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	<title>DC Theatre Scene &#187; folger</title>
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	<link>http://dctheatrescene.com</link>
	<description>Washington DC&#039;s Liveliest Theater Website</description>
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		<copyright>2009-2010 </copyright>
		<itunes:new-feed-url>http://dctheatrescene.com/?feed=podcast</itunes:new-feed-url>
		<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
		<webMaster>lorraine@dctheatrescene.com (DC Theatre Scene)</webMaster>
		<category>posts</category>
		<ttl>1440</ttl>
		<itunes:keywords>podcasts, DC theatre, radio plays, </itunes:keywords>
		<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
		<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:category text="Arts"/>
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	<itunes:category text="Performing Arts"/>
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			<itunes:name>DC Theatre Scene</itunes:name>
			<itunes:email>lorraine@dctheatrescene.com</itunes:email>
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		<itunes:block>No</itunes:block>
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			<title>DC Theatre Scene</title>
			<link>http://dctheatrescene.com</link>
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		<item>
		<title>Orestes, A Tragic Romp</title>
		<link>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/</link>
		<comments>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 18:37:14 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12476</guid>
		<description><![CDATA[Playwright Anne Washburn, channeling Euripides, and director Aaron Posner collaborate on some of the best storytelling in Washington, aided by stunning performances from Holly Twyford, Jay Sullivan and Chris Genebach.]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Much Ado About Nothing</title>
		<link>http://dctheatrescene.com/2009/10/29/much-ado-about-nothing-2/</link>
		<comments>http://dctheatrescene.com/2009/10/29/much-ado-about-nothing-2/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 15:52:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10474</guid>
		<description><![CDATA[Much Ado About Nothing is Shakespeare’s best comedy, if we properly understand The Merchant of Venice to be a tragedy and A Midsummer Night’s Dream to be a freakin’ miracle. It is full of breathtaking wit; its characters are ripe and full and deep; and the second chances it arranges for its foolish men and [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Arcadia</title>
		<link>http://dctheatrescene.com/2009/05/13/arcadia-2/</link>
		<comments>http://dctheatrescene.com/2009/05/13/arcadia-2/#comments</comments>
		<pubDate>Wed, 13 May 2009 16:40:50 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6323</guid>
		<description><![CDATA[Tom Stoppard&#8217;s Arcadia is a moveable feast for the eyes, ears, heart and mind.  The time period shifts between 1809 and modern day, characters express their philosophical meanderings at the slightest provocation, scientific relativity and mathematical theories abound, the text explores landscaping design of the English garden, and there&#8217;s even ruminations about carnal embrace. But [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Lynn Redgrave will perform her solo show</title>
		<link>http://dctheatrescene.com/2009/04/06/lynn-redgrave-will-perform-her-solo-show/</link>
		<comments>http://dctheatrescene.com/2009/04/06/lynn-redgrave-will-perform-her-solo-show/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 13:10:13 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[News and Views]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5514</guid>
		<description><![CDATA[Despite the terrible recent loss of her niece Natasha Richardson, Lynn Redgrave will be on the Folger Theatre stage performing her solo show Rachel and Juliet: An Evening with Lynn Redgrave for 5 performances  April 10th thru 12th. &#8220;Natasha would have been appalled if I didn&#8217;t do this.&#8221; she explained to Washington Post&#8217;s Peter Marks.  [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Winter&#8217;s Tale</title>
		<link>http://dctheatrescene.com/2009/02/02/the-winters-tale/</link>
		<comments>http://dctheatrescene.com/2009/02/02/the-winters-tale/#comments</comments>
		<pubDate>Mon, 02 Feb 2009 21:57:29 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3823</guid>
		<description><![CDATA[The Winter&#8217;s Tale
By William Shakespeare
Directed by Blake Robison
Produced by Folger Theatre
Reviewed by Tim Treanor
Can Blake Robison, with imaginative staging and a vigorous and powerful cast, breathe sweetness and life into this tired old warhorse of a play? Hah! You might as well ask whether Mike Tomlin can use the old-school virtues of a fierce defense [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Henry IV, Part 1</title>
		<link>http://dctheatrescene.com/2008/10/20/henry-iv-part-1/</link>
		<comments>http://dctheatrescene.com/2008/10/20/henry-iv-part-1/#comments</comments>
		<pubDate>Mon, 20 Oct 2008 12:34:51 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2402</guid>
		<description><![CDATA[Henry IV, Part 1
by William Shakespeare
directed by Paul Mason Barnes
produced by Folger Theatre
reviewed by Tim Treanor
Oh, what a wonderful story this is, the apparently fictional but well believed and beloved account of England&#8217;s greatest King, when he was but a drunken sot, the scourge and embarrassment of his father. And what a magnificently powerful job [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The School for Scandal</title>
		<link>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</link>
		<comments>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/#comments</comments>
		<pubDate>Fri, 16 May 2008 11:54:54 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</guid>
		<description><![CDATA[


