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	<title>DC Theatre Scene&#187; GALA</title>
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	<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
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		<item>
		<title>Ay, Carmela!</title>
		<link>http://dctheatrescene.com/2011/09/22/ay-carmela-2/</link>
		<comments>http://dctheatrescene.com/2011/09/22/ay-carmela-2/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 13:24:51 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29057</guid>
		<description><![CDATA[From the get-go, it’s do or die. Mona Martínez, as Carmela, and Diego Mariani, as Paulino, are as skittish as if dancing in front of a firing squad. Thanks to these two breathtaking theatre artists, ìAy, Carmela!, based on a real life love story, is both funny and profoundly moving on a deeply human level. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Looking back on the Hispanic theatre season</title>
		<link>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/</link>
		<comments>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 11:20:57 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Audience Choice Awards 2011]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28173</guid>
		<description><![CDATA[The rap on the wrap-up of the 2010/2011 Hispanic Theatre season in Washington D.C. is that as far as audiences are concerned, GALA Hispanic Theatre and Teatro de la Luna must be doing something right. In spite of funding cuts, the two Spanish-speaking theater groups have enjoyed strong box office support, garnered positive to enviable [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Canto Al Peru Negro (Song for Black Peru)</title>
		<link>http://dctheatrescene.com/2011/06/14/canto-al-peru-negro-song-for-black-peru/</link>
		<comments>http://dctheatrescene.com/2011/06/14/canto-al-peru-negro-song-for-black-peru/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 15:13:35 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26091</guid>
		<description><![CDATA[Shake those hips and roll those shoulders loose. Viva Peru! Vicky Leyva, a.k.a. “The Mulatta Flower of Peru,&#8221; dances barefoot, sings folklore straight from an impassioned heart and lights up the stage with bravura alongside her singing and dancing daughters Vanessa Diaz and Susan Duston. Together they represent a revolution. Hardly a fiesta of fun [...]]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Numancia</title>
		<link>http://dctheatrescene.com/2011/04/21/numancia/</link>
		<comments>http://dctheatrescene.com/2011/04/21/numancia/#comments</comments>
		<pubDate>Thu, 21 Apr 2011 20:56:57 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24816</guid>
		<description><![CDATA[The Teatro de Parla Youth Company of Spain delivers a powerful blast from the past. On the backs of black t-shirts worn by three actors, white print spells out: GUERRA (war), ENFERMEDAD (disease), and HAMBRE (famine). The characters stand upstage on a platform littered with bodies. These villains represent the rewards of war. This is [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Divorciadas, Evangelicas y Vegetarianas</title>
		<link>http://dctheatrescene.com/2011/04/14/divorciadas-evangelicas-y-vegetarianas/</link>
		<comments>http://dctheatrescene.com/2011/04/14/divorciadas-evangelicas-y-vegetarianas/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 12:21:38 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24559</guid>
		<description><![CDATA[Venezuelan playwright Gustavo Ott confronts us with close encounters of the domestic-violent kind. Divorcees, Evangelists and Vegetarians (Divorciadas, evangelicas y vegetarianas), an accessible play both tragic and hysterically funny, is about three needy women at the existential brink of self-destruction or complete madness. It exposes what women often hide from public view &#8211; the debilitating reality [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>La Candida Erendira</title>
		<link>http://dctheatrescene.com/2011/02/11/la-candida-erendira/</link>
		<comments>http://dctheatrescene.com/2011/02/11/la-candida-erendira/#comments</comments>
		<pubDate>Fri, 11 Feb 2011 16:18:01 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22687</guid>
