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	<title>DC Theatre Scene&#187; fringe 08</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
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		<title>DC Theatre Scene&#187; fringe 08</title>
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		<title>Fringe Wrapup</title>
		<link>http://dctheatrescene.com/2008/07/29/fringe-wrapup/</link>
		<comments>http://dctheatrescene.com/2008/07/29/fringe-wrapup/#comments</comments>
		<pubDate>Tue, 29 Jul 2008 15:10:48 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1865</guid>
		<description><![CDATA[Well, the shows are over, the Fort Fringe tents have come down, and we imagine the Fringe crew is off on a well-deserved break.  But not before they announced their Pick of the Fringe winners voted on by you, the audience. They are: Best Experimental &#8211; Crashing Home, WEERD SISTERS Best Comedy &#8211; Dr. Serenity [...]]]></description>
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		<slash:comments>16</slash:comments>
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		<item>
		<title>Fringe Scene Stealers 3</title>
		<link>http://dctheatrescene.com/2008/07/29/fringe-scene-stealers-3/</link>
		<comments>http://dctheatrescene.com/2008/07/29/fringe-scene-stealers-3/#comments</comments>
		<pubDate>Tue, 29 Jul 2008 15:02:02 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1868</guid>
		<description><![CDATA[By Joel Markowitz What a way to end my Fringe travels with two shows that, along with Dizzy Miss Lizzie&#8217;s Roadhouse Revue-The Orestia, were my favorite shows of the festival. The last two years, they were Naked  and now they went Psycho, and this year, I was crazy about the wonderful selection of songs and [...]]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>South Asian American Dance</title>
		<link>http://dctheatrescene.com/2008/07/28/south-asian-american-dance/</link>
		<comments>http://dctheatrescene.com/2008/07/28/south-asian-american-dance/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 17:51:30 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1866</guid>
		<description><![CDATA[South Asian American Dance   Reviewed by Danielle Martin  Tehreema Mitha Dance Company combined classic South Asian dance with contemporary concepts innovating both form and the notion of borders during their 3 routines presented at the Harman Center.  The first piece, according to the voiceover, was strictly classic. Three women danced in harmony to explode as an element, fire. They were backed by [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thicker than Water</title>
		<link>http://dctheatrescene.com/2008/07/28/thicker-than-water/</link>
		<comments>http://dctheatrescene.com/2008/07/28/thicker-than-water/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 11:47:42 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1858</guid>
		<description><![CDATA[Thicker than Water   Reviewed by Tim Treanor  A Fringe Festival invites artists to take risks, and undertake radically innovative techniques to remake storytelling anew. In Thicker than Water, writer-actor Annie Houston uses the riskiest, most radical, and oldest storytelling technique of all: honesty. This is a story about a mature woman &#8211; let&#8217;s call her [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gasoline Hits $10 a Gallon</title>
		<link>http://dctheatrescene.com/2008/07/28/gasoline-hits-10-a-gallon/</link>
		<comments>http://dctheatrescene.com/2008/07/28/gasoline-hits-10-a-gallon/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 11:00:34 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1859</guid>
		<description><![CDATA[eXtreme eXchange: Gasoline Hits $10 a Gallon     by Danielle Martin eXtreme eXchange&#8217;s Fringe offering Gasoline Hits $10 a Gallon took over Woolly&#8217;s mainstage yesterday in partnership with the Fringe Training Factory. The group presented 13 shorts with predetermined formats (duologue/monologue/four person 10 minute work) based upon results of a survey that asked: What issues effect you [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Songs of My Life</title>
		<link>http://dctheatrescene.com/2008/07/28/songs-of-my-life/</link>
		<comments>http://dctheatrescene.com/2008/07/28/songs-of-my-life/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 10:26:25 +0000</pubDate>
		<dc:creator>Miranda Hall</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1854</guid>
