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	<title>DC Theatre Scene&#187; folger</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
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		<title>DC Theatre Scene&#187; folger</title>
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		<title>The Taming of the Shrew</title>
		<link>http://dctheatrescene.com/2012/05/08/the-taming-of-the-shrew-2/</link>
		<comments>http://dctheatrescene.com/2012/05/08/the-taming-of-the-shrew-2/#comments</comments>
		<pubDate>Tue, 08 May 2012 12:14:25 +0000</pubDate>
		<dc:creator>Susan Galbraith</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34911</guid>
		<description><![CDATA[Who says you can’t make The Shrew work? I did.  And I’ll eat my hat. The last time I had seen a truly stunning production of The Taming of the Shrew was in New York’s Central Park, a Joe Papp production, with Meryl Streep and Raul Julia in the leads. Theirs was a true match. And [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Gaming Table</title>
		<link>http://dctheatrescene.com/2012/02/02/the-gaming-table/</link>
		<comments>http://dctheatrescene.com/2012/02/02/the-gaming-table/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:28:20 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32197</guid>
		<description><![CDATA[In a new prologue written by David Grimm for Susanna Centlivre’s The Gaming Table, Tonya Beckman Ross promises verbal virtuosity and laughs.  It is a promise that is kept in spades by Folger Theatre’s sparkling and witty production of this Restoration era comedy.  (l-r) Katie deBuys, Michael Milligan, Tonya Beckman Ross, and Robbie Gay (Photo: [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Othello</title>
		<link>http://dctheatrescene.com/2011/10/26/othello-3/</link>
		<comments>http://dctheatrescene.com/2011/10/26/othello-3/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 16:22:03 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30015</guid>
		<description><![CDATA[With earsplitting audio effects rivaling those of the latest Michael Bay films movie sequel “Transformers”  , the Folger Theatre’s new production of William Shakespeare’s Othello is geared toward attracting a new generation to the brilliance of the Bard. And it just may succeed. Owiso Odera as Othello and Ian Merrill Peakes as Iago (Photo: Carol Pratt) [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Amadeus the latest of 4 Spring shows to add performances</title>
		<link>http://dctheatrescene.com/2011/05/27/amadeus-the-latest-extension/</link>
		<comments>http://dctheatrescene.com/2011/05/27/amadeus-the-latest-extension/#comments</comments>
		<pubDate>Fri, 27 May 2011 12:17:54 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[folger]]></category>
		<category><![CDATA[metrostage]]></category>
		<category><![CDATA[olney]]></category>
		<category><![CDATA[round house]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25651</guid>
		<description><![CDATA[Critics and audiences alike are declaring Edward Gero and Sasha Olinick  a triumph in Amadeus at Round House Theatre, which just added three performances, now closing June 12th. Washington loves all things Stoppard, as the MetroStage production of The Real Inspector Hound is proving. With strong ensemble acting, the hysterical locked room mystery has been [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Cyrano</title>
		<link>http://dctheatrescene.com/2011/05/04/cyrano/</link>
		<comments>http://dctheatrescene.com/2011/05/04/cyrano/#comments</comments>
		<pubDate>Wed, 04 May 2011 15:50:44 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25072</guid>
		<description><![CDATA[Cyrano is one of the great male leading roles.  Yet the dominant character in the Folger Theatre production of Edmond Rostand&#8217;s classic tragic swashbuckler is not Cyrano De Bergerac, but the world premiere adaptation itself, translated by Michael Hollinger (Opus, Red Herring) and co-adapted by Hollinger and director Aaron Posner.  This version of Cyrano de Bergerac [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Comedy of Errors</title>
		<link>http://dctheatrescene.com/2011/02/02/the-comedy-of-errors/</link>
		<comments>http://dctheatrescene.com/2011/02/02/the-comedy-of-errors/#comments</comments>
		<pubDate>Wed, 02 Feb 2011 18:33:55 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22430</guid>
		<description><![CDATA[Dial the Wayback Machine to the year 2004. The Folger Theatre is mounting Shakespeare’s The Comedy of Errors, directed and re-imagined by veteran DC director Joe Banno. He’s transported it to an Italian neighborhood in New York City loaded with tricksters and Mafiosi, all speaking in dialect. It’s a laff-riot funny, a production for all [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Henry VIII</title>
		<link>http://dctheatrescene.com/2010/10/20/henry-viii/</link>
		<comments>http://dctheatrescene.com/2010/10/20/henry-viii/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 12:54:33 +0000</pubDate>
		<dc:creator>Hunter Styles</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20271</guid>
		<description><![CDATA[No heads will roll at the Folger this month. Ian Merrill Peakes strikes a brooding tone on the promotional art for Henry VIII, with an unbuttoned tunic and a smoldering stare to rival the one summoned by Jonathan Rhys Meyers. But unlike that actor’s fiery exploits on Showtime’s drama &#8220;The Tudors&#8221;, Peakes must act his [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Hamlet</title>
		<link>http://dctheatrescene.com/2010/04/29/hamlet-4/</link>
		<comments>http://dctheatrescene.com/2010/04/29/hamlet-4/#comments</comments>
		<pubDate>Thu, 29 Apr 2010 17:42:08 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15311</guid>
