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	<title>DC Theatre Scene&#187; new york</title>
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	<copyright>2009-2010 </copyright>
	<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
	<webMaster>lorraine@dctheatrescene.com (DC Theatre Scene)</webMaster>
	<ttl>1440</ttl>
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		<title>DC Theatre Scene</title>
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	<itunes:subtitle>Lively up close interviews and audio plays</itunes:subtitle>
	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
	<itunes:keywords>podcasts, DC theatre, radio plays, </itunes:keywords>
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	<itunes:author>DC Theatre Scene</itunes:author>
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		<itunes:name>DC Theatre Scene</itunes:name>
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		<item>
		<title>Exit the King, Chasing Manet and 33 Variations</title>
		<link>http://dctheatrescene.com/2009/04/13/exit-the-king-chasing-manet-and-33-variations/</link>
		<comments>http://dctheatrescene.com/2009/04/13/exit-the-king-chasing-manet-and-33-variations/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 12:45:23 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5672</guid>
		<description><![CDATA[Eugene Ionesco died in 1994, and left us the progeny of his Theatre of the Absurd in which he was a pioneer. He wrote some 28 plays, and is best remembered for The Bald Soprano, The Lesson, The Chairs and Rhinoceros. His ode to dying, Exit the King, played 47 performances on Broadway in 1968 [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cruising with Chita, Early to Bed and Happiness</title>
		<link>http://dctheatrescene.com/2009/04/01/cruising-with-chita-early-to-bed-and-happiness/</link>
		<comments>http://dctheatrescene.com/2009/04/01/cruising-with-chita-early-to-bed-and-happiness/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 16:09:57 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=5370</guid>
		<description><![CDATA[Two days after debarking from Celebrity Cruise&#8217;s SS Solstice in Ft. Lauderdale and flying back to NYC, I came down with the worst cold of my life and here I am, nine days later, still coughing and wheezing to beat the band. My doctor tells me I must grin and bear it for his final [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hedda Gabler, This Beautiful City, Music in the Air</title>
		<link>http://dctheatrescene.com/2009/02/17/hedda-gabler-this-beautiful-city-music-in-the-air/</link>
		<comments>http://dctheatrescene.com/2009/02/17/hedda-gabler-this-beautiful-city-music-in-the-air/#comments</comments>
		<pubDate>Tue, 17 Feb 2009 13:47:01 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=4063</guid>
		<description><![CDATA[Mary Louise Parker is one of those luminous ladies who will have allure on a stage as long as she agrees to set foot on one. Movie cameras are not so friendly, and the radiant Ms. Parker has thus far graced many more small screens than large ones. Embroiled for the past few seasons in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Billy Elliot, August: Osage County, The Third Story</title>
		<link>http://dctheatrescene.com/2009/02/04/billy-elliot-august-osage-country-the-third-story/</link>
		<comments>http://dctheatrescene.com/2009/02/04/billy-elliot-august-osage-country-the-third-story/#comments</comments>
		<pubDate>Wed, 04 Feb 2009 22:14:38 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3853</guid>
		<description><![CDATA[Billy Elliot, August: Osage County and The Third Story by Richard Seff Here we are into February and I&#8217;m just catching up on two of last year&#8217;s big winners. I&#8217;d seen Billy Elliot in London last April, but saved the New York production until it properly settled in for its long run on Broadway. I [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shrek&#8217;s Brian d&#8217;Arcy James</title>
		<link>http://dctheatrescene.com/2009/01/29/shreks-brian-darcy-james/</link>
		<comments>http://dctheatrescene.com/2009/01/29/shreks-brian-darcy-james/#comments</comments>
		<pubDate>Thu, 29 Jan 2009 17:30:13 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3764</guid>
		<description><![CDATA[Brian d&#8217;Arcy James Talks with Richard Seff Recorded by Joel Markowitz Sixteen years ago Richard Seff met Brian d&#8217;Arcy James when the two performed in Lend Me AaTenor at the Players Theatre in Columbus, Ohio. A bond was formed, and Richard has watched Brian grow from the Bellboy in Tenor to Shrek The Ogre in Shrek The [...]]]></description>
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		<slash:comments>1</slash:comments>
			<enclosure url="http://dctheatrescene.com/podpress_trac/feed/3764/0/briandarcyshrek.mp3" length="23610515" type="audio/mpeg" />
		<itunes:duration>0:24:36</itunes:duration>
		<itunes:subtitle>
Brian d&#8217;Arcy James Talks with Richard Seff
Recorded by Joel Markowitz
Sixteen years ago Richard Seff met Brian d&#8217;Arcy James when the two performed in Lend Me AaTenor at the Players Theatre in        Columbus, Ohio. A bond was formed, an[...]</itunes:subtitle>
		<itunes:summary>
Brian d&#8217;Arcy James Talks with Richard Seff
Recorded by Joel Markowitz
Sixteen years ago Richard Seff met Brian d&#8217;Arcy James when the two performed in Lend Me AaTenor at the Players Theatre in        Columbus, Ohio. A bond was formed, and Richard has watched Brian grow from        the Bellboy in Tenor to Shrek The Ogre in Shrek The        Musical, now in its Broadway run.