		<description><![CDATA[The Innocent Eréndira and her Heartless Grandmother (La Cándida Eréndira) Abandon all moral judgment and logic to enjoy this erotic fairy tale. A grandmother sells her young granddaughter for rape and sex trafficking. Welcome to the grotesque and mysterious world of Gabriel Garcia Marquez where evil becomes palatable through magical realism. As directed by Jorge Alí [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Los Treinta revisited</title>
		<link>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/</link>
		<comments>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 09:04:08 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19698</guid>
		<description><![CDATA[Quique Aviles, poet and brilliant impersonator of true stories, is back. After two sold-out blockbusters at the GALA Tivoli Theatre, Aviles has returned to the 55-seat black box theater in the DCArts Center with the same show about Salvadoreans in Washington D.C. Quique Aviles (Photo courtesy of the production) For those who didn’t catch it [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/28/los-treinta-revisited/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>El Caballero de Olmedo</title>
		<link>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/</link>
		<comments>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/#comments</comments>
		<pubDate>Tue, 21 Sep 2010 15:20:23 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19566</guid>
		<description><![CDATA[How can a hero be so blind to the palpable warnings encircling him; so deaf to his own instincts? Lope de Vega, the Spanish Shakespeare, shows us the answer through Alonso, the title character from one of his masterpieces, El Caballero de Olmedo (The Knight from Olmedo.) The knight believes he is invincible because of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/21/el-caballero-de-olmedo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Los Treinta</title>
		<link>http://dctheatrescene.com/2010/08/03/los-treinta/</link>
		<comments>http://dctheatrescene.com/2010/08/03/los-treinta/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 12:06:09 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=18589</guid>
		<description><![CDATA[30 Years of the Salvadorean presence in DC Quique Aviles’ floor-blistering one-man show about the Salvadorean diaspora to Washington D.C. hits you like a fireball from a volcano. From the moment Aviles bounds from the aisles onto the stage and alternates English with Spanish, there is no language barrier. There’s a method to this exuberant [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/08/03/los-treinta/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>El Bola &#8211; Cuba&#8217;s King of Song</title>
		<link>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/</link>
		<comments>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 01:18:02 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=16737</guid>
		<description><![CDATA[A projection of El Bola’s round face with infectious smile greets you from a circular screen. Then Marcelino Valdes, in elegant white and black tux, steps through the Omega-shaped portal and impersonates Cuba’s King of Song by sing-speaking the riff: “All of us black folk drink coffee, you know!” from Ay, Mama Ines, (by Eliseo [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/06/08/el-bola-cubas-king-of-song/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>El Retablillo de don Cristobal</title>
		<link>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/</link>
		<comments>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/#comments</comments>
		<pubDate>Wed, 14 Apr 2010 11:01:36 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=14715</guid>
		<description><![CDATA[Top Pick &#8212; On a set littered with sandbags, rifles stand in wooden gun racks. Strains of catchy guitar music filter through muffled explosions of mortars. In the middle of the Spanish Civil War (1936-1939), Federico Garcia Lorca is dead but we’re about to see his playful side in a puppet show that is bawdy, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/04/14/el-retablillo-de-don-cristobal-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beauty of the Father</title>
		<link>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/</link>
		<comments>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 17:46:27 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=12558</guid>
		<description><![CDATA[Nilo Cruz writes with soul-searing beauty and director Abel Lopez draws together a perfect storm of a cast in GALA's Beauty of the Father.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/02/09/beauty-of-the-father-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Lucido (Lucid)</title>