		<description><![CDATA[Folger produces one of the clearest Hamlets in years, as crisp as a mountain stream.  Director Joseph Haj has reveals a new Hamlet, stripped of its mysteries.]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Orestes, A Tragic Romp</title>
		<link>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/</link>
		<comments>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 18:37:14 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12476</guid>
		<description><![CDATA[Playwright Anne Washburn, channeling Euripides, and director Aaron Posner collaborate on some of the best storytelling in Washington, aided by stunning performances from Holly Twyford, Jay Sullivan and Chris Genebach.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/04/orestes-a-tragic-romp-2/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Much Ado About Nothing</title>
		<link>http://dctheatrescene.com/2009/10/29/much-ado-about-nothing-2/</link>
		<comments>http://dctheatrescene.com/2009/10/29/much-ado-about-nothing-2/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 15:52:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10474</guid>
		<description><![CDATA[Much Ado About Nothing is Shakespeare’s best comedy, if we properly understand The Merchant of Venice to be a tragedy and A Midsummer Night’s Dream to be a freakin’ miracle. It is full of breathtaking wit; its characters are ripe and full and deep; and the second chances it arranges for its foolish men and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/10/29/much-ado-about-nothing-2/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Arcadia</title>
		<link>http://dctheatrescene.com/2009/05/13/arcadia-2/</link>
		<comments>http://dctheatrescene.com/2009/05/13/arcadia-2/#comments</comments>
		<pubDate>Wed, 13 May 2009 16:40:50 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6323</guid>
		<description><![CDATA[Tom Stoppard&#8217;s Arcadia is a moveable feast for the eyes, ears, heart and mind.  The time period shifts between 1809 and modern day, characters express their philosophical meanderings at the slightest provocation, scientific relativity and mathematical theories abound, the text explores landscaping design of the English garden, and there&#8217;s even ruminations about carnal embrace. But [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/05/13/arcadia-2/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Lynn Redgrave will perform her solo show</title>
		<link>http://dctheatrescene.com/2009/04/06/lynn-redgrave-will-perform-her-solo-show/</link>
		<comments>http://dctheatrescene.com/2009/04/06/lynn-redgrave-will-perform-her-solo-show/#comments</comments>
		<pubDate>Mon, 06 Apr 2009 13:10:13 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5514</guid>
		<description><![CDATA[Despite the terrible recent loss of her niece Natasha Richardson, Lynn Redgrave will be on the Folger Theatre stage performing her solo show Rachel and Juliet: An Evening with Lynn Redgrave for 5 performances  April 10th thru 12th. &#8220;Natasha would have been appalled if I didn&#8217;t do this.&#8221; she explained to Washington Post&#8217;s Peter Marks.  [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/04/06/lynn-redgrave-will-perform-her-solo-show/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Winter&#8217;s Tale</title>
		<link>http://dctheatrescene.com/2009/02/02/the-winters-tale/</link>
		<comments>http://dctheatrescene.com/2009/02/02/the-winters-tale/#comments</comments>
		<pubDate>Mon, 02 Feb 2009 21:57:29 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3823</guid>
		<description><![CDATA[The Winter&#8217;s Tale By William Shakespeare Directed by Blake Robison Produced by Folger Theatre Reviewed by Tim Treanor Can Blake Robison, with imaginative staging and a vigorous and powerful cast, breathe sweetness and life into this tired old warhorse of a play? Hah! You might as well ask whether Mike Tomlin can use the old-school [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/02/02/the-winters-tale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Henry IV, Part 1</title>
		<link>http://dctheatrescene.com/2008/10/20/henry-iv-part-1/</link>
		<comments>http://dctheatrescene.com/2008/10/20/henry-iv-part-1/#comments</comments>
		<pubDate>Mon, 20 Oct 2008 12:34:51 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2402</guid>
		<description><![CDATA[Henry IV, Part 1 by William Shakespeare directed by Paul Mason Barnes produced by Folger Theatre reviewed by Tim Treanor Oh, what a wonderful story this is, the apparently fictional but well believed and beloved account of England&#8217;s greatest King, when he was but a drunken sot, the scourge and embarrassment of his father. And [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/10/20/henry-iv-part-1/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The School for Scandal</title>
		<link>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</link>
		<comments>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/#comments</comments>
		<pubDate>Fri, 16 May 2008 11:54:54 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/16/the-school-for-scandal/</guid>
		<description><![CDATA[The School for Scandal by Richard Brinsley Sheridan Directed by Richard Clifford Produced by Folger Theatre Reviewed by Leslie Weisman The Folger&#8217;s done it again: taken a classic from an earlier era and turned it into a contemporary cautionary tale of a situation so in-the-moment as to have been heralded, just four days into its [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/05/16/the-school-for-scandal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Macbeth</title>
		<link>http://dctheatrescene.com/2008/03/03/macbeth-3/</link>