		<description><![CDATA[Songs of My Life/Going Against the Flow  Reviewed by Miranda Hall In the green-purple darkness of the 9:30 Club, languages mingle coolly above casual pre-show music. A trim woman wearing a black dress with enviable twirl potential snakes knowingly through the crowd.  As the music fades, the audience drifts to the room&#8217;s periphery as a clean [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>One for the Road</title>
		<link>http://dctheatrescene.com/2008/07/27/one-for-the-road/</link>
		<comments>http://dctheatrescene.com/2008/07/27/one-for-the-road/#comments</comments>
		<pubDate>Sun, 27 Jul 2008 18:20:55 +0000</pubDate>
		<dc:creator>Hunter Styles</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1849</guid>
		<description><![CDATA[One For The Road   Reviewed by Hunter Styles Aristotle insisted that a tragedy should evoke &#8220;pity and fear.&#8221; At its best, drama may stir a sense of humanity in those who bear witness. Something&#8217;s been lost, then, in Attic Rep&#8217;s dyspeptic staging of Harold Pinter&#8217;s One For The Road, directed by Roberto Prestigiacomo. For a violent [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/27/one-for-the-road/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>[eureka]</title>
		<link>http://dctheatrescene.com/2008/07/27/eureka/</link>
		<comments>http://dctheatrescene.com/2008/07/27/eureka/#comments</comments>
		<pubDate>Sun, 27 Jul 2008 14:57:27 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1847</guid>
		<description><![CDATA[[eureka]  Reviewed by Joel Markowitz Patrick Bussink (last seen as Jesus in Forum&#8217;s The Last Days of Judas Iscariot) fit the battle of [eureka] and the walls came tumbling down, in only 44 minutes! How do you describe the lunacy of [eureka]? Here&#8217;s the official Fringe description: &#8220;Albert is so damn frustrated he can&#8217;t even [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/27/eureka/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thousands of Years &#8211; Rome</title>
		<link>http://dctheatrescene.com/2008/07/26/thousands-of-years-rome/</link>
		<comments>http://dctheatrescene.com/2008/07/26/thousands-of-years-rome/#comments</comments>
		<pubDate>Sun, 27 Jul 2008 00:19:19 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1845</guid>
		<description><![CDATA[Thousands of Years &#8211; Rome   Reviewed by Tim Treanor  This is kind of a cute idea &#8211; first-century lovers whose bond is so powerful that it compels them to reappear again and again over the next two thousand years in the Eternal City, notwithstanding war, heartache and death. Regrettably, the writing is so lame, and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/thousands-of-years-rome/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Frustrations of Stoker Pratt</title>
		<link>http://dctheatrescene.com/2008/07/26/the-frustrations-of-stoker-pratt/</link>
		<comments>http://dctheatrescene.com/2008/07/26/the-frustrations-of-stoker-pratt/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 17:43:48 +0000</pubDate>
		<dc:creator>Miranda Hall</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1843</guid>
		<description><![CDATA[The Frustrations of Stoker Pratt   Reviewed by Miranda Hall Stoker Pratt double-dog dares you to try and out-prank him. Ignite the tool shed. Scribble mustaches in art history books. Steal a pirate hat from the history department. You cannot win &#8211; he&#8217;s done it all.   Moral structure dissolves when two lackadaisical philosophy professors trade [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/the-frustrations-of-stoker-pratt/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Diamond Dead</title>
		<link>http://dctheatrescene.com/2008/07/26/diamond-dead-2/</link>
		<comments>http://dctheatrescene.com/2008/07/26/diamond-dead-2/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 17:34:48 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1841</guid>
		<description><![CDATA[Diamond Dead   by Danielle Martin I love Zombies. I think they&#8217;re cool, and so do all the other people who stood in line to see this show with me. And it was written by the same dude who composed Rocky Horror Picture Show. I mean, c&#8217;mon, they&#8217;re un-dead and a bit ambivilant, which is sort [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/diamond-dead-2/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>We Three</title>
		<link>http://dctheatrescene.com/2008/07/26/we-three/</link>
		<comments>http://dctheatrescene.com/2008/07/26/we-three/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 15:51:19 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1839</guid>
