In the right hands, a simple game of cards can uncover secrets, reveal hidden truths, and topple the best intentions of polite etiquette and civility. The Gin Game at MetroStage shows that a hand of cards can pack as hard a punch as boxing gloves.
Tom Story provides a comedic tour-de-force as the frenetic and frazzled Sam and forty other characters in the hilarious Fully Committed at MetroStage.
When MetroStage’s artistic director Carolyn Griffin pursued staging Becky Mode’s comedy Fully Committed, a huge hit on Broadway this year with Jesse Tyler Ferguson playing a myriad of 40 characters, she knew who she wanted in the Ferguson role: DC fave Tom Story with Alan Paul as the show’s director.
In 2012, Ruth P. Watson’s novel Blackberry Days of Summer became a critical darling. The story is an exciting historical whodunit, where a young black man is murdered at the beginning of the 20th Century, and even though suspects abound, no one is trying too hard to find his killer. The show was adapted into […]
The long-awaited Blackberry Daze has the signature style of a MetroStage production with Thomas W. Jones II at the helm, but the piece also swerves its own way with unusual stylistic touches. Based on the novel Blackberry Days of Summer by Ruby P. Watson, it is a tale about a community in the post- “Great War” […]
If you’re like me, you’ve already done your Christmas shopping, filled out your budget for the next fiscal year, and made arrangements for your final repose after The Event Which Awaits Us All occurs. Now it’s time for something much more difficult: planning your theater season.
Black Pearl Sings! is a powerful, entertaining story of two women from vastly different walks who have life-changing interactions that revolve around snippets of historical music.
If ever you feel that local talent can never be as good as what you’ll see and hear in New York or LA, consider this: sometimes people come here to see new stuff. ‘Local’ is relative.
I continue to celebrate the voices and the productions that were heard in Washington this Fall as part of the Women’s Voices Theater Festival. Frankly, I’m also still mulling over the questions and the challenges that surfaced then and continue to send ripples through the community.
I’m retired now as a critic and when I see a play it is generally as a civilian. In days of old, I might see upwards of a hundred fifty plays a year, and the experience was as commonplace for me as swatting mosquitoes or filing lawsuits. It became like going to an art gallery; […]