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	<title>DC Theatre Scene&#187; irish theatre</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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		<title>DC Theatre Scene&#187; irish theatre</title>
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		<title>Shrek, Cripple of Inishmaan</title>
		<link>http://dctheatrescene.com/2008/12/24/shrek-cripple-of-inishmaan/</link>
		<comments>http://dctheatrescene.com/2008/12/24/shrek-cripple-of-inishmaan/#comments</comments>
		<pubDate>Wed, 24 Dec 2008 15:14:46 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3431</guid>
		<description><![CDATA[Shrek, The Cripple of Inishmaan, and a visit to the Players Club by Richard Seff As the curtain calls were taking place on Dec. 14, the night I saw Shrek, The Musical, I began to cogitate on what I&#8217;d liked most about the engaging musical I&#8217;d just seen. And it hit me at once: I&#8217;d [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Love, Peace and Robbery</title>
		<link>http://dctheatrescene.com/2008/12/05/love-peace-and-robbery/</link>
		<comments>http://dctheatrescene.com/2008/12/05/love-peace-and-robbery/#comments</comments>
		<pubDate>Fri, 05 Dec 2008 14:09:20 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2962</guid>
		<description><![CDATA[Love, Peace, and Robbery By Liam Heylin Produced by Keegan Theatre&#8217;s New Island Project Directed by Kerry Waters Lucas Reviewed by Tim Treanor Crafted devotedly in truth and detail, Love, Peace and Robbery is theater stripped to its essence: fine actors showing the heartbreaking consequentiality of everyday acts. Darren (Matthew Keenan) and Gary (Eric Lucas) [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Glengarry Glen Ross</title>
		<link>http://dctheatrescene.com/2008/12/02/glengarry-glen-ross/</link>
		<comments>http://dctheatrescene.com/2008/12/02/glengarry-glen-ross/#comments</comments>
		<pubDate>Tue, 02 Dec 2008 13:44:42 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2900</guid>
		<description><![CDATA[Glengarry Glen Ross By David Mamet Directed by Jeremy Skidmore Produced by Keegan Theatre Reviewed by Steven McKnight Keegan Theatre&#8217;s Glengarry Glen Ross is an example of how the stars can occasionally align to produce a truly memorable experience.  This top-notch production of David Mamet&#8217;s profane yet literate play about desperate real estate salesmen would [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/02/glengarry-glen-ross/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Dublin Carol</title>
		<link>http://dctheatrescene.com/2008/11/19/dublin-carol/</link>
		<comments>http://dctheatrescene.com/2008/11/19/dublin-carol/#comments</comments>
		<pubDate>Wed, 19 Nov 2008 11:09:55 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[quotidian]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2762</guid>
		<description><![CDATA[Dublin Carol By Conor McPherson Directed by Jack Sbarbori Produced by Quotidian Theatre Company Reviewed by Steven McKnight Conor McPherson&#8217;s Dublin Carol consists of three scenes set in the office of assistant funeral director John Plunkett (John Decker) in Dublin on Christmas Eve.  The office is a nice creation by set designer Jack Sbarbori, just [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Playboy of the Western World</title>
		<link>http://dctheatrescene.com/2008/10/24/the-playboy-of-the-western-world/</link>
		<comments>http://dctheatrescene.com/2008/10/24/the-playboy-of-the-western-world/#comments</comments>
		<pubDate>Fri, 24 Oct 2008 11:17:22 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[kennedy center]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2459</guid>
		<description><![CDATA[The Shadow of the Glen &#38;The Playboy of the Western World by John Millington Synge directed by Garry Hynes A DRUID Theatre Company production, presented by The Kennedy Center reviewed by Steven McKnight If you think the work of early 20th century Irish playwright John Millington Synge is merely broad comedies about Irish peasants, The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stones in His Pockets</title>
		<link>http://dctheatrescene.com/2008/08/05/stones-in-his-pockets-2/</link>
		<comments>http://dctheatrescene.com/2008/08/05/stones-in-his-pockets-2/#comments</comments>
		<pubDate>Tue, 05 Aug 2008 10:26:06 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1887</guid>
		<description><![CDATA[Stones In His Pockets By Marie Jones Directed by Kerry Waters Lucas Produced by Keegan Theatre&#8217;s New Island Project Reviewed by Steven McKnight Can hopes and dreams be dangerous?  Stones in His Pockets starts as a witty little satire about a small Irish village used as backdrop for a Hollywood film then evolves into a darker and richer [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Trad</title>
		<link>http://dctheatrescene.com/2008/01/29/trad/</link>
		<comments>http://dctheatrescene.com/2008/01/29/trad/#comments</comments>
		<pubDate>Tue, 29 Jan 2008 19:11:25 +0000</pubDate>
		<dc:creator>Steven McKnight</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