		<description><![CDATA[We Three   Reviewed by Tim Treanor  Subtle, closely observed, full of compassion, We Three is a wonderful little play animated by some superb acting, including the best performance I have seen at this year&#8217;s Fringe. Without histrionics or contrivance, it makes us face one of the things we&#8217;d prefer not to talk about: schizophrenia, and the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/we-three/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Muscle and Mortar</title>
		<link>http://dctheatrescene.com/2008/07/26/muscle-and-mortar/</link>
		<comments>http://dctheatrescene.com/2008/07/26/muscle-and-mortar/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 15:37:50 +0000</pubDate>
		<dc:creator>Hunter Styles</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1837</guid>
		<description><![CDATA[Muscle and Mortar:    Animating Architecture Reviewed by Hunter Styles The massive atrium of the National Building Museum is deserted as audience members step inside. Echoes bounce to the far walls across an expansive carpeted floor, bare except for some benches and a sparkling fountain in the center. Then, in a silent instant, thirty-four sprightly performers [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/muscle-and-mortar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Object of My Obsession</title>
		<link>http://dctheatrescene.com/2008/07/26/the-object-of-my-obsession/</link>
		<comments>http://dctheatrescene.com/2008/07/26/the-object-of-my-obsession/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 15:00:52 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1833</guid>
		<description><![CDATA[The Object of My Obsession   Reviewed by Tim Treanor  &#8221;We have free Ex-Lax after the show,&#8221; playwright Mike Fox announces cheerily during the intermission. He&#8217;s joking, of course. But the thought is appreciated, since never before has there been a play so much in need of an enema. The Object of My Obsession is all [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/the-object-of-my-obsession/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Tales of Doomed Love &#8230;</title>
		<link>http://dctheatrescene.com/2008/07/26/tales-of-doomed-love/</link>
		<comments>http://dctheatrescene.com/2008/07/26/tales-of-doomed-love/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 14:49:13 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1831</guid>
		<description><![CDATA[Tales of Doomed Love (or is it Ever Worth it?)  Reviewed by Steven McKnight If you ever enjoyed the &#8220;fractured fairy tales&#8221; on the Rocky and Bullwinkle Show as a child, here&#8217;s an adult version that tells the story of five classic romances in a creative and entertaining way.  Each of the five stories work [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/tales-of-doomed-love/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Uncle Tom, Uncle Sam, Uncle Ben..</title>
		<link>http://dctheatrescene.com/2008/07/26/uncle-tom-uncle-same-uncle-ben/</link>
		<comments>http://dctheatrescene.com/2008/07/26/uncle-tom-uncle-same-uncle-ben/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 14:37:48 +0000</pubDate>
		<dc:creator>Miranda Hall</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1829</guid>
		<description><![CDATA[Uncle Tom, Uncle Sam, Uncle Ben, and the Rest  Reviewed by Miranda HallUncle Sam is dead. Guided by the urging of a Fellow American, Harriet Beecher Stowe&#8217;s protagonist Uncle Tom, pancake matriarch Aunt Jemima, and instant-rice progenitor Uncle Ben assemble to mourn patriotism and the American identity. But after one painstakingly overblown rendition of &#8220;America [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/uncle-tom-uncle-same-uncle-ben/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Self Accusation</title>
		<link>http://dctheatrescene.com/2008/07/26/1835/</link>
		<comments>http://dctheatrescene.com/2008/07/26/1835/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 14:00:54 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1835</guid>
		<description><![CDATA[Self Accusation   Reviewed by Danielle Martin Theatre Du Jour and DC Arts Center collaborate to bring us Peter Handke&#8217;s Self Accusation! In the DC Arts Center itself, this simple blackbox builds an auditory atmosphere all abuzz in preparation for the big night. Considering that it was 10 minutes before the performance, and I was the only [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/26/1835/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Outrageous Dames</title>
		<link>http://dctheatrescene.com/2008/07/25/outrageous-dames/</link>