		<link>http://dctheatrescene.com/2009/09/24/lucido-lucid/</link>
		<comments>http://dctheatrescene.com/2009/09/24/lucido-lucid/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 13:20:41 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=9750</guid>
		<description><![CDATA[The comic-drama Lúcido (Lucid) puts you on razor’s edge and lets you yearn for answers to the verbal chaos on stage. In this U.S. premiere, Rafael Spregelburd, Argentina’s most prolific among the latest arsenal of young playwrights, probes the fragility of familial ties through the meaning of dreams. Or have family relationships dissolved into nightmares? [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/09/24/lucido-lucid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mummy in the Closet: The Return of Eva Peron</title>
		<link>http://dctheatrescene.com/2009/06/09/mummy-in-the-closet-the-return-of-eva-peron-2/</link>
		<comments>http://dctheatrescene.com/2009/06/09/mummy-in-the-closet-the-return-of-eva-peron-2/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 21:46:52 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6821</guid>
		<description><![CDATA[In this impressive GALA-commissioned musical, composer Mariano Vales saturates us with ardent Argentinian soul music which transitions from tango, to salsa and waltz in perfect synchronization with playwright Gustavo Ott&#8217;s poetic text and lyrics, to take us on a journey to find the mystifying Eva Peron. What&#8217;s important for Ott and Vales is not Eva&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The True History of Coca-Cola in Mexico</title>
		<link>http://dctheatrescene.com/2009/04/06/the-true-history-of-coca-cola-in-mexico/</link>
		<comments>http://dctheatrescene.com/2009/04/06/the-true-history-of-coca-cola-in-mexico/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 02:19:26 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5519</guid>
		<description><![CDATA[The True History of Coca-Cola in Mexico is a spoof of a spoof &#8211; an edgy satire of two starry-eyed directors who set out to film a satire about Coca-Cola, the Holy Grail of American exports, and document the impact on Mexican culture of the world&#8217;s top selling, non-alcoholic soft drink. A flowing, white ribbon, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/04/06/the-true-history-of-coca-cola-in-mexico/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fuente Ovejuna</title>
		<link>http://dctheatrescene.com/2009/04/03/fuente-ovejuna/</link>
		<comments>http://dctheatrescene.com/2009/04/03/fuente-ovejuna/#comments</comments>
		<pubDate>Fri, 03 Apr 2009 19:47:04 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5464</guid>
		<description><![CDATA[When Lope de Vega launched Fuente Ovejuna (The Sheep Well) in 1614, he meant his play, based on an actual event, to sound a warning. When does political power go over-the-top and become outrageous?  Lope looked back to a turbulent period in 1476 to find the answer. And in so doing created what is now [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/04/03/fuente-ovejuna/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Best Judge, The King</title>
		<link>http://dctheatrescene.com/2009/02/04/the-best-judge-the-king/</link>
		<comments>http://dctheatrescene.com/2009/02/04/the-best-judge-the-king/#comments</comments>
		<pubDate>Wed, 04 Feb 2009 12:24:24 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3846</guid>
		<description><![CDATA[The Best Judge, The King (El Mejor Alcalde, El Rey) By Lope de Vega Adapted and Directed by Macarena Baeza (from Chile) Produced by GALA Reviewed by Rosalind Lacy Fling open windows and doors. Let in fresh air and sunlight. Lope de Vega has been inaugurated in Washington D.C.  The Best Judge, The King (El [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/02/04/the-best-judge-the-king/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Aging of the Plum</title>
		<link>http://dctheatrescene.com/2008/09/22/the-aging-of-the-plum/</link>
		<comments>http://dctheatrescene.com/2008/09/22/the-aging-of-the-plum/#comments</comments>
		<pubDate>Mon, 22 Sep 2008 16:43:22 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2083</guid>