The School for Scandal


by Richard Brinsley Sheridan


Directed by Richard Clifford


Produced by Folger Theatre


Reviewed by Leslie Weisman


The Folger&#8217;s done it again: taken a classic from an earlier era and turned it into a contemporary cautionary tale of a situation so in-the-moment as to have been heralded, just four days into its run, by a Washington Post [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Macbeth</title>
		<link>http://dctheatrescene.com/2008/03/03/macbeth-3/</link>
		<comments>http://dctheatrescene.com/2008/03/03/macbeth-3/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 21:02:54 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/03/03/macbeth-3/</guid>
		<description><![CDATA[

Macbeth
By William Shakespeare
Directed &#38; conceived by Teller and Aaron Posner
Produced by Folger Theatre
Reviewed by Steven McKnight

In the spirit of an advertising campaign that once claimed “this is not your father’s Oldsmobile,” Folger Theatre’s new production is not your English teacher’s Macbeth (and you should be glad of it!).  This dark, violent thrill-ride of a production [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Second Shepherds Play</title>
		<link>http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/</link>
		<comments>http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/#comments</comments>
		<pubDate>Fri, 14 Dec 2007 20:13:31 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/</guid>
		<description><![CDATA[


The Second Shepherd&#8217;s Play


By an Unknown Author


Directed and Adapted by Mary Hall Surface


Produced by Folger Consort


Reviewed by Tim Treanor


The key to understanding The Second Shepherd&#8217;s Play is to realize that the customary penalty for stealing a sheep is death. It seems somewhat counterintuitive to we who can buy a nice package of lamb chops for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>As You Like It</title>
		<link>http://dctheatrescene.com/2007/10/27/as-you-like-it/</link>
		<comments>http://dctheatrescene.com/2007/10/27/as-you-like-it/#comments</comments>
		<pubDate>Sat, 27 Oct 2007 15:53:39 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/27/as-you-like-it/</guid>
		<description><![CDATA[


As You Like It


By William Shakespeare


Directed by Derek Goldman


Produced by Folger Theatre


Reviewed by Tim Treanor


As You Like It is kind of a crazy play, and the Folger Theatre&#8217;s pleasant production of it does not add to coherence.   In a nutshell:  Orlando (Noel Vélez), youngest son of the late Roland du Bois, goes to the house [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Tempest</title>
		<link>http://dctheatrescene.com/2007/05/15/the-tempest-2/</link>
		<comments>http://dctheatrescene.com/2007/05/15/the-tempest-2/#comments</comments>
		<pubDate>Tue, 15 May 2007 19:40:19 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/05/15/the-tempest-2/</guid>
		<description><![CDATA[By William Shakespeare
Produced by Folger Shakespeare Theatre
Reviewed by Tim Treanor
Aaron Posner is one of the best directors at work in Washington. He is an unparalleled interpreter of Shakespeare who justly won two Helen Hayes Awards in three years for his direction of Shakespeare plays.  This time around, he has made a decision so wrongheaded that [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/05/15/the-tempest-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>King Lear</title>
		<link>http://dctheatrescene.com/2007/01/18/king-lear/</link>
		<comments>http://dctheatrescene.com/2007/01/18/king-lear/#comments</comments>
		<pubDate>Thu, 18 Jan 2007 20:20:54 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/01/18/king-lear/</guid>
		<description><![CDATA[
King Lear by William Shakespeare
Co-Produced by the Folger Theatre and the Classical Theatre of Harlem
Reviewed by Tim Treanor

Shakespeare Theatre Artistic Director Michael Kahn has called Shakespeare &#34;a playwright for our town&#34; and in no play is it more evident than in King Lear.&#160; In Lear, power is acquired through lies and flattery, maintained through blood [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Midsummer Nights Dream</title>
		<link>http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/</link>
		<comments>http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/#comments</comments>
		<pubDate>Wed, 01 Nov 2006 22:44:35 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/</guid>
		<description><![CDATA[
by William Shakespeare
Produced by Folger Theatre
Reviewed by Tim Treanor
Let&#8217;s take a look at the record &#8211; or, more specifically, the program.
 &#8221;I can&#8217;t say for sure when I first imagined setting A Midsummer Night&#8217;s Dream during the 1930s,&#8221; Joe Banno says in his amusing and cogent Director&#8217;s notes.  &#8220;It might have been while watching an especially [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Measure for Measure at the Folger Theatre</title>
		<link>http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/</link>
		<comments>http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 16:45:55 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/</guid>
		<description><![CDATA[by Juliet Moser

A high backed chair, all straight lines and black, beetle-shiny surface, is topped with a blood-red cushion. Standing at attention center stage and highlighted by a single overhead light, the chair solemnly greets patrons of the Folger Theatre. Thick black columns etched with arching whorls frame the stage. The title of Folger’s latest [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Much Ado At The Folger</title>
		<link>http://dctheatrescene.com/2006/02/25/54/</link>
		<comments>http://dctheatrescene.com/2006/02/25/54/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 15:14:58 +0000</pubDate>
		<dc:creator>lorraine treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/54/</guid>
		<description><![CDATA[By: Luke Edward

Much Ado About Nothing Nick Hutchison of Folger Shakespeare Library got it right. &#8220;[There is] a misconception that Beatrice and Benedick&#8230; meet wittily, argue wittily, fall in love wittily, and married wittily at the end. Such parity is not what Shakespeare presents on the stage.&#8221; In a Folger&#8217;s presentation of Much Ado About [...]]]></description>
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		<slash:comments>0</slash:comments>
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