		<comments>http://dctheatrescene.com/2008/03/03/macbeth-3/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 21:02:54 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/03/03/macbeth-3/</guid>
		<description><![CDATA[Macbeth By William Shakespeare Directed &#38; conceived by Teller and Aaron Posner Produced by Folger Theatre Reviewed by Steven McKnight In the spirit of an advertising campaign that once claimed “this is not your father’s Oldsmobile,” Folger Theatre’s new production is not your English teacher’s Macbeth (and you should be glad of it!).  This dark, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Second Shepherds Play</title>
		<link>http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/</link>
		<comments>http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/#comments</comments>
		<pubDate>Fri, 14 Dec 2007 20:13:31 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/</guid>
		<description><![CDATA[The Second Shepherd&#8217;s Play By an Unknown Author Directed and Adapted by Mary Hall Surface Produced by Folger Consort Reviewed by Tim Treanor The key to understanding The Second Shepherd&#8217;s Play is to realize that the customary penalty for stealing a sheep is death. It seems somewhat counterintuitive to we who can buy a nice [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/12/14/the-second-shepherds-play/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>As You Like It</title>
		<link>http://dctheatrescene.com/2007/10/27/as-you-like-it/</link>
		<comments>http://dctheatrescene.com/2007/10/27/as-you-like-it/#comments</comments>
		<pubDate>Sat, 27 Oct 2007 15:53:39 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/27/as-you-like-it/</guid>
		<description><![CDATA[As You Like It By William Shakespeare Directed by Derek Goldman Produced by Folger Theatre Reviewed by Tim Treanor As You Like It is kind of a crazy play, and the Folger Theatre&#8217;s pleasant production of it does not add to coherence.   In a nutshell:  Orlando (Noel Vélez), youngest son of the late Roland du [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Tempest</title>
		<link>http://dctheatrescene.com/2007/05/15/the-tempest-2/</link>
		<comments>http://dctheatrescene.com/2007/05/15/the-tempest-2/#comments</comments>
		<pubDate>Tue, 15 May 2007 19:40:19 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/05/15/the-tempest-2/</guid>
		<description><![CDATA[By William Shakespeare Produced by Folger Shakespeare Theatre Reviewed by Tim Treanor Aaron Posner is one of the best directors at work in Washington. He is an unparalleled interpreter of Shakespeare who justly won two Helen Hayes Awards in three years for his direction of Shakespeare plays.  This time around, he has made a decision [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>King Lear</title>
		<link>http://dctheatrescene.com/2007/01/18/king-lear/</link>
		<comments>http://dctheatrescene.com/2007/01/18/king-lear/#comments</comments>
		<pubDate>Thu, 18 Jan 2007 20:20:54 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/01/18/king-lear/</guid>
		<description><![CDATA[King Lear by William Shakespeare Co-Produced by the Folger Theatre and the Classical Theatre of Harlem Reviewed by Tim Treanor Shakespeare Theatre Artistic Director Michael Kahn has called Shakespeare &#34;a playwright for our town&#34; and in no play is it more evident than in King Lear.&#160; In Lear, power is acquired through lies and flattery, [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Midsummer Nights Dream</title>
		<link>http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/</link>
		<comments>http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/#comments</comments>
		<pubDate>Wed, 01 Nov 2006 22:44:35 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/11/01/a-midsummer-nights-dream/</guid>
		<description><![CDATA[by William Shakespeare Produced by Folger Theatre Reviewed by Tim Treanor Let&#8217;s take a look at the record &#8211; or, more specifically, the program.  &#8221;I can&#8217;t say for sure when I first imagined setting A Midsummer Night&#8217;s Dream during the 1930s,&#8221; Joe Banno says in his amusing and cogent Director&#8217;s notes.  &#8220;It might have been [...]]]></description>
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		<title>Measure for Measure at the Folger Theatre</title>
		<link>http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/</link>
		<comments>http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 16:45:55 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/measure-for-measure-at-the-folger-theatre/</guid>
		<description><![CDATA[by Juliet Moser A high backed chair, all straight lines and black, beetle-shiny surface, is topped with a blood-red cushion. Standing at attention center stage and highlighted by a single overhead light, the chair solemnly greets patrons of the Folger Theatre. Thick black columns etched with arching whorls frame the stage. The title of Folger’s [...]]]></description>
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		<title>Much Ado At The Folger</title>
		<link>http://dctheatrescene.com/2006/02/25/54/</link>
		<comments>http://dctheatrescene.com/2006/02/25/54/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 15:14:58 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[folger]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/54/</guid>
		<description><![CDATA[By: Luke Edward Much Ado About Nothing Nick Hutchison of Folger Shakespeare Library got it right. &#8220;[There is] a misconception that Beatrice and Benedick&#8230; meet wittily, argue wittily, fall in love wittily, and married wittily at the end. Such parity is not what Shakespeare presents on the stage.&#8221; In a Folger&#8217;s presentation of Much Ado [...]]]></description>
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