		<description><![CDATA[La Edad de la Ciruela, The Aging of the Plum by playwright Aristides Vargas   directed by Abel Lopez produced by  GALA Theatre at Tivoli Square reviewed by Rosalind Lacy GALA director Abel Lopez and his inspired performers make The Aging of the Plum/La Edad de la Ciruela so mesmerizing and real, it moves beyond [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/09/22/the-aging-of-the-plum/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Agustin Lara</title>
		<link>http://dctheatrescene.com/2008/06/17/agustin-lara-bolero-and-blues/</link>
		<comments>http://dctheatrescene.com/2008/06/17/agustin-lara-bolero-and-blues/#comments</comments>
		<pubDate>Tue, 17 Jun 2008 12:37:22 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1475</guid>
		<description><![CDATA[Agustín Lara: Boleros &#38; Blues       Book by Gabriel Garcia; musically adapted by Mari Paz          Conceived and directed by Abel Lopez                                      Produced by the GALA Theatre at Tivoli Square Reviewed by Rosalind Lacy    Who was Agustín Lara, known as Mexico&#8217;s musical poet? Worshipped by swooning fans as &#8220;Our Golden Skinny Man,&#8221; Lara wrote gorgeous, romantic [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/06/17/agustin-lara-bolero-and-blues/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Blood Wedding</title>
		<link>http://dctheatrescene.com/2008/04/09/blood-wedding/</link>
		<comments>http://dctheatrescene.com/2008/04/09/blood-wedding/#comments</comments>
		<pubDate>Thu, 10 Apr 2008 01:22:53 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/04/09/blood-wedding/</guid>
		<description><![CDATA[Blood Wedding Written by Federico Garcia Lorca Directed by Hugo Medrano Choreographed by Danilo Rivera and Genoveva Guinn Produced by GALA Teatro Hispano Reviewed by Debbie Minter Jackson Blood Wedding. The title tells the story.  No surprises, everything is literal, predictable, and straight forward, right?  Wrong.  Sure the basic storyline is clearly stated in the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Your Molotov Kisses</title>
		<link>http://dctheatrescene.com/2008/02/05/your-molotov-kisses/</link>
		<comments>http://dctheatrescene.com/2008/02/05/your-molotov-kisses/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 17:26:45 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/02/05/your-molotov-kisses/</guid>
		<description><![CDATA[Your Molotov Kisses (Tu Ternura Molotov) by Gustavo Ott Directed by Abel Lopez Produced by GALA Theatre at Tivoli Square Reviewed by Rosalind Lacy         Venezuelan playwright Gustavo Ott-highly regarded in the Latino community as a fresh, new voice-injects us with a truth serum that can make us squirm. In his latest comedy, Ott makes a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cita a Ciegas</title>
		<link>http://dctheatrescene.com/2007/10/01/cita-a-ciegas/</link>
		<comments>http://dctheatrescene.com/2007/10/01/cita-a-ciegas/#comments</comments>
		<pubDate>Mon, 01 Oct 2007 16:50:37 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/01/cita-a-ciegas/</guid>
		<description><![CDATA[Cita a Ciegas (Blind Date) by Mario Diament Directed by Jose Carrasquillo Produced by GALA Reviewed by Rosalind Lacy Cita a Ciegas is a terrifyingly beautiful, imagistic play in which a blind man interviews isolated strangers on a park bench, and finds interconnections between them and his own life. If Beckett&#8217;s play Waiting for Godot [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Latido Negro</title>
		<link>http://dctheatrescene.com/2007/06/13/latido-negro/</link>
		<comments>http://dctheatrescene.com/2007/06/13/latido-negro/#comments</comments>
		<pubDate>Wed, 13 Jun 2007 16:52:18 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/06/13/latido-negro/</guid>
		<description><![CDATA[Latido Negro, Peru&#8217;s African Beat directed by Rafael Santa Cruz written by Fernando Barreto Arce choreographed by Lalo Izquierdo, review by Rosalind Lacy Break down the barriers. Let fusion reign. In GALA&#8217;s world premiere of a new musical Latido Negro: Peru&#8217;s African Beat, intoxicating rhythms of African drums blend with echoes of sweet-and-sad Andean or [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Elliot</title>
		<link>http://dctheatrescene.com/2007/04/19/elliot/</link>
		<comments>http://dctheatrescene.com/2007/04/19/elliot/#comments</comments>
		<pubDate>Thu, 19 Apr 2007 14:15:40 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/04/19/elliot/</guid>