		<comments>http://dctheatrescene.com/2008/07/25/outrageous-dames/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 17:18:06 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1823</guid>
		<description><![CDATA[Outrageous Dames  Reviewed by Tim Treanor  &#8220;Outrageous&#8221; is probably not the best word to describe Lizzie Borden and Eleanora Duse, at least as they are presented in these two one-woman plays. Alice Roosevelt Longsworth, who described herself as &#8220;Washington&#8217;s Topless Octogenarian&#8221; after her double mastectomy and famously said &#8220;if you don&#8217;t have anything nice to say, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>7 (x1) Samurai</title>
		<link>http://dctheatrescene.com/2008/07/25/7-x1-samurai/</link>
		<comments>http://dctheatrescene.com/2008/07/25/7-x1-samurai/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 15:44:30 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1827</guid>
		<description><![CDATA[7 (x1) Samurai  Reviewed by Danielle Martin  Adapted from Akira Kurosawa&#8217;s Seven Samurai this sprawling tale gets turned afresh in the accomplished imagination of  writer, director, and performer David Gaine. In this torqued, and at this point welcome, blackbox offering (the backdrop to the stage is white) we get stark lighting that focuses on one man as tumbles his [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/7-x1-samurai/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Psycho Cabaret</title>
		<link>http://dctheatrescene.com/2008/07/25/psycho-cabaret/</link>
		<comments>http://dctheatrescene.com/2008/07/25/psycho-cabaret/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 15:27:10 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1825</guid>
		<description><![CDATA[Psycho Cabaret   Reviewed by Danielle Martin    Chief Ike&#8217;s Mambo Room has the air of a place where class goes to die, owing to the garrish paint and sinister murals. Right now, it provides the backdrop for Psycho Cabaret, and referring to it as an apt setting becomes somehow more than an understatement. During the performance the eyes of Eisenhower garbed in military uniform, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/psycho-cabaret/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Slash Coleman Has Big Matzo Balls</title>
		<link>http://dctheatrescene.com/2008/07/25/slash-coleman-has-big-matzo-balls/</link>
		<comments>http://dctheatrescene.com/2008/07/25/slash-coleman-has-big-matzo-balls/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 11:50:58 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1820</guid>
		<description><![CDATA[Slash Coleman has Big Matzo Balls  Reviewed by Tim Treanor  Slash! Oh, Slash! How could you be in this awful show? More to the point, how could you write this awful show? I had asked to review Slash Coleman has Big Matzo Balls because my colleague, Joel Markowitz, was so enthusiastic about Coleman&#8217;s 2007 Fringe [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/slash-coleman-has-big-matzo-balls/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>InstaPlay</title>
		<link>http://dctheatrescene.com/2008/07/25/instaplay/</link>
		<comments>http://dctheatrescene.com/2008/07/25/instaplay/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 11:40:01 +0000</pubDate>
		<dc:creator>Miranda Hall</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1817</guid>
		<description><![CDATA[InstaPlay   Reviewed by Miranda Hall Only the keenest imaginations can make the humdrum extraordinary. And finding the humor in the exceptionally commonplace demands even more panache.  5-6-7-8 has a few lessons to learn. Though the show changes nightly, there seem to be some basic tenants of improv comedy that the group overlooks consistently. The first? Just [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/instaplay/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>7 1/2 Habits of Highly Effective Mistresses</title>
		<link>http://dctheatrescene.com/2008/07/25/7-12-habits-of-highly-effective-mistresses/</link>
		<comments>http://dctheatrescene.com/2008/07/25/7-12-habits-of-highly-effective-mistresses/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 11:28:30 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1815</guid>
		<description><![CDATA[7 ½ Habits of Highly Effective Mistresses  Reviewed by Steven McKnight The basic concept is a spoof of a self-help seminar.   The show is a hodgepodge of solo stand-up comedy, prop humor, musical parody, and audience interaction led by Lisa Faith Phillips in the persona of &#8220;Dr. Faith.&#8221;  Dr. Faith counsels the audience on the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/7-12-habits-of-highly-effective-mistresses/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Labor Daze</title>
