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	<title>DC Theatre Scene&#187; american century</title>
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	<description>Washington DC&#039;s Liveliest Theater Website</description>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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		<title>On the Waterfront</title>
		<link>http://dctheatrescene.com/2012/04/04/on-the-waterfront/</link>
		<comments>http://dctheatrescene.com/2012/04/04/on-the-waterfront/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 14:12:00 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33814</guid>
		<description><![CDATA[It&#8217;s a miracle this play exists. The Oscar-winning 1954 movie On the Waterfront,  written by Budd Schulberg and directed by Elia Kazan, has reached iconic status as a Mob violence flick about an ex-prizefighter turned labor leader. So why did Schulberg re-do his masterpiece?  In his own words (from the &#8220;Introduction&#8221; to a copy of his [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Little Murders</title>
		<link>http://dctheatrescene.com/2012/01/19/little-murders/</link>
		<comments>http://dctheatrescene.com/2012/01/19/little-murders/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 15:55:12 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31807</guid>
		<description><![CDATA[Arlington’s provocative American Century Theater opened its latest intriguing blast from the American past last weekend at Gunston Theater II. On tap this time: Jules Feiffer’s 1967 bizarrely witty comedy-drama Little Murders. Set amidst the time of the decline and fall of America’s largest city, not to mention the Vietnam War, the Great Society, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Country Girl</title>
		<link>http://dctheatrescene.com/2011/09/12/the-country-girl/</link>
		<comments>http://dctheatrescene.com/2011/09/12/the-country-girl/#comments</comments>
		<pubDate>Mon, 12 Sep 2011 15:21:16 +0000</pubDate>
		<dc:creator>Larry Bangs</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28673</guid>
		<description><![CDATA[In the very first scene of Clifford Odets’ The Country Girl, Frank Elgin (Brian Crane), is auditioning for a play. In the course of improvising a character, he says: “I have to like him or I can’t get inside him.” This single line of dialogue turns out to be a harbinger for all that follows. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visit to a Small Planet</title>
		<link>http://dctheatrescene.com/2011/07/12/visit-to-a-small-planet/</link>
		<comments>http://dctheatrescene.com/2011/07/12/visit-to-a-small-planet/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 20:16:51 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27130</guid>
		<description><![CDATA[In Gore Vidal’s rarely mounted sci-fi, political satire, well-timed pyrotechnics have to run as smoothly as last week’s shuttle launch, and actors must have rapid-fire, elegant delivery. The American Century Theater skillfully rises to the challenge with an uplifting show that’s refreshing and fun, even in its darker moments. (l-r) John Tweel as General Tom [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Stage Door</title>
		<link>http://dctheatrescene.com/2011/04/14/stage-door/</link>
		<comments>http://dctheatrescene.com/2011/04/14/stage-door/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 12:58:35 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24565</guid>
		<description><![CDATA[The American Century Theater’s (TACT’s) current production of Stage Door at Arlington’s Gunston Theatre Two is a bit of a mess. Or at least it was last Saturday evening. That said, it’s frequently interesting, often amusing, and—albeit quite briefly—surprisingly sad. But the stage chaos that’s kicked in motion by the sheer size of this play’s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Beyond the Horizon</title>
		<link>http://dctheatrescene.com/2011/01/19/beyond-the-horizon/</link>
		<comments>http://dctheatrescene.com/2011/01/19/beyond-the-horizon/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 14:24:12 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22172</guid>
		<description><![CDATA[Even the genius Eugene O’Neill, the only American playwright to be awarded the Nobel Prize for Literature, had a learning curve. And Director Kathleen Akerley, who has the courage to think outside the box and take humongous risks, tackles his great but flawed, three-act play. For this story about a love-triangle between two brothers who [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Esther Covington on playing Fanny Brice</title>
		<link>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/</link>
		<comments>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/#comments</comments>
		<pubDate>Fri, 12 Nov 2010 19:23:00 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20859</guid>
		<description><![CDATA[She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#8217;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audiences. I asked Esther Covington to talk about preparing for and performing the role [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/12/esther-covington-on-playing-fanny-brice/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.americancentury.org/podcasts/TACT_FANNYBRICE.mp3" length="18134845" type="audio/mpeg" />
			<itunes:keywords>american century</itunes:keywords>
	<itunes:subtitle>She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#039;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audienc...</itunes:subtitle>
		<itunes:summary>She’s on the stage for two hours – singing many of Fanny Brice’s best-known songs while tap dancing, twirling, telling funny jokes,  relating Fanny&#039;s personal life and career highs and lows, while  ‘Baby Snooking’ her way into the hearts of the audiences. I asked Esther Covington to talk about preparing for and performing the role of the legendary comedienne in The American Century Theater’s production of One Night With Fanny Brice.



