“How are we to proceed without Theory?” asks the world’s oldest living Bolshevik (Jennifer Mendenhall),. “Only show me…the book of the next Beautiful Theory, and I promise you that these blind eyes will see again, just to read it….” [Read more...]

Those who hold that Angels in America is merely a political play – an extended skewer of the Reagan Administration – are mistaken. It is made of sturdier stuff. Two years from now, no one will stage Son of a Bush, [Read more...]

In the famous Peter Steiner cartoon, the family pooch has climbed onto a chair and is hovering over the keyboard of a computer. “On the Internet,” he explains to his canine buddy, “nobody knows you’re a dog.”

In Carlos Murillo’s dark play, nobody knows what the hell anybody else is, but they are willing to believe, [Read more...]

Marisol is reminiscent of old school, vintage dark comics, only without the Super hero.  Its darkness permeates everything, from the tattered wall hangings to the graffiti filled floor and lacerated and junk yard furnishings piled up for the set design. [Read more...]

The Last Days of Judas Iscariot
By Stephen Adly Guirgis
Directed by John Vreeke
Produced by Forum Theatre
Reviewed by Tim Treanor

The Last Days of Judas Iscariot was the winner of DCTS’s Audience Choice Award for Best Play last season, Forum Theatre’s remounting of the production has its original cast with one exception – Heather Haney now plays the role of Mother Theresa, originally played by Maggie Glauber. Here is a reprise of  our review of the original production.

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I’ve taken more time than I usually do to write this review because I wanted to be sure you understood how good this play is. I wanted to tell you in plain and direct language the nature of the thing that you have before you. [Read more...]

Drunk Enough to Say I Love You?
by Caryl Churchill
directed by John Vreeke
produced by Forum Theatre
reviewed by Tim Treanor

This is a horrible little play, alternately turgid and incomprehensible. It is a waste of a fine director and two good actors, and should you chose to go, it will be a waste of your time and money as well.

The ostensible business of the play is the relationship between two figures – Sam (Adam Jonas Segaller), who Churchill identifies as a country and who obviously represents the U.S., and Guy (Peter Stray) who Churchill says is, well, a guy, an Englishman who is seduced by the dynamic Sam into leaving his wife and children and coming to America. [Read more...]

• Marat/Sade
• by Peter Weiss
• Directed by Michael Dove
• Produced by Forum Theatre Company
• Reviewed by Rosalind Lacy

Walk through a paranoia-inducing, chain-link, floor-to-ceiling fenced cage to be seated next to a thrust stage where actors scream, writhe on the floor, stand and stare and circle a bathtub. Suddenly, one of the keepers padlocks the door behind us. We can’t get out. [Read more...]

•  The Last Days of Judas Iscariot
• By Stephen Adly Guirgis
• Directed by John Vreeke
• Produced by Forum Theatre
• Reviewed by Tim Treanor

I’ve taken more time than I usually do to write this review because I wanted to be sure you understood how good this play is. I wanted to tell you in plain and direct language the nature of the thing that you have before you.

It’s not that it’s simply good theater, with a tight dramatic arc and developments which are both outrageously funny and absolutely credible within the parameters of the story…although it is all of that. Nor is it simply that some of our best actors – Hemmingsen, McCormick, del Cerro, Jorgensen – do some of their best work ever, although they do. It is that The Last Days of Judas Iscariot is a moral act, which can bring grace to the stricken heart. It will both entertain you and make you think. It could save your life. [Read more...]