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	<title>DC Theatre Scene&#187; latino theatre</title>
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	<link>http://dctheatrescene.com</link>
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	<copyright>2009-2010 </copyright>
	<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
	<webMaster>lorraine@dctheatrescene.com (DC Theatre Scene)</webMaster>
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	<ttl>1440</ttl>
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		<title>DC Theatre Scene&#187; latino theatre</title>
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	<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
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		<title>Doubt (La Duda)</title>
		<link>http://dctheatrescene.com/2008/11/13/doubt-la-duda/</link>
		<comments>http://dctheatrescene.com/2008/11/13/doubt-la-duda/#comments</comments>
		<pubDate>Thu, 13 Nov 2008 15:29:07 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2706</guid>
		<description><![CDATA[Doubt (La Duda) By John Patrick Shanley Adapted and directed by Matilda Corral Produced by I.E. Productions C.A., from Venezuela for Teatro De La Luna&#8217;s Eleventh International Festival of Hispanic Theater Reviewed by Rosalind Lacy What universalizes John Patrick Shanley&#8217;s Doubt (La Duda), about a priest suspected of pedophilia, are the adaptations director Matilda Corral [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Meat Prices Rising</title>
		<link>http://dctheatrescene.com/2008/11/03/meat-prices-rising/</link>
		<comments>http://dctheatrescene.com/2008/11/03/meat-prices-rising/#comments</comments>
		<pubDate>Mon, 03 Nov 2008 15:59:47 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2616</guid>
		<description><![CDATA[Meat Prices Rising (SubiÃ³ la Carne) By Argento, Pazos, Pesqueira Directed by Carlo Argento Produced by Teatro de la Luna Reviewed by Rosalind Lacy Meat Prices Rising (SubiÃ³ la Carne) has an enticing, juicy title. This loosely constructed cabaret act seems to be saying: okay, the economy is shot to hell, so let&#8217;s make fun [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Hand</title>
		<link>http://dctheatrescene.com/2008/10/25/the-hand/</link>
		<comments>http://dctheatrescene.com/2008/10/25/the-hand/#comments</comments>
		<pubDate>Sat, 25 Oct 2008 12:29:01 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2473</guid>
		<description><![CDATA[The Hand (La Mano) by playwright German Madrid directed by Antonia Castillo produced by Carro de Baco, Barcelona, Spain, and Teatro De La Luna reviewed by Rosalind Lacy The Hand (La Mano), by German Madrid, Spain&#8217;s gift to Teatro de la Luna&#8217;s Eleventh International Festival of Hispanic Theater is a mordantly witty puzzler, the kind [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Luisa Fernanda</title>
		<link>http://dctheatrescene.com/2008/05/27/luisa-fernanda/</link>
		<comments>http://dctheatrescene.com/2008/05/27/luisa-fernanda/#comments</comments>
		<pubDate>Tue, 27 May 2008 11:27:59 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/27/luisa-fernanda/</guid>
		<description><![CDATA[Luisa Fernanda A Spanish ZarzuelaÂ  (light opera) in Three Acts Music by Federico Moreno Torroba .Â Libretto by Federico Romero and Guillermo Fernandez Shaw Directed by JosÃ© SacinÂ Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  Â Â Â Â  Produced by Zarzuela Di Si in collaboration with the Mexican Cultural Institute Reviewed by Rosalind LacyÂ Â Â  Opening night at the Mexican Cultural Institute buzzed with excitement and [...]]]></description>
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		<title>She Returned One Night</title>
		<link>http://dctheatrescene.com/2008/05/12/she-returned-one-night/</link>
		<comments>http://dctheatrescene.com/2008/05/12/she-returned-one-night/#comments</comments>
		<pubDate>Mon, 12 May 2008 10:59:03 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

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		<description><![CDATA[VolviÃ³ una Noche, She Returned One Night by Eduardo Rovner Directed by Mario MarcelÂ Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  Â Â Â Â Â  Produced by Teatro de la Luna Reviewed by Rosalind LacyÂ Â Â  One reason I love to see plays at Washington D.C.&#8217;s Hispanic theaters is that I emerge renewed, as if I&#8217;ve traveled through a parallel universe.Â  Meet Eduardo Rovner, a multi-prize-winning [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Blood Wedding</title>
		<link>http://dctheatrescene.com/2008/04/09/blood-wedding/</link>
		<comments>http://dctheatrescene.com/2008/04/09/blood-wedding/#comments</comments>
		<pubDate>Thu, 10 Apr 2008 01:22:53 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/04/09/blood-wedding/</guid>
		<description><![CDATA[Blood Wedding Written by Federico Garcia Lorca Directed by Hugo Medrano Choreographed by Danilo Rivera and Genoveva Guinn Produced by GALA Teatro Hispano Reviewed by Debbie Minter Jackson Blood Wedding. The title tells the story.Â  No surprises, everything is literal, predictable, and straight forward, right?Â  Wrong.Â  Sure the basic storyline is clearly stated in the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Your Molotov Kisses</title>
		<link>http://dctheatrescene.com/2008/02/05/your-molotov-kisses/</link>
		<comments>http://dctheatrescene.com/2008/02/05/your-molotov-kisses/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 17:26:45 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/02/05/your-molotov-kisses/</guid>
		<description><![CDATA[Your Molotov Kisses (Tu Ternura Molotov) by Gustavo Ott Directed by Abel Lopez Produced by GALA Theatre at Tivoli Square Reviewed by Rosalind LacyÂ Â Â Â Â Â Â Â  Venezuelan playwright Gustavo Ott-highly regarded in the Latino community as a fresh, new voice-injects us with a truth serum that can make us squirm. In his latest comedy, Ott makes a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Women of 50</title>
		<link>http://dctheatrescene.com/2007/10/26/woman-of-50/</link>
		<comments>http://dctheatrescene.com/2007/10/26/woman-of-50/#comments</comments>
		<pubDate>Fri, 26 Oct 2007 21:32:45 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/26/woman-of-50/</guid>
		<description><![CDATA[Women of 50 (Mujeres de 50) By Daniela Di Segni and Hilda Levy Directed by Liliana Pecora Produced by Teatro De La Luna &#8211; Â International Hispanic Festival Reviewed by Rosalind Lacy Argentine actress Liliana Pecora is the Sarah Bernhardt of comic actresses. Pecora doesn&#8217;t speak English at all, she told us on opening night. That&#8217;s [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Oh, Sarah</title>
		<link>http://dctheatrescene.com/2007/10/20/oh-sarah/</link>
		<comments>http://dctheatrescene.com/2007/10/20/oh-sarah/#comments</comments>
		<pubDate>Sat, 20 Oct 2007 09:58:50 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