Esther: The premise of the show is that Fanny Brice has returned from the dead (not like a zombie… although that would be kind of cool) for this one night to this particular stage to share with the audience the events from her life that shaped her earthly existence, complete with songs that she loved and performed when she was alive. The script doesn’t provide a reason why this particular phenomenon happens, which is one of the challenges of the script. Why is Fanny here on this stage on this night? I believe that Fanny has returned as a tribute to her children, grandchildren, etc. and to share one last night with the people who meant the most to her and never hurt her. Regardless of the reason, the show is two-acts of Fanny recounting actual events from her life.

Joel: Who was Fanny Brice?

Esther: Fanny Brice was the most famous and highest paid female comedian in America in the early Twentieth Century. Made famous by Barbara Streisand’s portrayal of her in the musical Funny Girl, Fanny Brice was the forerunner and inspiration for women like Carol Burnett, Lucille Ball, and Carol Channing. She performed in Burlesque, on Broadway (most notably the Ziegfeld Follies), in movies, and for more than 12 years on the radio as the character ‘Baby Snooks.’ In addition to her successful career as an actress, singer, and comedian, she was also well known for her 15-year tumultuous relationship with crook and con man Nick Arnstein. She was also a devoted and loving mother of two children. Fanny Brice died in 1951 at age 59 of a cerebral hemorrhage.

Joel: Why did you want to play Fanny Brice?

Esther: Honestly, the desire to play Fanny Brice was initially no different than my desire to play any character. I find that each role I play helps me further develop my skills as an actress so I’m always thrilled to be cast in any role.  As I learned about Fanny Brice, the excitement and apprehension grew exponentially. I mean, she was the funniest woman in America, which is a wonderful opportunity to improve my comedy chops and to be given a great deal of artistic license to just play and have fun with the role.  Yet there is also the huge challenge of playing a factual person, especially a fairly contemporary one, because there are many people who remember her, saw her perform, and knew her and I wanted to make sure I preserved the integrity of who she was, even without my personal knowledge of her.

Joel: How do you relate to Fanny?

Esther: I do find that I certainly relate to Fanny Brice, particularly when it comes to my own desires and insecurities. She was never considered beautiful, yet she has a very unique look and is a very pretty woman. I’ve heard similar things my whole life. She hated her nose (so much that she had rhinoplasty late in her career) and I’ve never been too fond of mine (no rhinoplasty for me though… yet). She had three siblings and was the second daughter, which is the same in my family. She adored her father and was always able to see only the good in him, despite some huge personal flaws, which I can definitely relate to in my own life. She was never afraid to take risks and was never too proud to take any role offered her. And she worked so stinkin’ hard her entire career. She never became complacent or assumed that fame would always be hers.  Up until the day she died, she was working.

