The opening night of Lisa Loomer’s Roe was the evening of January 18—a mere two days before the inauguration of a President who now unifies the federal government under a party that places its hostility to abortion rights front and center.
Imagine a Victorian parlor where music is played and shared very much as it was in a bygone era, with songs and stories ripped from the headlines and whispers of a folk legend. Now, place yourself in a darkened club, where decibels assault the ears, where an edgy band pumps out tunes for a gutsy […]
Tell me if this sounds familiar: Two people locked in a pivotal contest of ideas and ideologies, steeped in international espionage, with the fate of millions hanging in the balance. If you guessed “European physicists discussing electrons in 1941”, you’re a better student of history than I.
Monday night, Jon Fosse’s play felt like a blast of early Pinter with some hoary frost of Edward Munch thrown in for good measure. You know: a threesome locked for eternity in jealous triangulation, an alienated figure on a bridge captured in a silent scream, and even perhaps the hint of a lascivious vampire-woman hovering, her […]
Women of a Certain Age, Play Three of The Gabriels: Election Year in the Life of One Family (review)
Here we are again on Election Day 2016, a day many Americans would be loath to relive, except for the obvious.
It is September 2016 and like many Americans who slogged through an endless, brutal summer of presidential campaigning, the Gabriel family seems frayed around the edges.
Right now, “the room where it happens” happens to be the Kennedy Center Theater Lab, where Richard Nelson’s achingly prescient and intimate trilogy of plays The Gabriels pays a different sort, but equally electrifying tribute to the American ethos and spirit as the hit musical Hamilton.
Mosaic Theater Company sharpens its reputation for cutting edge theatre yet again with Charm by Philip Dawkins, now getting national attention and acclaim for spotlighting gender fluidity issues and showcasing transgender and transsexual performers.
Shakespeare once wrote “if music be the food of love, play on.” Another wordsmith, who doubled as a tunesmith, boiled that sentiment down to the even more succinctly stated “Say it with music.” And did he ever!
What can I add that has not already been said about Signature Theatre’s end of the year triumph, Titanic? My editor says the highest rating we can offer is five stars. Titanic deserves a few more.