		<link>http://dctheatrescene.com/2008/07/25/labor-daze/</link>
		<comments>http://dctheatrescene.com/2008/07/25/labor-daze/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 11:06:06 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1821</guid>
		<description><![CDATA[Labor Daze  Reviewed by Lorraine Treanor Remember Story Time at the local library when you were a kid?  Labor Daze is the adult version, complete with the occasional prop, and audience participation. Story teller Rivka Willick is telling tales about birthing, something she knows a great deal about, since she is also a doula, a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/25/labor-daze/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Disappearance of Jonah</title>
		<link>http://dctheatrescene.com/2008/07/24/the-disappearance-of-jonah/</link>
		<comments>http://dctheatrescene.com/2008/07/24/the-disappearance-of-jonah/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 17:12:35 +0000</pubDate>
		<dc:creator>Laura Vogltanz</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1812</guid>
		<description><![CDATA[The Disappearance of Jonah  By Laura Vogltanz  It was raining.  I was driving in D.C.  And, I was heading to the dark and dreary theater known as The Shop.  So far, not good.  I was already frustrated and didn&#8217;t have much hope for this show could bring me out of it.  Well, folks, it did.  The Disappearance [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/the-disappearance-of-jonah/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Carnal Node</title>
		<link>http://dctheatrescene.com/2008/07/24/carnal-node/</link>
		<comments>http://dctheatrescene.com/2008/07/24/carnal-node/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 14:37:42 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1808</guid>
		<description><![CDATA[Carnal Node   by Danielle Martin  Fringe ain&#8217;t just theatre, folks. And things that fall into &#8216;ain&#8217;t theatre&#8217; sure can appeal to the theatre folks, as Great Noise Ensemble&#8217;s Carnal Node now running at the Harman Center proves. Great Ensemble&#8217;s devotion to this modern age springs from their roots. The group formed in 2005 on craigslist in response to an ad where a devotion [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/carnal-node/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Alain Nu</title>
		<link>http://dctheatrescene.com/2008/07/24/1811/</link>
		<comments>http://dctheatrescene.com/2008/07/24/1811/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 14:14:40 +0000</pubDate>
		<dc:creator>Laura Vogltanz</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1811</guid>
		<description><![CDATA[Alain Nu: Mindbender  By Laura Vogltanz  Though I wouldn&#8217;t necessarily call Alain Nu: Mindbender a &#8220;magic&#8221; show, there were some components that made the audience say &#8220;How did he do that?&#8221;  Even more interesting were the one in which some said &#8220;How did I do that?&#8221; On his website, Nu explains he demonstrates ways of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/1811/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>La Filia di Mussolini</title>
		<link>http://dctheatrescene.com/2008/07/24/la-filia-di-mussolini/</link>
		<comments>http://dctheatrescene.com/2008/07/24/la-filia-di-mussolini/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 11:32:59 +0000</pubDate>
		<dc:creator>Hunter Styles</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1804</guid>
		<description><![CDATA[La Filia di Mussolini, and Other Stories Reviewed by Hunter Styles The fun of long-form solo comedy lies in the journey, not the destination. Ashley Strand knows this as he paces, frets, and giggles his way through his newest show. La Filia di Mussolini, and Other Stories is a relaxed, endearing, sometimes meandering triptych of memories [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/la-filia-di-mussolini/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Warrior</title>
		<link>http://dctheatrescene.com/2008/07/24/the-warrior/</link>
		<comments>http://dctheatrescene.com/2008/07/24/the-warrior/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 11:04:00 +0000</pubDate>
		<dc:creator>Carrie Klewin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1802</guid>