I definitely echo her work ethic. She was a devoted friend, wife, and mother, almost to a fault. Her marriages didn’t last,</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>One Night with Fanny Brice</title>
		<link>http://dctheatrescene.com/2010/11/11/one-night-with-fanny-brice/</link>
		<comments>http://dctheatrescene.com/2010/11/11/one-night-with-fanny-brice/#comments</comments>
		<pubDate>Thu, 11 Nov 2010 12:04:00 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20822</guid>
		<description><![CDATA[The life and loves of Fanny Brice come alive in this stellar performance by Esther Covington who carries the show with charisma and charm, accompanied by talented musical director Tom Fuller.  This American Century Theater production captures the high and low notes of this icon who set the tone for modern screwball comedy.  As noted [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/11/one-night-with-fanny-brice/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Tenth Man</title>
		<link>http://dctheatrescene.com/2010/09/21/the-tenth-man/</link>
		<comments>http://dctheatrescene.com/2010/09/21/the-tenth-man/#comments</comments>
		<pubDate>Tue, 21 Sep 2010 14:30:59 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19557</guid>
		<description><![CDATA[The Tenth Man is considered a curiosity in the catalog of the great writer Paddy Chayefsky, lacking the gritty realism of his famous early teleplays such as the classic &#8220;Marty&#8221; (later an award-winning film) or the sharp satiric edge of his later screenplays such as &#8220;Network&#8221; and &#8220;The Hospital&#8221;.  This dramatic-mystical-comedic-romantic-fable about the exorcism of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/21/the-tenth-man/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Serenading Louie</title>
		<link>http://dctheatrescene.com/2010/07/28/serenading-louie/</link>
		<comments>http://dctheatrescene.com/2010/07/28/serenading-louie/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 08:53:33 +0000</pubDate>
		<dc:creator>McCall Noelle Doyle</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=18435</guid>
		<description><![CDATA[Two attractive couples, conversation, alcohol, deep-seated unhappiness and betrayal abounding … nope, it isn’t Who’s Afraid of Virginia Wolf? It’s Serenading Louie, being presented with quiet style at The American Century Theater.  The sniping here is less vicious, the tension thick without the muffle…but there’s still a lot of Albee seen in playwright Lanford Wilson’s [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/07/28/serenading-louie/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Treadwell: Bright and Dark</title>
		<link>http://dctheatrescene.com/2010/06/01/treadwell-bright-and-dark/</link>
		<comments>http://dctheatrescene.com/2010/06/01/treadwell-bright-and-dark/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 20:45:12 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=16463</guid>
		<description><![CDATA[In a word, Treadwell: Bright and Dark, now in its world-premiere run at Arlington’s Theatre on the Run, is dull, dull, dull. Actually, that’s three words. But you get the picture. Directed by Stephen Jarrett and starring Melissa Flaim in the title role, this brand new, not-ready-for-prime-time one-woman show was penned by Allison Currin and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/06/01/treadwell-bright-and-dark/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Will Success Spoil Rock Hunter?</title>
		<link>http://dctheatrescene.com/2010/01/19/will-success-spoil-rock-hunter-2/</link>
		<comments>http://dctheatrescene.com/2010/01/19/will-success-spoil-rock-hunter-2/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 04:36:34 +0000</pubDate>
		<dc:creator>McCall Noelle Doyle</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12122</guid>
		<description><![CDATA[George Axelrod's deal-with-the-devil comedy Will Success Spoil Rock Hunter? is your ticket to a lighthearted evening of laughter, delightful costumes, and a wealth of talent.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/01/19/will-success-spoil-rock-hunter-2/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>A Piece of My Heart</title>
		<link>http://dctheatrescene.com/2009/09/18/a-piece-of-my-heart-2/</link>
		<comments>http://dctheatrescene.com/2009/09/18/a-piece-of-my-heart-2/#comments</comments>
		<pubDate>Fri, 18 Sep 2009 12:27:06 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=9551</guid>
		<description><![CDATA[There was a time when  A Piece of My Heart was one of only a few collections of women’s experiences in the Vietnam War. Playwright Shirley Lauro&#8217;s portrayal of women and their stories goes behind the scenes and shares the thoughts, feelings and emotions from the vantage point of women in service. An ensemble of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/09/18/a-piece-of-my-heart-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Seascape</title>
		<link>http://dctheatrescene.com/2009/08/02/seascape-2/</link>
