will hold its breath while a bunch of old, white men tell us what they liked this year. Here, for the discerning theatergoer, is a stage-to-screen-to-Oscar guide to the most notable nominations (from our point of view, anyway).
Horror is a tricky genre for both stage and screen. It relies, perhaps more than any other genre, on emotion – evoking a gut-level, sometimes primal terror that makes the viewer forget, just for a moment, that they’re in a playhouse or movie theater. “The Woman in Black,” which opens today, aims to replicate the […]
One of the few concrete tidbits we learn about German dance choreographer Pina Bausch over the course of the new 3-D documentary “Pina” is that she was a woman of few words. As should rightfully be expected from someone whose preferred mode of expression is bodily motion, she was of the opinion that dance expresses […]
Glenn Close doesn’t play Albert Nobbs as a woman passing for a man – she plays the character as sexless. The straight-laced member of the waitstaff at Dublin’s Morrison Hotel keeps a tellingly low profile, lips sealed, spine arched, uttering few words, preferring the world to think of him – because Nobbs identifies as male […]