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		<description><![CDATA[Trad By Mark Doherty Directed by Linda Murray Produced by Solas Nua Reviewed by Steven McKnight Trad (short for &#8220;tradition,&#8221; one of its overarching themes) is a brilliant Irish stew of surreal comedy, touching drama, clever satire, and thoughtful allegory.  Solas Nua presents a professional and charming production of Mark Doherty&#8217;s award-winning play. The story [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/01/29/trad/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Made In China</title>
		<link>http://dctheatrescene.com/2007/10/18/made-in-china/</link>
		<comments>http://dctheatrescene.com/2007/10/18/made-in-china/#comments</comments>
		<pubDate>Thu, 18 Oct 2007 17:17:22 +0000</pubDate>
		<dc:creator>Ronnie Ruff</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/18/made-in-china/</guid>
		<description><![CDATA[Made in China By Mark O&#8217;Rowe Directed by Colin Hovde Produced by Solas Nua Reviewed by Ronnie Ruff When it comes to cutting edge Irish theatre, it does not get much better than Solas Nua. Their 2005 production of Mark O&#8217;Rowe&#8217;s Howie The Rookie was a fabulous production that had humor, violence and rollercoaster like [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/10/18/made-in-china/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Scenes from the Big Picture</title>
		<link>http://dctheatrescene.com/2007/05/20/scenes-from-the-big-picture/</link>
		<comments>http://dctheatrescene.com/2007/05/20/scenes-from-the-big-picture/#comments</comments>
		<pubDate>Sun, 20 May 2007 17:45:46 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/05/20/scenes-from-the-big-picture/</guid>
		<description><![CDATA[By Owen McCafferty Produced by Solas Nua and Tinderbox Theatre Company (Belfast) Directed by Des Kennedy Reviewed by Tim Treanor In Mojo/Mickybo, Owen McCafferty&#8217;s two-man tragedy staged by Keegan last January, Belfast bled all over the stage, as the City&#8217;s ceaseless Catholic-Protestant conflict made mincemeat out of two young boys&#8217; friendship, and out of everything [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/05/20/scenes-from-the-big-picture/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://dctheatrereviews.com/review/audio/bigpicture.mp3" length="18203377" type="audio/mpeg" />
			<itunes:keywords>irish theatre,solas nua</itunes:keywords>
	<itunes:subtitle>By Owen McCafferty  Produced by Solas Nua and Tinderbox Theatre Company (Belfast)  Directed by Des Kennedy  Reviewed by Tim Treanor  In Mojo/Mickybo, Owen McCafferty&#039;s two-man tragedy staged by Keegan last January, Belfast bled all over the stage,</itunes:subtitle>
		<itunes:summary>By Owen McCafferty

Produced by Solas Nua and Tinderbox Theatre Company (Belfast)

Directed by Des Kennedy

Reviewed by Tim Treanor

In Mojo/Mickybo, Owen McCafferty&#039;s two-man tragedy staged by Keegan last January, Belfast bled all over the stage, as the City&#039;s ceaseless Catholic-Protestant conflict made mincemeat out of two young boys&#039; friendship, and out of everything else.  Rona Munro mined similar territory in last year&#039;s Bold Girls, and many other writers have explored the same thing.  Indeed, a theatrical company could easily plan a full season around staged examinations of The Troubles, and how they have robbed life of value in that benighted land.

Scenes from the Big Picture is something else entirely.  More scenes than big picture, the play is a cross-section of the life of the city, and of its inhabitants.  Belfast is a hard town, and hard lives are lived there, but aside from an astonishing discovery that two young men (Joe Isenberg and Eric Messner) make about their dead father, the scenes do not touch upon The Troubles.  Instead, they are about the small dramas and epiphanies any one of us might have, even in a place as odd as Washington, D.C.

There are, for example, scenes from the lives of Dave and Theresa Black (Brian Hemmingsen and Nanna Ingvarsson), whose son disappeared - and doubtlessly died - fifteen years ago to the day.  They hold out no hope for his recovery, but Dave lives for the day when the police will find the body.  He has become a Victim, while Theresa has become an Executive at the failing abattoir which appears to employ most of the neighborhood.   Displacement in time is their source of conflict.  She wants to ignore the past in order to live in the future.  He wants to live in the past and let the future take care of itself.

Or consider scenes in the life of Joe Hynes (Jason McCool), a man whose allergy to moral choice allows him to betray all he comes into contact with, including his baby-obsessed wife Maeve (Madeleine Burke), his mistress Helen Woods (Stephanie Roswell), and the members of the Union which elected him shop steward when the cool-eyed Theresa induces him to permit the unloading of a meat packer without guaranty of payment. 