Here, they reminisce about some of the ups and downs of the        seventeen years that have lapsed since they met,  in a career        that has included plays as well as musicals on the road, regionally and in        stock, to Titanic, The Sweet Smell of Success, Dirty Rotten        Scoundrels and Shrek The Musical on Broadway.
Some highlights:  those early Lend Me a Tenor days, workshopping today&#8217;s musicals, James as an unusual choice to play Shrek, and finding Shrek&#8217;s voice.
Shrek:The Musical is at the Broadway Theatre, 1681 Broadway, NYC. 

Related:
Brian d&#8217;Arcy James sings &#8216;Who I&#8217;d Be&#8217; from Shrek on the Today Show (video)
Richard Seff&#8217;s review of Shrek
Richard Seff is author of Supporting Player: My Life Upon the Wicked Stage , celebrating his lifetime on stage and behind the scenes, available through online booksellers, including Amazon.com.

Other DCTS Podcasts featuring Richard Seff:
Interviews with and about John Kander, With Complete Kander 
Richard Seff: A Lifetime on Broadway Click here 

Inside Broadway: A Return Visit with Richard Seff Listen here.






</itunes:summary>
		<itunes:keywords>Interviews, Podcasts</itunes:keywords>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>The American Plan and Leaves of Glass</title>
		<link>http://dctheatrescene.com/2009/01/27/the-american-play-and-leaves-of-glass/</link>
		<comments>http://dctheatrescene.com/2009/01/27/the-american-play-and-leaves-of-glass/#comments</comments>
		<pubDate>Tue, 27 Jan 2009 17:44:00 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3718</guid>
		<description><![CDATA[The American Plan and Leaves of Glass by Richard Seff Lynne Meadow and her Manhattan Theatre Club have been extremely loyal to playwright Richard Greenberg, mounting play after play of his, regardless of their merit. No question, Greenberg is a fine writer, as witness his Take Me Out and his current adaptation of John O;Hara&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Speed-the-Plow, Any Day Now</title>
		<link>http://dctheatrescene.com/2009/01/23/speed-the-plow-any-day-now/</link>
		<comments>http://dctheatrescene.com/2009/01/23/speed-the-plow-any-day-now/#comments</comments>
		<pubDate>Fri, 23 Jan 2009 18:19:44 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3662</guid>
		<description><![CDATA[Speed-the-Plow, Any Day Now by Richard Seff David Mamet speeds words at you as though they were coming straight from the mouth of an automatic rifle. I&#8217;ve never acted in one of his plays but even in my salad days I think I&#8217;d have been terrified to try. For it&#8217;s boom bang bing; it&#8217;s all [...]]]></description>
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		<slash:comments>0</slash:comments>
			<enclosure url="http://dctheatrescene.com/review/audio/richardseff2.mp3" length="10411782" type="audio/mpeg" />
		<enclosure url="http://dctheatrescene.com/review/audio/seffnov07.mp3" length="18055419" type="audio/mpeg" />
	</item>
		<item>
		<title>Pal Joey</title>
		<link>http://dctheatrescene.com/2009/01/07/pal-joey/</link>
		<comments>http://dctheatrescene.com/2009/01/07/pal-joey/#comments</comments>
		<pubDate>Wed, 07 Jan 2009 15:44:49 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3531</guid>
		<description><![CDATA[by Richard Seff One of the more quoted critical quotes of the last century is Brooks Atkinson&#8217;s conclusion to his review of the original production the Rogers-Hart-O&#8217;Hara collaboration Pal Joey in 1940. The terminal sentence was: &#8220;Can you draw sweet water from a foul well?&#8221; Well, no, you can&#8217;t, but that&#8217;s just the point of [...]]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Yiddish Theatre&#8217;s Gimpel Tam and Kids and Yiddish</title>
		<link>http://dctheatrescene.com/2009/01/01/yiddish-theatres-gimpel-tam-and-kids-and-yiddish/</link>
		<comments>http://dctheatrescene.com/2009/01/01/yiddish-theatres-gimpel-tam-and-kids-and-yiddish/#comments</comments>