		<description><![CDATA[Elliot: A Soldier&#8217;s Fugue By Quiara Alegria Hudes Produced by GALA Hispanic Theatre Reviewed by Rosalind Lacy (l to r) Manolo Santalla (Pop), Laura Giannarelli (Ginny), Norman Aronovic (Grandpop)&#160; (Photos: Daniel Cima) &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; In its 2006-2007 season, the GALA Hispanic Theatre continues to put women in the spotlight, Her Work, His Staging. The third play [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bohemians (Bohemios)</title>
		<link>http://dctheatrescene.com/2007/02/27/bohemians-bohemios/</link>
		<comments>http://dctheatrescene.com/2007/02/27/bohemians-bohemios/#comments</comments>
		<pubDate>Tue, 27 Feb 2007 15:12:53 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/27/bohemians-bohemios/</guid>
		<description><![CDATA[A co-production from Teatro de la Luna and Opera Theatre of Northern Virginia Reviewed by Rosalind Lacy &#160;&#160;&#160;&#160; &#160;(L-R): Kathy Hankins, Alvaro Rodr&#237;guez, Adriana Gonz&#225;lez&#160; (Photo: Raymond Gniewek) &#160;&#160;&#160;&#160; Even though Spain was politically unstable in 1904, composer Amadeo Vives found peace from living with freedom in his heart. He looked to the past to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Las Paredes (The Walls)</title>
		<link>http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/</link>
		<comments>http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/#comments</comments>
		<pubDate>Tue, 06 Feb 2007 15:41:40 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/</guid>
		<description><![CDATA[Produced by GALA Hispanic Theatre Reviewed by Rosalind Lacy (l to r) Cynthia Benjamin, Carlos Castillo and  Manuel Cabrera-Santos (Photo: Daniel Troconis) Argentine playwright Griselda Gambaro took an enormous risk because she couldn’t keep silent about “the disappeared.” When she wrote The Walls (Las Paredes) in 1964, she was ahead of her time. She held [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Throat Interview by Guest Interviewer Hugo Medrano, Producing Artistic Director of GALA Hispanic Theatre</title>
		<link>http://dctheatrescene.com/2006/11/14/the-throat-interview-by-guest-interviewer-hugo-medrano-producing-artistic-director-of-gala-hispanic-theatre/</link>
		<comments>http://dctheatrescene.com/2006/11/14/the-throat-interview-by-guest-interviewer-hugo-medrano-producing-artistic-director-of-gala-hispanic-theatre/#comments</comments>
		<pubDate>Tue, 14 Nov 2006 23:21:53 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[GALA]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/11/14/the-throat-interview-by-guest-interviewer-hugo-medrano-producing-artistic-director-of-gala-hispanic-theatre/</guid>
		<description><![CDATA[&#8220;This is a really wonderful production. It goes right to the heart of human emotions. Very touching.&#8221; Hugo Medrano, Producing Artistic Director of GALA Hispanic Theatre talks with members of the company of THROAT, the bold new play by Mando Alvarado, who is joined here by director Michael Ray Escamilla and actor Raul Castillo. They [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/11/14/the-throat-interview-by-guest-interviewer-hugo-medrano-producing-artistic-director-of-gala-hispanic-theatre/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
			<enclosure url="http://dctheatrescene.com/podpress_trac/feed/376/0/throat.mp3" length="6137620" type="audio/mpeg" />
		<itunes:duration>0:06:24</itunes:duration>
		<itunes:subtitle>
&#8220;This is a really wonderful production. It goes right to the heart of human emotions. Very touching.&#8221; Hugo Medrano, Producing Artistic Director of GALA Hispanic Theatre talks with members of the company of THROAT, the bold new play by M[...]</itunes:subtitle>
		<itunes:summary>
&#8220;This is a really wonderful production. It goes right to the heart of human emotions. Very touching.&#8221; Hugo Medrano, Producing Artistic Director of GALA Hispanic Theatre talks with members of the company of THROAT, the bold new play by Mando Alvarado, who is joined here by director Michael Ray Escamilla and actor Raul Castillo. They discuss the origin of the play,and its journey from a small New York proscenium stage to the intimate four sided space at Flashpoint, to its next stop, a 400 seat movie house in the town Michael and Mando call home, Pharr, Texas.
Listen here. </itunes:summary>
		<itunes:keywords>Interviews, Podcasts</itunes:keywords>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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