Or what about Robbie Mullin (Patrick Bussink), a small-time drug dealer to whose junkie girlfriend Connie Dean (Madeline Carr) he assigns lookout responsibilities?  Connie&#039;s dalliance with two slack-jawed teenagers, Swiz Murdoch and Bop Torbett (Kevin O&#039;Reilly and Jon Reynolds) has grave consequences that neither she nor we anticipate.  Or what about Bop&#039;s dad Bobbie (John C. Bailey), who follows his attendance at the funeral for a despised man with a boozy afternoon spent with two dipsomaniacal buddies, Shanks O&#039;Neill (John Brennan) and Sharon Lawther (Ellie Nicoll)?  Or Bop himself, who ignores overtures from the gorgeous Maggie Lyttle (Paloma Ellis) because he is so intent on impressing Maggie&#039;s hoodlum boyfriend, Cooper Jones (Joe Baker)?  Or what about the elderly shopkeeper Sammy Lennon (Don Kenefick) and his wife Betty (Declan Cashman), who has a secret she cannot bring herself to tell?

These scenes and characters bounce around each other without ever losing their individuality, like molecules in a superheated chamber.  Robbie gives the conservative Betty a lift to the hospital in a car loaded with drug paraphernalia, and laughs about it later with Connie.  Cooper steals bottled water from Sammy, and later sends Bop on a mission to steal rolling papers.  Dave and Theresa argue about whether she should take time off from her job at the abattoir, while the never-seen owner tries desperately to stave off bankruptcy.  Bobbie, Shanks and Sharon drink at Helen&#039;s bar, and later Helen agrees to give Bop a job.  These are the ordinary events which befall ordinary people, even ourselves, in an ordinary town, even our own.  And yet they achieve a sort of nobility, as the human endeavor itself is noble in its ordinariness.

What emerges is huge, diffuse,</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Callie Kimball Talks with Big Picture Director</title>
		<link>http://dctheatrescene.com/2007/05/19/callie-kimball-talks-with-big-picture-director/</link>
		<comments>http://dctheatrescene.com/2007/05/19/callie-kimball-talks-with-big-picture-director/#comments</comments>
		<pubDate>Sat, 19 May 2007 15:13:34 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/05/19/callie-kimball-talks-with-big-picture-director/</guid>
		<description><![CDATA[Belfast director Des Kennedy is in town to direct his first U. S. production, Solas Nua&#8217;s Scenes from the Big Picture by Owen McCafferty (Mojo/ Mickybo). Callie Kimball, popular DC playwright and actress, leads Des in a lively conversation about the day-in-Belfast play, his take on American actors, his unusual techniques for rehearsing Big Picture&#8216;s [...]]]></description>
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		<slash:comments>0</slash:comments>
<enclosure url="http://dctheatrereviews.com/review/audio/bigpicture.mp3" length="18203377" type="audio/mpeg" />
			<itunes:keywords>Interviews,irish theatre,solas nua</itunes:keywords>
	<itunes:subtitle>Belfast director Des Kennedy is in town to direct his first U. S. production, Solas Nua&#039;s Scenes from the Big Picture by Owen McCafferty (Mojo/ Mickybo). Callie Kimball, popular DC playwright and actress, leads Des in a lively conversation about the da...</itunes:subtitle>
		<itunes:summary>Belfast director Des Kennedy is in town to direct his first U. S. production, Solas Nua&#039;s Scenes from the Big Picture by Owen McCafferty (Mojo/ Mickybo). Callie Kimball, popular DC playwright and actress, leads Des in a lively conversation about the day-in-Belfast play, his take on American actors, his unusual techniques for rehearsing Big Picture&#039;s 21 member cast, and the role The Laramie Project has played on his career. Finally, the 24-year director shares his discoveries in theater and upcoming projects.

Listen here. 

Or play by clicking on the speaker icon

Scenes from the Big Picture runs through June 24th at the Callan Theatre, Catholic University. For more information, visit the Solas Nua website.