		<pubDate>Thu, 01 Jan 2009 23:16:51 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Theatre Schmooze]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3462</guid>
		<description><![CDATA[by Joel Markowitz In its 94th year, the National Yiddish Theatre Folksbiene, is alive and full of energy and ended 2008 with two productions.  It was the last day of Chanukah and Joel Markowitz made sure to see them both on his recent swing through NYC.  Here he interviews actor Adam Shapiro from the critically [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Shrek, Cripple of Inishmaan</title>
		<link>http://dctheatrescene.com/2008/12/24/shrek-cripple-of-inishmaan/</link>
		<comments>http://dctheatrescene.com/2008/12/24/shrek-cripple-of-inishmaan/#comments</comments>
		<pubDate>Wed, 24 Dec 2008 15:14:46 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[irish theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3431</guid>
		<description><![CDATA[Shrek, The Cripple of Inishmaan, and a visit to the Players Club by Richard Seff As the curtain calls were taking place on Dec. 14, the night I saw Shrek, The Musical, I began to cogitate on what I&#8217;d liked most about the engaging musical I&#8217;d just seen. And it hit me at once: I&#8217;d [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/24/shrek-cripple-of-inishmaan/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>White Christmas and Saturn Returns</title>
		<link>http://dctheatrescene.com/2008/12/09/white-christmas-and-saturn-returns/</link>
		<comments>http://dctheatrescene.com/2008/12/09/white-christmas-and-saturn-returns/#comments</comments>
		<pubDate>Tue, 09 Dec 2008 16:08:15 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=3044</guid>
		<description><![CDATA[Saturn Returns, White Christmas and Speed-the-Plow cast at the Drama League Luncheon by Richard Seff Noah Haidle, the author of Saturn Returns at the Mitzi E. Newhouse Theater, is new to me, but he&#8217;s been produced in many of the nation&#8217;s most prominent regional theatres, [Ed. note: Haidle's Vigils was seen in DC at Woolly [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/12/09/white-christmas-and-saturn-returns/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Forbidden Broadway and The Seagull</title>
		<link>http://dctheatrescene.com/2008/11/25/forbidden-broadway-and-the-seagull/</link>
		<comments>http://dctheatrescene.com/2008/11/25/forbidden-broadway-and-the-seagull/#comments</comments>
		<pubDate>Tue, 25 Nov 2008 13:29:05 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musical revue]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2844</guid>
		<description><![CDATA[by Richard Seff Gerard Alessandrini, creator, writer and director of the Forbidden Broadway series of small revues designed to skewer the Broadway of its current season, has announced that the series will end.  The latest, called Forbidden Broadway Goes to Rehab, will be the last. If this turns out to be true, it&#8217;s good to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/11/25/forbidden-broadway-and-the-seagull/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Man for All Seasons and 13</title>
		<link>http://dctheatrescene.com/2008/11/11/a-man-for-all-seasons-and-13/</link>
		<comments>http://dctheatrescene.com/2008/11/11/a-man-for-all-seasons-and-13/#comments</comments>
		<pubDate>Tue, 11 Nov 2008 15:09:20 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2650</guid>
		<description><![CDATA[A Man for All Seasons and 13: A New Musical by Richard Seff I came to the Roundabout&#8217;s revival of A Man for All Seasons late in its run, on November 5th. I was away when it opened on October 7th, and was only vaguely aware of its critical response, but my feeling was it [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/11/11/a-man-for-all-seasons-and-13/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Irma La Douce, A Body of Water, Romantic Poetry</title>
		<link>http://dctheatrescene.com/2008/10/24/irma-la-douce-a-body-of-water-romantic-poetry/</link>