		<comments>http://dctheatrescene.com/2009/08/02/seascape-2/#comments</comments>
		<pubDate>Sun, 02 Aug 2009 18:58:16 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=8714</guid>
		<description><![CDATA[The thought that an Edward Albeean couple – George and Martha, if they had been mellow and sober – would, on a summer’s afternoon spent on the beach, meet up with two enormous lizard-like sea creatures who would also be a bickering husband-and-wife team pondering the meaning of their lives is so whimsical that it’s [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/08/02/seascape-2/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Native Son</title>
		<link>http://dctheatrescene.com/2009/04/23/native-son-2/</link>
		<comments>http://dctheatrescene.com/2009/04/23/native-son-2/#comments</comments>
		<pubDate>Thu, 23 Apr 2009 15:39:59 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5966</guid>
		<description><![CDATA[It&#8217;s a sad commentary that some of the same basic societal ills depicted in this 1941 stage adaptation of Richard Wright&#8217;s &#8220;Native  Son&#8221; are as relevant today as they were then, which makes this eagerly awaited production more important than ever.  Mired in so much controversy over the years that companies wouldn&#8217;t touch it, the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/04/23/native-son-2/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>An American Century Christmas</title>
		<link>http://dctheatrescene.com/2008/12/17/an-american-century-christmas/</link>
		<comments>http://dctheatrescene.com/2008/12/17/an-american-century-christmas/#comments</comments>
		<pubDate>Wed, 17 Dec 2008 11:08:23 +0000</pubDate>
		<dc:creator>Ted Ying</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3262</guid>
		<description><![CDATA[An American Century Christmas Conceived and compiled by Jack Marshall, Thomas D. Fuller and Kathryn Fuller Directed by Jack Marshall Produced by American Century Theater Reviewed by Ted Ying There was a time when the televised Christmas specials were amongst the most anticipated parts of the season. Anyone over the age of 10 probably remembers [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/17/an-american-century-christmas/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Life with Father</title>
		<link>http://dctheatrescene.com/2008/12/09/life-with-father/</link>
		<comments>http://dctheatrescene.com/2008/12/09/life-with-father/#comments</comments>
		<pubDate>Tue, 09 Dec 2008 19:24:00 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3050</guid>
		<description><![CDATA[Life with Father Written by Howard Lindsay &#38; Russel Crouse Directed by Rip Claassen Produced by American Century Theater Reviewed by Debbie Minter Jackson Think nostalgic, archetypical family structure with father firmly ensconced as lord of the manor, early American style, exquisite furnishings, resplendent couture, a phalanx of maids each duty-bound and hell-bent on pleasing [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/09/life-with-father/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Passion for Justice</title>
		<link>http://dctheatrescene.com/2008/10/03/a-passion-for-justice/</link>
		<comments>http://dctheatrescene.com/2008/10/03/a-passion-for-justice/#comments</comments>
		<pubDate>Fri, 03 Oct 2008 20:42:27 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2194</guid>
		<description><![CDATA[A Passion for Justice:  The Clarence Darrow Story by Jack Marshall and Paul Morella directed by Jack Marshall  produced by The American Century Theater &#38; Clarence Darrow Productions reviewed by Steven McKnight There&#8217;s an old saying that the secret to success for a trial lawyer is sincerity &#8211; if you can fake that, the rest is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/10/03/a-passion-for-justice/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Dr. Cook&#8217;s Garden</title>
		<link>http://dctheatrescene.com/2008/09/13/dr-cooks-garden/</link>
		<comments>http://dctheatrescene.com/2008/09/13/dr-cooks-garden/#comments</comments>
		<pubDate>Sat, 13 Sep 2008 18:18:52 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1996</guid>
		<description><![CDATA[Dr. Cook&#8217;s Garden  written by Ira Levin directed by Ellen Dempsey produced by The American Century Theater reviewed by Debbie Minter Jackson Dr. Cook&#8217;s Garden is a wickedly good time.  In a quaint little homespun Vermont town, a treasured family doctor reveals just how much he loves his perfect little town and how far he [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Titans</title>
		<link>http://dctheatrescene.com/2008/07/22/the-titans/</link>
		<comments>http://dctheatrescene.com/2008/07/22/the-titans/#comments</comments>
		<pubDate>Tue, 22 Jul 2008 13:46:38 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1789</guid>
