When Adam Immerwahr was asked to make his D.C. directorial debut with The Last Schwartz as the new artistic director for Theater J, he knew the actor he wanted to cast as Gene, the youngest son in the absurd, yet thoughtful Jewish comedy. He called Billy Finn and the actor was happy to sign on board.
“Don’t be afraid to jump in and see everything.” Sage advice from Lisa Carr, this year’s Gary Lee Maker Audience Award honoree, who will receive her award at the September 28th performance of Brave Spirits’ Anthony and Cleopatra.
In 2012, Ruth P. Watson’s novel Blackberry Days of Summer became a critical darling. The story is an exciting historical whodunit, where a young black man is murdered at the beginning of the 20th Century, and even though suspects abound, no one is trying too hard to find his killer. The show was adapted into […]
Eric Tucker is the Artistic Director of Bedlam, a theatre company in New York City “committed to the immediacy of the relationship between the actor and the audience,” creating works that “reinvigorate traditional forms” of theatre. They brought their four-actor, repertory versions of Shakespeare’s Hamlet and Shaw’s Saint Joan to Olney Theatre Center in 2013. […]
When new leadership takes the reins of an arts institution, the focus tends to be on where the company is going in the future. For the new Artistic Director of The Washington Ballet, Julie Kent, however, her first season will open with a celebration of the company’s past.
The legendary, indispensable (and greatly lamented by me) Circle Theatre was a movie house famous for its double features. The program changed every two or three days. As an adolescent, I spent more hours at the Circle than I did, say, doing sports, which may explain a lot about me, but that’s another story.
When Olney Theatre Center decided to stage Frances Goodrich and Albert Hackett’s Tony-winning The Diary of Anne Frank this season, Derek Goldman seemed like the perfect choice to direct. “It’s a story that has been with me for most of my adult life,” Goldman says.
Just announced: Come From Away has secured Broadway’s Gerald Schoenfeld Theatre where it will open for previews February 18, 2017. Come From Away, a new musical at Ford’s Theatre, tells of how the small town of Gander on an isolated island in Newfoundland took in almost 7,000 stranded strangers, or “Come From Aways,” for a week […]
When Urinetown first played the New York Fringe Festival in 2001, it became one of the most buzz-worthy musicals to hit the Big Apple in years. With an outrageous original story by Greg Kottis and music by Mark Hollmann, the story details a city in the midst of a dire water shortage and an all-powerful […]
Landless Theatre Company is developing its second Metal musical: the Broadway musical The Mystery of Edwin Drood. Sondheim’s Sweeney Todd was the first. Melissa Baughman, resident director and Associate Producing Director for Landless, is the woman behind Landless’ Metal Theatre projects.