		<comments>http://dctheatrescene.com/2008/10/24/irma-la-douce-a-body-of-water-romantic-poetry/#comments</comments>
		<pubDate>Fri, 24 Oct 2008 13:55:42 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2462</guid>
		<description><![CDATA[Irma La Douce, A Body of Water, Romantic Poetry by Richard Seff Mel Miller has been bringing Musicals Tonite to New Yorkers since 1998. What are they?  They are a sort of watered down version of Encores!, which means only that they are staged concert readings produced on a tiny budget in a small theatre, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To Be and Two Rooms</title>
		<link>http://dctheatrescene.com/2008/10/16/to-be-and-two-rooms/</link>
		<comments>http://dctheatrescene.com/2008/10/16/to-be-and-two-rooms/#comments</comments>
		<pubDate>Thu, 16 Oct 2008 16:28:27 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2372</guid>
		<description><![CDATA[To Be or Not To Be and Two Rooms by Richard Seff  It&#8217;s always risky to chance turning a great movie into a first rate stage play. It rarely works. About the best of the lot that comes to mind is Applause out of All About Eve, but even that one isn&#8217;t in the same [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Enter Laughing, What&#8217;s That Smell and A Tale of Two Cities</title>
		<link>http://dctheatrescene.com/2008/09/19/enter-laughing-whats-that-smell-and-a-tale-of-two-cities/</link>
		<comments>http://dctheatrescene.com/2008/09/19/enter-laughing-whats-that-smell-and-a-tale-of-two-cities/#comments</comments>
		<pubDate>Fri, 19 Sep 2008 17:56:35 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2054</guid>
		<description><![CDATA[Enter Laughing, What&#8217;s That Smell: The Music of Jacob Sterling and A Tale of Two Cities by Richard Seff Oh rapture, oh joy! It is a pleasure to be able to report that, very early in the new season, New York has a genuine hit. What&#8217;s even more fun is that the source of this delight [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/09/19/enter-laughing-whats-that-smell-and-a-tale-of-two-cities/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Summer Shorts 2, Three Changes and Half a Sixpence</title>
		<link>http://dctheatrescene.com/2008/09/09/summer-ends/</link>
		<comments>http://dctheatrescene.com/2008/09/09/summer-ends/#comments</comments>
		<pubDate>Tue, 09 Sep 2008 15:40:44 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1989</guid>
		<description><![CDATA[by Richard Seff An odd little evening at 59E59, one of the most user friendly theatres in New York, proved a small treat. This theatre sponsors several festivals in summer, and this one was called Summer Shorts 2.There were two programs, and I caught Series B. It was like playwrights playing in summer camp, sketching for possible future [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/09/09/summer-ends/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>You Must Remember These</title>
		<link>http://dctheatrescene.com/2008/07/28/you-must-remember-these/</link>
		<comments>http://dctheatrescene.com/2008/07/28/you-must-remember-these/#comments</comments>
		<pubDate>Mon, 28 Jul 2008 16:12:27 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1860</guid>
		<description><![CDATA[The Marriage of Bette and Boo, Bash&#8217;d, Damn Yankees and Broadway&#8217;s Rising Stars by Richard Seff  Two Chris Durang plays in a week! Mr. Durang is raking it in from these two early plays alone.   Proof that one&#8217;s children can be of help in one&#8217;s older age. I&#8217;ve told you about the Sag Harbor Theatre&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Summer Therapy</title>
		<link>http://dctheatrescene.com/2008/07/14/summer-therapy/</link>
		<comments>http://dctheatrescene.com/2008/07/14/summer-therapy/#comments</comments>
		<pubDate>Mon, 14 Jul 2008 16:21:26 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1678</guid>