		<description><![CDATA[The Titans by Robert McElwaine                        Directed by Jack Marshall Produced by The American Century Theater Reviewed by Rosalind Lacy Realizing we are eavesdropping on authentic conversations from the Oval Office and the Kremlin in The Titans keeps you on the brink of your seat. History is told by the winners. But who lives to tell it [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Eccentricities of a Nightingale</title>
		<link>http://dctheatrescene.com/2008/04/19/eccentricities-of-a-nightingale/</link>
		<comments>http://dctheatrescene.com/2008/04/19/eccentricities-of-a-nightingale/#comments</comments>
		<pubDate>Sat, 19 Apr 2008 18:15:59 +0000</pubDate>
		<dc:creator>Gary Lee Maker</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/04/19/eccentricities-of-a-nightingale/</guid>
		<description><![CDATA[It is 1915, and there&#8217;s a nightingale in Glorious Hill, Mississippi whose wings aren&#8217;t working right, and her name is Alma Winemiller (Vanessa Bradchulis). Alma is a woman of a certain age &#8211; fans of Tennessee Williams will know exactly what I mean by this &#8211; whose dreams are slowly becoming deflated. Part of it [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/04/19/eccentricities-of-a-nightingale/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
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		<title>Happy Birthday Wanda June</title>
		<link>http://dctheatrescene.com/2008/03/13/happy-birthday-wanda-june/</link>
		<comments>http://dctheatrescene.com/2008/03/13/happy-birthday-wanda-june/#comments</comments>
		<pubDate>Thu, 13 Mar 2008 13:29:23 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/03/13/happy-birthday-wanda-june/</guid>
		<description><![CDATA[Happy Birthday Wanda June            Written by Kurt Vonnegut Directed by Ellen Dempsey Produced by American Century Theater Reviewed by Debbie Minter Jackson Who knew that Kurt Vonnegut had enough drama up the same sleeve that created such a seminal work as Slaughterhouse Five, to create a funny and poignant play?  Or that the issues raised [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/03/13/happy-birthday-wanda-june/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cops</title>
		<link>http://dctheatrescene.com/2008/01/07/cops/</link>
		<comments>http://dctheatrescene.com/2008/01/07/cops/#comments</comments>
		<pubDate>Mon, 07 Jan 2008 23:35:43 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/01/07/cops/</guid>
		<description><![CDATA[Cops By Terry Curtis Fox Directed by Stephen Jarrett Presented by American Century Theater Reviewed by Steven McKnight News flash!  Police officers can be complicated, flawed, and even corrupt human beings at times.  While that revelation may not strike you as particularly compelling or controversial, it had more force in 1976 when Cops, the new [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/01/07/cops/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Ah Wilderness</title>
		<link>http://dctheatrescene.com/2007/09/19/ah-wilderness/</link>
		<comments>http://dctheatrescene.com/2007/09/19/ah-wilderness/#comments</comments>
		<pubDate>Wed, 19 Sep 2007 12:50:23 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/09/19/ah-wilderness/</guid>
		<description><![CDATA[Ah, Wilderness! By Eugene O&#8217;Neill Produced by American Century Theatre Reviewed by Debbie Minter Jackson Eugene O&#8217;Neill&#8217;s Ah, Wilderness! shows a light, playful side of the playwright that we probably otherwise wouldn&#8217;t know was there.  Yes, there are undertones and hints of the themes that possess his dark and long days&#8217; journeys &#8212; references to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/09/19/ah-wilderness/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hellzapoppin</title>
		<link>http://dctheatrescene.com/2007/07/16/hellzapoppin/</link>
		<comments>http://dctheatrescene.com/2007/07/16/hellzapoppin/#comments</comments>
		<pubDate>Mon, 16 Jul 2007 11:50:26 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/07/16/hellzapoppin/</guid>
		<description><![CDATA[Directed by Jack Marshall Produced by American Century Theater Reviewed by Rosalind Lacy The American Century Theater&#8217;s Hellzapoppin is not ready to pop. Too many cooks in the kitchen, ingredients thrown in from all over the place, the show needs more cooking time. Yet we come back after Intermission. Why? Because in spite of its [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/07/16/hellzapoppin/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>That Championship Season</title>
		<link>http://dctheatrescene.com/2007/04/09/that-championship-season/</link>
		<comments>http://dctheatrescene.com/2007/04/09/that-championship-season/#comments</comments>
		<pubDate>Mon, 09 Apr 2007 18:39:35 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/04/09/that-championship-season/</guid>
		<description><![CDATA[By Jason Miller Produced by American Century Theater Reviewed by Janice Cane (l to r) Elliott Moffitt and Morgan J. Hall (Photo: Jeffrey Bell) That Championship Season is the theatrical manifestation of mediocrity, one of the key themes of this story about a high school basketball team reunion. Clocking in at nearly two and a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/04/09/that-championship-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Drama Under the Influence</title>