		<description><![CDATA[The Warrior   Reviewed by Carrie Klewin  From the moment the lights come up in The Warrior, we&#8217;re in the middle of a war, we&#8217;re just never entirely sure if we&#8217;re safe behind enemy lines. Theatre of the First Amendment&#8217;s production of The Warrior is a surprisingly fascinating look into the secret world of PTSD with a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/the-warrior/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Busted Jesus Comix</title>
		<link>http://dctheatrescene.com/2008/07/24/busted-jesys-comix/</link>
		<comments>http://dctheatrescene.com/2008/07/24/busted-jesys-comix/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 10:48:20 +0000</pubDate>
		<dc:creator>Carrie Klewin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1800</guid>
		<description><![CDATA[Busted Jesus Comix   Reviewed by Carrie Klewin Like a typical teenager should be, Marco is painfully awkward, and so are the comic books he writes.  Unfortunately, the production of Busted Jesus Comix suffers from the same behavioral condition. Not to say that awkward doesn&#8217;t have it&#8217;s merits; Seinfeld, or The Simpsons would be good examples [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/24/busted-jesys-comix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Fringe Scene Stealers 2</title>
		<link>http://dctheatrescene.com/2008/07/23/fringe-scene-stealers-2/</link>
		<comments>http://dctheatrescene.com/2008/07/23/fringe-scene-stealers-2/#comments</comments>
		<pubDate>Wed, 23 Jul 2008 13:13:57 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1793</guid>
		<description><![CDATA[        Performers from Musicals and Concerts Who Really Stole the Show By Joel Markowitz Four Actors Make Me Dizzy Over Lizzie and the Marquis I was on the fringe of total frustration, until I found these four scene stealers in a tent and a small stage, where their productions won the respect and [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/23/fringe-scene-stealers-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sex, Love and Vomit</title>
		<link>http://dctheatrescene.com/2008/07/23/sex-love-and-vomit/</link>
		<comments>http://dctheatrescene.com/2008/07/23/sex-love-and-vomit/#comments</comments>
		<pubDate>Wed, 23 Jul 2008 12:58:27 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1795</guid>
		<description><![CDATA[Sex, Love &#38; Vomit  by Danielle Martin Another day at Fringe. Another blackbox. Another simple lighting plot. Another pair of women, Katie Knutson and the hugely pregnant Arianna Ross, spend 50 minutes sharing their bumpy journeys to love and self-acceptance with an unwitting audience. Where to start with love? High school, of course. Because there is [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/23/sex-love-and-vomit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Lebensraum</title>
		<link>http://dctheatrescene.com/2008/07/22/lebensraum/</link>
		<comments>http://dctheatrescene.com/2008/07/22/lebensraum/#comments</comments>
		<pubDate>Tue, 22 Jul 2008 13:48:50 +0000</pubDate>
		<dc:creator>Danielle Martin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1788</guid>
		<description><![CDATA[Lebensraum   Reviewed by Danielle Martin   Question: How awesome is it when 3 college kids play a whole host of characters working magic one of the best political plays in the last quarter of a century? Answer: Pretty damned Awesome. Question: Can a country make up for genocide? (Trust me, I&#8217;m going somewhere with this). Answer: [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/22/lebensraum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Cox and Box</title>
		<link>http://dctheatrescene.com/2008/07/21/cox-and-box/</link>
		<comments>http://dctheatrescene.com/2008/07/21/cox-and-box/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 17:26:09 +0000</pubDate>
		<dc:creator>Darcy Sabatino</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1786</guid>
		<description><![CDATA[Cox and Box Reviewed by Darcy Sabatino When the high point of a performance is a song about bacon, you have to wonder about the low points. Wonder no more, good gents and ladies. Let me expound upon the Victorian Lyric Opera Company&#8217;s production of Cox and Box. When Judy Gardner, the accompanist, started playing [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/cox-and-box/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Gilgamesh, Who Saw the Deep</title>
		<link>http://dctheatrescene.com/2008/07/21/gilgamesh-who-saw-the-deep/</link>
		<comments>http://dctheatrescene.com/2008/07/21/gilgamesh-who-saw-the-deep/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 14:47:17 +0000</pubDate>
		<dc:creator>Carrie Klewin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1781</guid>