		<description><![CDATA[Summer Therapy Beyond Therapy, Couple of the Century, Rafta, Rafta and Reasons to Be Pretty By Richard Seff There&#8217;s not a lot going on in New York right now. No, that&#8217;s not true; this is the city that never sleeps, and there are plays, cafés, musicals opening all the time, even during the July-August off/season.  [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/14/summer-therapy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Defending the Caveman</title>
		<link>http://dctheatrescene.com/2008/07/12/defending-the-caveman/</link>
		<comments>http://dctheatrescene.com/2008/07/12/defending-the-caveman/#comments</comments>
		<pubDate>Sat, 12 Jul 2008 17:34:51 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1642</guid>
		<description><![CDATA[Defending the Caveman by Rob Becker Performed and directed by Cody Lyman Produced by Theater Mogul and Nederlander of Bethesda Reviewed by Rosalind Lacy On stage at the Bethesda Theatre, two prehistoric cave paintings serve as historic reminders that even though we think we&#8217;ve changed, our DNA programming hasn&#8217;t. One shows males hunting bison; the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/07/12/defending-the-caveman/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Wrapping Up the Season</title>
		<link>http://dctheatrescene.com/2008/06/19/final-bows-of-the-season/</link>
		<comments>http://dctheatrescene.com/2008/06/19/final-bows-of-the-season/#comments</comments>
		<pubDate>Thu, 19 Jun 2008 11:31:56 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=1480</guid>
		<description><![CDATA[Wrapping Up the Season Macbeth, Boeing Boeing, Top Girls, Cry-Baby, Hot ‘n Cole and the Awards: Richard Seff, Theatre World, and the Tonys By Richard Seff The 2007-08 season in New York is now history and considering the deplorable condition in which the world outside finds itself, it was a remarkably healthy one. The numbers [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/06/19/final-bows-of-the-season/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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		<title>World of Jewtopia</title>
		<link>http://dctheatrescene.com/2008/06/09/world-of-jewtopia/</link>
		<comments>http://dctheatrescene.com/2008/06/09/world-of-jewtopia/#comments</comments>
		<pubDate>Mon, 09 Jun 2008 21:37:17 +0000</pubDate>
		<dc:creator>Janice Cane</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[World of Jewtopia Written and performed by Bryan Fogel and Sam Wolfson Produced by Bethesda Theatre Reviewed by Janice Cane Jews have been around for thousands and thousands of years, and most of the jokes about the chosen people are nearly as old. But plenty of comics (and lay people) are still coming up with [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/06/09/world-of-jewtopia/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>The Drama League Awards</title>
		<link>http://dctheatrescene.com/2008/06/01/the-drama-league-awards/</link>
		<comments>http://dctheatrescene.com/2008/06/01/the-drama-league-awards/#comments</comments>
		<pubDate>Sun, 01 Jun 2008 20:52:15 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/06/01/the-drama-league-awards/</guid>
		<description><![CDATA[A well loved family affair By NY Theatre Buzz columnist Richard Seff The social event of the season in theatre is the Drama League Luncheon, which celebrates the best of the ending season&#8217;s performances on and Off-Broadway, and presents the Drama League Awards. For those working onstage during the season, this luncheon is the event [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/06/01/the-drama-league-awards/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Two musicals &#8211; one dark, one fluffy, then cue the Prince!</title>
		<link>http://dctheatrescene.com/2008/05/16/two-musicals-one-dark-one-fluffy-then-cue-the-prince/</link>
		<comments>http://dctheatrescene.com/2008/05/16/two-musicals-one-dark-one-fluffy-then-cue-the-prince/#comments</comments>