		<link>http://dctheatrescene.com/2007/02/27/drama-under-the-influence/</link>
		<comments>http://dctheatrescene.com/2007/02/27/drama-under-the-influence/#comments</comments>
		<pubDate>Tue, 27 Feb 2007 13:43:42 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/27/drama-under-the-influence/</guid>
		<description><![CDATA[Produced by American Century Theater Submitted by Debbie Minter Jackson &#160;Mary McGowan (left) and Jennifer Robison (right)&#160;&#160; Photo: Jeffrey Bell &#160; The American Century Theater&#8217;s Drama Under the Influence at the Gunston Theater in Arlington (TACT) is a clever compilation of short plays by early 20th Century female playwrights.&#160;&#160; Once again, TACT has shown that [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/02/27/drama-under-the-influence/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>MacBird</title>
		<link>http://dctheatrescene.com/2006/09/12/macbird/</link>
		<comments>http://dctheatrescene.com/2006/09/12/macbird/#comments</comments>
		<pubDate>Wed, 13 Sep 2006 00:18:24 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/09/12/macbird/</guid>
		<description><![CDATA[Is this a dagger which I see before me?  MacBird, by Barbara Garson,  Performed by the American Century Theater Reviewed by Tim Treanor MacBird is agitprop. It cannot be usefully reviewed as though it was a piece of conventional theater, since its objectives are different. Moreover, in keeping with the American Century Theater&#8217;s mission of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/09/12/macbird/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>The Autumn Garden   &#8212;     The American Century Theater</title>
		<link>http://dctheatrescene.com/2006/03/19/jorgensen-and-high-bring-life-to-garden/</link>
		<comments>http://dctheatrescene.com/2006/03/19/jorgensen-and-high-bring-life-to-garden/#comments</comments>
		<pubDate>Mon, 20 Mar 2006 01:29:34 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/03/19/jorgensen-and-high-bring-life-to-garden/</guid>
		<description><![CDATA[By Tim Treanor The Autumn Garden by Lillian Hellmen at The American Century Theater Imagine, if you will, a roomful of morose men and women of late middle years. They are too old for optimism or other forms of self-deception, and so pass their time in reading, heavy drinking, and aiming barbed witticisms at each [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/03/19/jorgensen-and-high-bring-life-to-garden/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Spoon River Anthology</title>
		<link>http://dctheatrescene.com/2006/02/25/spoon-river-anthology/</link>
		<comments>http://dctheatrescene.com/2006/02/25/spoon-river-anthology/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 16:23:47 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/spoon-river-anthology/</guid>
		<description><![CDATA[By Ronnie Ruff . A touch of Americana based on the original collection of poems by Edgar Lee Masters, strummed folk guitar and well presented poetic dialog all make for an interesting piece of theatre in Arlington at Gunston II. The American Century Theater identifies rarely produced American plays and produces them for the enjoyment [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/02/25/spoon-river-anthology/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>It Had To Be You &#8211; ACT</title>
		<link>http://dctheatrescene.com/2005/09/08/it-had-to-be-you-act/</link>
		<comments>http://dctheatrescene.com/2005/09/08/it-had-to-be-you-act/#comments</comments>
		<pubDate>Fri, 09 Sep 2005 02:10:38 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/24/it-had-to-be-you-act/</guid>
		<description><![CDATA[By: Walter Ruff Do you ever just want to see a good comedy, one where the laughs come easy and the characters are like people you know or wish you did? I suggest you get on the phone and buy a pair of tickets to It Had To Be You currently being staged by American [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2005/09/08/it-had-to-be-you-act/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Plays That Say Something: Giving The Emperor Jones A Chance To Speak</title>
		<link>http://dctheatrescene.com/2005/06/23/16/</link>
		<comments>http://dctheatrescene.com/2005/06/23/16/#comments</comments>
		<pubDate>Thu, 23 Jun 2005 23:51:17 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[american century]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/24/16/</guid>
		<description><![CDATA[By Noelle Wilson Eugene O’Neill’s The Emperor Jones is a play one often has to read, but rarely gets a chance to see. Many people will say that, in order to realize a play, it must ring true to the time period; it must be able to spark something in the contemporary audience. Why then [...]]]></description>
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		<slash:comments>0</slash:comments>
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