(Run time: 18:57)</itunes:summary>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>The Small Things</title>
		<link>http://dctheatrescene.com/2007/02/09/the-small-things/</link>
		<comments>http://dctheatrescene.com/2007/02/09/the-small-things/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 18:21:13 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/09/the-small-things/</guid>
		<description><![CDATA[Produced by Solas Nua Reviewed by Ronnie Ruff Podcast with Kate Debelack by Joel Markowitz with Lorraine Treanor (follows the review) Chris Davenport and Kate Debelack (Photo: C. Stanley Photography) Irish playwright Enda Walsh, who was recently appointed Playwright in Residence for Dublin’s Abbey Theatre, is becoming very familiar to Washington audiences. His 2005 play The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mojo Mickybo</title>
		<link>http://dctheatrescene.com/2007/01/07/mojo-mickeybo/</link>
		<comments>http://dctheatrescene.com/2007/01/07/mojo-mickeybo/#comments</comments>
		<pubDate>Sun, 07 Jan 2007 23:56:04 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[keegan]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/01/07/mojo-mickeybo/</guid>
		<description><![CDATA[&#160; Mojo Mickybo by Owen McCafferty Produced by the new island project of Keegan Theatre at Theatre on the Run Reviewed by Tim Treanor Podcast with the cast and director follows the review. Who are those guys? Hey, if you like good theater, delivered explosively by excellent actors, do yourself a favor and go to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/01/07/mojo-mickeybo/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Bedbound Breaks Barriers</title>
		<link>http://dctheatrescene.com/2006/06/25/bedbound-breaks-barriers/</link>
		<comments>http://dctheatrescene.com/2006/06/25/bedbound-breaks-barriers/#comments</comments>
		<pubDate>Sun, 25 Jun 2006 05:16:28 +0000</pubDate>
		<dc:creator>Ronnie Ruff</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/06/25/bedbound-breaks-barriers/</guid>
		<description><![CDATA[Bed Bound &#8212; Solas Nua By: Ronnie Ruff Edna Walsh has yet to achieve the popularity in America that Conor McPherson has but he is, none the less, one of the most important new playwrights in contemporary Irish theatre. Solas Nua, one of the most exciting local theatre companies around has mounted Bedbound, Walsh&#8217;s 2000 play [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/06/25/bedbound-breaks-barriers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Mai</title>
		<link>http://dctheatrescene.com/2006/03/11/paradise-material/</link>
		<comments>http://dctheatrescene.com/2006/03/11/paradise-material/#comments</comments>
		<pubDate>Sat, 11 Mar 2006 17:13:51 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/03/11/paradise-material/</guid>
		<description><![CDATA[By: Ronnie Ruff The Mai &#8212; Solas Nua  Irish playwright Marina Carr offers many observations of importance in The Mai currently mounted at The Josephine Butler Arts Center in Columbia Heights. One of note is &#8220;Everyone is deranged &#8212; Some people just hide it better&#8221;, another and the central theme of the play is &#8220;There are two kinds [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/03/11/paradise-material/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>This Lime Tree Bower</title>
		<link>http://dctheatrescene.com/2006/02/25/telling-tales/</link>
		<comments>http://dctheatrescene.com/2006/02/25/telling-tales/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 16:58:53 +0000</pubDate>
		<dc:creator>Ronnie Ruff</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[scena]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/telling-tales/</guid>
		<description><![CDATA[Come on in and sit around the table with Dan Brick, Eric Lucas and Joe Baker.. Let them tell you an Irish tale full of laughs and fine lessons learned; storytelling is something these lads are very, very good at. These three actors take this play by Conor McPherson and turn it inside out, upside [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Howie the Rookie</title>
		<link>http://dctheatrescene.com/2006/02/25/thrilling-ride/</link>
		<comments>http://dctheatrescene.com/2006/02/25/thrilling-ride/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 16:26:10 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/thrilling-ride/</guid>
		<description><![CDATA[By: Ronnie Ruff Howie the Rookie Seeing a Solas Nua production is a lot like getting to ride the biggest baddest rollercoaster without having to go to a big, impersonal amusement park.  This is theatre that is so up front and personal that you find yourself totally emmersed in the characters and their out of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Misterman at DCAC by Solas Nua</title>
		<link>http://dctheatrescene.com/2006/02/25/misterman-at-dcac-by-solas-nua/</link>
		<comments>http://dctheatrescene.com/2006/02/25/misterman-at-dcac-by-solas-nua/#comments</comments>
		<pubDate>Sat, 25 Feb 2006 14:51:37 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/25/misterman-at-dcac-by-solas-nua/</guid>
		<description><![CDATA[By: Walter Ruff MisterMan is forty five minutes of Dan Brick and that alone is enough reason for anyone to see this one man show at DCAC.  Mr. Brick is able to take command of an audience with great skill. His has an ability to bring a smile to your face while knowing full well [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/02/25/misterman-at-dcac-by-solas-nua/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Disco Pigs &#8211; Solas Nua</title>
		<link>http://dctheatrescene.com/2005/06/28/18/</link>
		<comments>http://dctheatrescene.com/2005/06/28/18/#comments</comments>
		<pubDate>Tue, 28 Jun 2005 23:56:14 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[solas nua]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/02/24/18/</guid>
		<description><![CDATA[By: Walter Ruff Pig and Runt, two club kids growing up in Cork, Ireland have a lot to say&#8211;and for the most part they say it through their actions and emotions rather than dialog that one can readily understand. In fact they have developed a special language they share in their own private world. Like [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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