		<pubDate>Fri, 16 May 2008 23:08:12 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[on Adding Machine, No No Nanette!, and a Master Class with Harold Prince By NY Theatre Buzz columnist Richard Seff It&#8217;s difficult to believe that in his early twenties Elmer Rice wrote The Adding Machine, that the Theatre Guild produced it, that its cast included Dudley Digges, Helen Westley, Edward G. Robinson and a host of [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/05/16/two-musicals-one-dark-one-fluffy-then-cue-the-prince/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Politics, Sexual Intrigue and Lost Souls</title>
		<link>http://dctheatrescene.com/2008/05/06/politics-sexual-intrigue-and-lost-souls/</link>
		<comments>http://dctheatrescene.com/2008/05/06/politics-sexual-intrigue-and-lost-souls/#comments</comments>
		<pubDate>Tue, 06 May 2008 14:51:17 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[Politics, Sexual Intrigue and Lost Souls November, Les Liaisons Dangereuses, and Port Authority By Richard Seff David Mamet has always been bright and very much in tune with his times, often giving us goose bumps as he makes us face some of the harsh truths lurking just below the surface. But this time he&#8217;s put [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/05/06/politics-sexual-intrigue-and-lost-souls/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>39 Steps Moves to Broadway</title>
		<link>http://dctheatrescene.com/2008/04/02/39-steps-moves-to-broadway/</link>
		<comments>http://dctheatrescene.com/2008/04/02/39-steps-moves-to-broadway/#comments</comments>
		<pubDate>Thu, 03 Apr 2008 01:04:13 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/04/02/39-steps-moves-to-broadway/</guid>
		<description><![CDATA[The 39 Steps, The Fifth Column, The Slug Bearers of Kayrol Island, Ghosts by Richard Seff, NY Theatre Buzz columnist Take a London concoction, fly one of four actors across the pond to recreate his role, add three zany and original other actors, stir &#8211; don&#8217;t shake, and what have you got?  Spring, on a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/04/02/39-steps-moves-to-broadway/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>A Musical Hit for the National Yiddish Theatre</title>
		<link>http://dctheatrescene.com/2008/03/31/a-musical-hit-for-the-national-yiddish-theatre/</link>
		<comments>http://dctheatrescene.com/2008/03/31/a-musical-hit-for-the-national-yiddish-theatre/#comments</comments>
		<pubDate>Mon, 31 Mar 2008 20:36:22 +0000</pubDate>
		<dc:creator>Joel Markowitz</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[Kibitzing with Itzy Firestone, Suzanne Toren and Eyal Sherf from Di Ksube by Joel Markowitz Oy Vey!   Yiddish theatre is still going after 93 years, thanks to The National Yiddish Theatre Folksbiene. They were nominated for a Drama Desk Award for the Yiddish version of Pirates of Penzance, and now they have a hit on [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/03/31/a-musical-hit-for-the-national-yiddish-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>





Kibitzing with Itzy Firestone, Suzanne Toren and Eyal Sherf from Di Ksube


by Joel Markowitz


Oy Vey!   Yiddish theatre is still going after 93 years, thanks to The National Yiddish Theatre Folksbiene. They were nominated for a Drama Desk A[...]</itunes:subtitle>
		<itunes:summary>





Kibitzing with Itzy Firestone, Suzanne Toren and Eyal Sherf from Di Ksube


by Joel Markowitz


Oy Vey!   Yiddish theatre is still going after 93 years, thanks to The National Yiddish Theatre Folksbiene. They were nominated for a Drama Desk Award for the Yiddish version of Pirates of Penzance, and now they have a hit on their hands with the musical Di Ksube. Take a boorish plumber, his suffering wife, his only daughter and her statistician fiancé,  Now, throw in the &#8221;we need to be in total control&#8221; overbearing in-laws and an oversexed  widow who lives upstairs. Then, add some meshuganah musical numbers and what do you have? A funny, heart tugging comedy with music called The Marriage Contract (&#8220;Di Ksube&#8220;).  