		<description><![CDATA[Gilgamesh, Who Saw the Deep Reviewed by Carrie Klewin Gilgamesh deliciously escorts us on a visit to the oral traditions of storytelling. This young troupe of performers courageously voyages to the depths of an epic. Aided only by rehearsal blocks, clip lights, and hand-made instruments, it&#8217;s a refreshing reminder of just how good getting back [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/gilgamesh-who-saw-the-deep/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Funny Propositions</title>
		<link>http://dctheatrescene.com/2008/07/21/funny-propositions/</link>
		<comments>http://dctheatrescene.com/2008/07/21/funny-propositions/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 14:38:37 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1779</guid>
		<description><![CDATA[Funny Propositions   Reviewed by Tim Treanor  For about ten minutes, this Fine Wine Players production is as good as anything in the Fringe. Very cool music, full of synthesizers and tubas, floats out of hidden speakers. Amanda Puskar, all curls and greasepaint and raccoon eyes, silently hands out the programs. Then the play begins. Really, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/funny-propositions/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>The Mikado</title>
		<link>http://dctheatrescene.com/2008/07/21/the-mikado/</link>
		<comments>http://dctheatrescene.com/2008/07/21/the-mikado/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 14:13:42 +0000</pubDate>
		<dc:creator>Darcy Sabatino</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1777</guid>
		<description><![CDATA[The Mikado   Reviewed by Darcy Sabatino &#8220;Are you sufficiently decayed enough&#8221; to perform? This was my take on Sullivan&#8217;s question after exiting the Fringe&#8217;s production of The Mikado. The fate of Gilbert&#8217;s dry humor and Sullivan&#8217;s musical score depended on who was on stage and how old they were. Yes, this can mean only one [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/the-mikado/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Manifesto</title>
		<link>http://dctheatrescene.com/2008/07/21/manifesto/</link>
		<comments>http://dctheatrescene.com/2008/07/21/manifesto/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 13:59:41 +0000</pubDate>
		<dc:creator>Carrie Klewin</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1775</guid>
		<description><![CDATA[Manifesto!  Reviewed by Carrie Klewin  If you are looking for an hour of whimsical delight, this café, created by surrealists and run by clowns, is the place to be.  Don&#8217;t know anything about Dada, Futurism or Surrealism?  It doesn&#8217;t matter.  If you&#8217;ve ever had the urge to stand on your head to see the world [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/manifesto/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Hefner Monologues</title>
		<link>http://dctheatrescene.com/2008/07/21/the-hefner-monologues/</link>
		<comments>http://dctheatrescene.com/2008/07/21/the-hefner-monologues/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 13:39:55 +0000</pubDate>
		<dc:creator>Matthew MacNelly</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1773</guid>
		<description><![CDATA[The Hefner Monologues: How Hefnerian  By Matt MacNelly  When John Hefner steps on to the stage, you have to believe there was a mix up at the last name factory. With his thinning hair and a thickening midsection, Hefner&#8217;s appearance from the beginning suggests he&#8217;s not a silk robe and slippers kind of guy. With [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/21/the-hefner-monologues/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>The Chalk Boy</title>
		<link>http://dctheatrescene.com/2008/07/21/the-chalk-boy/</link>
		<comments>http://dctheatrescene.com/2008/07/21/the-chalk-boy/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 13:23:13 +0000</pubDate>
		<dc:creator>Miranda Hall</dc:creator>
				<category><![CDATA[Capital Fringe Reviews]]></category>
		<category><![CDATA[fringe 08]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1771</guid>
		<description><![CDATA[The Chalk Boy   Reviewed by Miranda Hall Orangeade? Check. Feisty girl-power soundtrack? Double check. Title role? No dice. Jeff Chalk is missing and the stakes are dangerously high in Clear Creek. Has the dreamboat simply escaped a Heartland town&#8217;s unguarded clutches? Or has he been kidnapped? Or, like&#8230;worse?  New York playwright Joshua Conkel&#8217;s DC premier is [...]]]></description>
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		<slash:comments>0</slash:comments>
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