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		<description><![CDATA[Oh, Sarah! By Ariel Mastandrea Directed by Bernardo Galli Presented by Teatro de Uruguay Produced by Teatro De La Luna International Hispanic Festival Reviewed by Rosalind Lacy Â What better way to transcend language barriers than to present a one-woman play about Sarah Bernhardt. Â This famous 19th century actress never spoke or reportedly never understood a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>From Banishment to Meeting with the Soul</title>
		<link>http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/</link>
		<comments>http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/#comments</comments>
		<pubDate>Fri, 12 Oct 2007 16:48:54 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/</guid>
		<description><![CDATA[From Banishment to Meeting with the Soul, a Pilgrimage on Earth, (Del destierro, al encuentro con el alma, el peregrinaje por la tierra, y) A Group Creation from Venezuela&#8217;s Altosf Theatre Directed by Juan Carlos De Petre Produced as part of the Teatro De La Luna International Hispanic Festival Reviewed by Rosalind Lacy Venezuelan actor [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cita a Ciegas</title>
		<link>http://dctheatrescene.com/2007/10/01/cita-a-ciegas/</link>
		<comments>http://dctheatrescene.com/2007/10/01/cita-a-ciegas/#comments</comments>
		<pubDate>Mon, 01 Oct 2007 16:50:37 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/01/cita-a-ciegas/</guid>
		<description><![CDATA[Cita a Ciegas (Blind Date) by Mario Diament Directed by Jose Carrasquillo Produced by GALA Reviewed by Rosalind Lacy Cita a Ciegas is a terrifyingly beautiful, imagistic play in which a blind man interviews isolated strangers on a park bench, and finds interconnections between them and his own life. If Beckett&#8217;s play Waiting for Godot [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Latido Negro</title>
		<link>http://dctheatrescene.com/2007/06/13/latido-negro/</link>
		<comments>http://dctheatrescene.com/2007/06/13/latido-negro/#comments</comments>
		<pubDate>Wed, 13 Jun 2007 16:52:18 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/06/13/latido-negro/</guid>
		<description><![CDATA[Latido Negro, Peru&#8217;s African Beat directed by Rafael Santa Cruz written by Fernando Barreto Arce choreographed by Lalo Izquierdo, review by Rosalind Lacy Break down the barriers. Let fusion reign. In GALA&#8217;s world premiere of a new musical Latido Negro: Peru&#8217;s African Beat, intoxicating rhythms of African drums blend with echoes of sweet-and-sad Andean or [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Bohemians (Bohemios)</title>
		<link>http://dctheatrescene.com/2007/02/27/bohemians-bohemios/</link>
		<comments>http://dctheatrescene.com/2007/02/27/bohemians-bohemios/#comments</comments>
		<pubDate>Tue, 27 Feb 2007 15:12:53 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/27/bohemians-bohemios/</guid>
		<description><![CDATA[A co-production from Teatro de la Luna and Opera Theatre of Northern Virginia Reviewed by Rosalind Lacy &#160;&#160;&#160;&#160; &#160;(L-R): Kathy Hankins, Alvaro Rodr&#237;guez, Adriana Gonz&#225;lez&#160; (Photo: Raymond Gniewek) &#160;&#160;&#160;&#160; Even though Spain was politically unstable in 1904, composer Amadeo Vives found peace from living with freedom in his heart. He looked to the past to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Las Paredes (The Walls)</title>
		<link>http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/</link>
		<comments>http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/#comments</comments>
		<pubDate>Tue, 06 Feb 2007 15:41:40 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[latino theatre]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/02/06/las-paredes-the-walls/</guid>
		<description><![CDATA[Produced by GALA Hispanic Theatre Reviewed by Rosalind Lacy &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;(l to r) Cynthia Benjamin, Carlos Castillo and &#160;Manuel Cabrera-Santos (Photo: Daniel Troconis) Argentine playwright Griselda Gambaro took an enormous risk because she couldn&#8217;t keep silent about &#8220;the disappeared.&#8221; When she wrote The Walls (Las Paredes) in 1964, she was ahead of her time. She held [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>How to Fill a Wild Bikini</title>
		<link>http://dctheatrescene.com/2006/10/16/how-to-fill-a-wild-bikini/</link>
		<comments>http://dctheatrescene.com/2006/10/16/how-to-fill-a-wild-bikini/#comments</comments>
		<pubDate>Mon, 16 Oct 2006 18:50:19 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

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		<description><![CDATA[How to Fill a Wild Bikini Produced by Teatro de la Luna by Rosalind LacyÂ  With a play entitled How To Fill a Wild Bikini, I confess I sat down expecting a bedroom farce. But I came away emotionally moved by something far more profound, thanks to a wonderful actress from Uruguay- Graciela Rodriguez. Miguel [...]]]></description>
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