Di Ksube was written in Hebrew by Ephraim Kishon, an Israeli humorist in 1953, and was one of the longest running hits on the Israeli stage. This adaptation, playing now at The Folksbiene at The JCC in the upper west side of Manhattan, is  performed in Yiddish with English and Russian subtitles.    
Actors Itzy Firestone and Suzanne Toren kibitzed about the revival of the Yiddish Theatre at the Folksbeine in NYC, and the importance of keeping the Yiddish language alive. Listen in as they schmooze about their roles in Di Ksube,  and sing highlights &#8220;Vu Bin Ikh Farkrokhn&#8221; (&#8220;What Have I Gotten Myself Into&#8221;) and &#8220;Ikh Vel Vider Zayn a Kavalir&#8221; (&#8220;I&#8217;ll Be a Bachelor Again&#8221;).   
Eyal Sherf, who plays Robert, the groom,  speaks about the importance for young Jewish actors to perform Yiddish musicals, and talks about his character and favorite scene in Di Ksube. Eyal concludes his interview as he serenades us with a bissell from a song from Folksbiene&#8217;s Yiddish production of The Pirates of Penzance.    
Di Ksube runs through until April 6th. You can purchase tickets by calling Ticket Central, by phone at (212) 279-4200 or online .
To listen, click here.</itunes:summary>
		<itunes:keywords>Interviews, Podcasts</itunes:keywords>
		<itunes:author>DC Theatre Scene</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>Two Marriages and Some Salsa</title>
		<link>http://dctheatrescene.com/2008/03/25/two-marriages-and-some-salza/</link>
		<comments>http://dctheatrescene.com/2008/03/25/two-marriages-and-some-salza/#comments</comments>
		<pubDate>Tue, 25 Mar 2008 14:41:58 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[Life is a Duet, Next to Normal, In the Heights By Richard Seff, NY Theatre Buzz Columnist On a recent Saturday night I joined a friend on the #7 subway out of Manhattan headed for the far reaches of Queens. At the penultimate stop on the line, we landed on an outdoor platform that felt [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Sondheim Saves Us from the Mid Feb Slump</title>
		<link>http://dctheatrescene.com/2008/02/17/sondheim-saves-us-from-the-mid-feb-slump/</link>
		<comments>http://dctheatrescene.com/2008/02/17/sondheim-saves-us-from-the-mid-feb-slump/#comments</comments>
		<pubDate>Sun, 17 Feb 2008 11:31:01 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[by Richard Seff, NY Theatre Buzz Columnist  Dead Man&#8217;s Cell Phone  . Hunting and Gathering . Sunday in the Park with George Feb 18, 2008 &#8212; We&#8217;d been warned that business would be off in New York theatre in the bleak days of January-February. But no one told us that the Artistic Directors at Playwrights&#8217; [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Minority Report on Stoppard and Shaw</title>
		<link>http://dctheatrescene.com/2008/02/03/minority-report-on-stoppard-and-shaw/</link>
		<comments>http://dctheatrescene.com/2008/02/03/minority-report-on-stoppard-and-shaw/#comments</comments>
		<pubDate>Sun, 03 Feb 2008 16:59:12 +0000</pubDate>
		<dc:creator>Richard Seff</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[NY Theatre Buzz]]></category>
		<category><![CDATA[new york]]></category>

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		<description><![CDATA[By Richard Seff, DCTS columnist: NY Theatre Buzz Stoppard&#8217;s Rock ‘N&#8217; Roll and Shaw&#8217;s Geneva Though I am fast approaching my dotage, I feel like an outsider when I read the reviews of many of my aging almost-contemporaries, the current run of so many NY theatre critics. Many of them revel in the wildness, energy [...]]]></description>
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		<slash:comments>1</slash:comments>
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